The Masterworks (40CD 2004 Brilliant compilation)

~ Release by Handel (see all versions of this release, 1 available)

Annotation

Warning

Note that this compilation and the 2001 edition do not use the same recordings for all works. Be sure you are using the right one.

Problems

CD12, Johannes Passion: Artist credits on CD cover looks like: "Chamber Choir; Capella Savaria, Pál Németh". I have entered relationships for "Capella Savaria" and "Pál Németh", but I have no idea what is "Chamber Choir" — it's too generic name.

CD23, Italian Cantatas, Volume 1: Disc title in MB has a comment: "(Capella Savaria feat. conductor: Pál Németh)". However, credits on disc cover is different: "Mária Zádori, soprano; Concerto Armonico; Artistic Directors: Péter Szüts, Miklós Spányi".

Individual barcodes

CD 01: 5028421239019
CD 02: 5028421239026
CD 03: 5028421239033
CD 04: 5028421239040
CD 05: 5028421239057
CD 06: 5028421239064
CD 07: 5028421239071
CD 08: 5028421239088
CD 09: 5028421239095
CD 10: 5028421239109
CD 11: 5028421239116
CD 12: 5028421239123
CD 13: 5028421239130
CD 14: 5028421239147
CD 15: 5028421239154
CD 16: 5028421239161
CD 17: 5028421239178
CD 18: 5028421239185
CD 19: 5028421239192
CD 20: 5028421390208
CD 21: 5028421390215
CD 22: 5028421390222
CD 23: 5028421390239
CD 24: 5028421390246
CD 25: 5028421390253
CD 26: 5028421390260
CD 27: 5028421390277
CD 28: 5028421390284
CD 29: 5028421390291
CD 30: 5028421390307
CD 31: 5028421390314
CD 32: 5028421390321
CD 33: 5028421390338
CD 34: 5028421390345
CD 35: 5028421390352
CD 36: 5028421390369
CD 37: 5028421390376
CD 38: 5028421390383
CD 39: 5028421390390
CD 40: 5028421390406

Annotation last modified on 2019-03-11 01:09 UTC.

Tracklist

1▶CD: Jephtha, Part 1
2▶CD: Jephtha, Part 2
3▶CD: Jephtha, Part 3
4▶CD: Belsazar, Part 1
5▶CD: Belsazar, Part 2
6▶CD: Belsazar, Part 3
7▶CD: Messiah, Part 1
8▼CD: Messiah, Part 2
#TitleArtistRatingLength
1Messiah: Part II. Chorus “Surely he haath borne out grieves”
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:43
2Messiah: Part II. Chorus “And with his stripes we are healed”
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:47
3Messiah: Part II. Chorus “All we like sheep”
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:43
4Messiah: Part II. Recitative “All they that see Him” (tenor)
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:40
5Messiah: Part II. Chorus “He trusted in God”
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:19
6Messiah: Part II. Recitative “Thy rebuke hath broken His heart” (tenor)
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:48
7Messiah: Part II. Aria “Behold, and see if there be any sorrow” (tenor)
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:22
8Messiah: Part II. Recitative “He was cut off out of the land” (soprano)
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:17
9Messiah: Part II. Aria “But thou didst not leave” (soprano)
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:20
10Messiah: Part II. Chorus “Lift up your heads”
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:58
11Messiah: Part II. Recitative “Unto which of the angels” (tenor)
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:19
12Messiah: Part II. Chorus “Let all the angels of God worship Him”
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:28
13Messiah: Part II. Aria “Thou art gone up on high” (alto)
alto vocals:
Hilary Summers (contralto) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:12
14Messiah: Part II. Chorus “The Lord gave the word”
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:04
15Messiah: Part II. Aria “How beautiful are the feet” (soprano)
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:03
16Messiah: Part II. Chorus “Their sound is gone out”
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1745)
is based on:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:30
17Messiah: Part II. “Why do the nations?” (bass)
bass vocals:
Alastair Miles (operatic bass) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:26
18Messiah: Part II. Chorus “Let us break their bonds asunder”
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:43
19Messiah: Part II. Recitative “He that dwelleth in heaven” (tenor)
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:12
20Messiah: Part II. Aria “Thou shalt break them” (tenor)
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:59
21Messiah: Part II. Chorus “Hallelujah!”
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1994)
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:35
22Messiah: Part III. Aria “I know that my Redeemer liveth” (soprano)
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:48
23Messiah: Part III. Chorus “Since by man came death”
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:02
24Messiah: Part III. Recitative “Behold, I tell you a mystery” (bass)
bass vocals:
Alastair Miles (operatic bass) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:34
25Messiah: Part III. Aria “The trumpet shall sound” (bass)
instruments:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1994)
bass vocals:
Alastair Miles (operatic bass) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel8:31
26Messiah: Part III. Recitative “Then shall be brought to pass” (alto)
alto vocals:
Hilary Summers (contralto) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:17
27Messiah: Part III. Duet “O death, where is thy sting” (alto & tenor)
alto vocals:
Hilary Summers (contralto) (in 1994)
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:03
28Messiah: Part III. Chorus “But thanks be to God”
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:02
29Messiah: Part III. Aria “If God be for us” (soprano)
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:06
30Messiah: Part III. Chorus “Worthy is the Lamb…Amen”
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1994)
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel6:49
9▶CD: Brockes Passion, Part 1
10▶CD: Brockes Passion, Part 2
11▶CD: Brockes Passion, Part 3
12▶CD: Johannes Passion
13▶CD: Acis & Galatea, Part 1
14▶CD: Acis & Galatea, Part 2
15▶CD: Imeneo, Part 1
16▶CD: Imeneo, Part 2
17▶CD: Faramondo, Part 1
18▶CD: Faramondo, Part 2
19▶CD: Faramondo, Part 3
20▶CD: Rinaldo, Part 1
21▶CD: Rinaldo, Part 2
22▶CD: Coronation Anthems
23▶CD: Italian Cantatas, Volume 1
24▶CD: Italian Cantatas, Volume 2
25▶CD: German Arias
26▶CD: Music for the Royal Fireworks / Water Music
27▶CD: Concerti grossi, op. 3
28▶CD: Concerti grossi, op. 6 nos. 1–4
29▶CD: Concerti grossi, op. 6 nos. 5–8
30▶CD: Concerti grossi, op. 6 nos. 9–12
31▶CD: Concerti a due cori
32▶CD: Organ Concertos, Volume 1
33▶CD: Organ Concertos, Volume 2
34▶CD: Organ Concertos, Volume 3
35▶CD: Flute Sonatas
36▶CD: Violin Sonatas / Oboe Sonatas
37▶CD: Trio Sonatas, op. 2
38▶CD: Trio Sonatas, op. 5
39▶CD: Trio Sonatas for 2 Violins & b.c.
40▶CD: Recorder Sonatas