The Apostles / Meditation From ‘The Light of Life’

~ Release by Elgar; Armstrong, Watts, Tear, Luxon, Grant, Case, London Philharmonic Choir & Orchestra, Sir Adrian Boult (see all versions of this release, 2 available)

Annotation

SPARS: ADD

Annotation last modified on 2025-06-25 19:15 UTC.

Tracklist

1▶CD: The Apostles, op. 49
2▼CD
#TitleArtistRatingLength
1The Apostles, op. 49: Part 2: Introduction
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
recording of:
The Apostles, op. 49: Part II: Introduction (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II
Edward Elgar?:??
2The Apostles, op. 49: Part 2: IV. The Betrayal: And it came to pass
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
partial recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: Andante. "And it came to pass" (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: IV. The Betrayal
recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: Andante. "And it came to pass"
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar?:??
3The Apostles, op. 49: Part 2: IV. The Betrayal: Then gathered the Chief Priests and Pharisees
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
partial recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: Andante. "And it came to pass" (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar?:??
4The Apostles, op. 49: Part 2: IV. The Betrayal: Hail, Master! / In the Palace of the High Priest
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
partial recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: Andante. "And it came to pass" (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar?:??
5The Apostles, op. 49: Part 2: IV. The Betrayal: Then Judas, which had betrayed Him / The Temple
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: The Temple (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar?:??
6The Apostles, op. 49: Part 2: IV. The Betrayal: Without the Temple
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: Without the Temple (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar?:??
7The Apostles, op. 49: Part 2: V. Golgotha
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
recording of:
The Apostles, op. 49: Part II: V. Golgotha (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II
Edward Elgar?:??
8The Apostles, op. 49: Part 2: VI. At the Sepulchre
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
recording of:
The Apostles, op. 49: Part II: VI. At the Sepulchre (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II
Edward Elgar?:??
9The Apostles, op. 49: Part 2: VII. The Ascension: We trusted that it had been He
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
recording of:
The Apostles, op. 49: Part II: VII. The Ascension: Moderato. "We trusted that it had been He" (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: VII. The Ascension
Edward Elgar?:??
10The Apostles, op. 49: Part 2: VII. The Ascension: Give us one heart
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
recording of:
The Apostles, op. 49: Part II: VII. The Ascension: In Heaven / On Earth (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: VII. The Ascension
Edward Elgar?:??
11Meditation From The Light of Life
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1974-02-06)
conductor:
Sir Adrian Boult (conductor) (on 1974-02-06)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) and Warner Classics (in 1975, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1974-02, on 1974-02-06)
recording of:
The Light of Life, op. 29 no. 1: Meditation (on 1974-02-06)
composer:
Edward Elgar (composer)
part of:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Edward Elgar?:??

Credits

Release

manufactured in:Germany
copyrighted (©) by:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1992)
phonographic copyright (℗) by:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
design:SampsonTyrrell Ltd
Discogs:https://www.discogs.com/release/13816487 [info]