| # | Title | Artist | Rating | Length |
|---|
| 1 | I Will Always Love You- engineer:
- David Reitzas, Bill Schnee and Peter Yianilos
- executive producer:
- Clive Davis and Whitney Houston
- producer:
- David Foster
- mixer:
- David Reitzas
- creative direction:
- Rickey Minor
- solo saxophone:
- Kirk Whalum
- arranger:
- David Foster
- vocals arranger:
- Whitney Houston
- phonographic copyright (℗) by:
- RCA Records and Arista Records, Inc. (in 1992)
- mixed at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 3), New York Post: 100 Greatest Covers (2007) (number: 59), Billboard: The 500 Best Pop Songs (number: 60), Billboard: Greatest of All Time Hot 100 Songs (number: 60) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 94)
- karaoke recording of:
- I Will Always Love You
- lyricist and composer:
- Dolly Parton
- publisher:
- Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd , Owepar Publishing Inc. and Velvet Apple Music
- cover recording of:
- I Will Always Love You
- lyricist and composer:
- Dolly Parton
- publisher:
- Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd , Owepar Publishing Inc. and Velvet Apple Music
| Whitney Houston | 4.5 | 4:24 |
| 2 | Take My Breath Away- engineer:
- Dave Concors, Michael Rosen and Tom Whitlock
- producer:
- Jerry Bruckheimer, Giorgio Moroder and Don Simpson
- mixer:
- Giorgio Moroder and Brian Reeves
- drums (drum set):
- Rob Brill
- electric guitar:
- Ric Olsen
- synthesizer:
- Arthur Barrow and John Crawford
- lead vocals:
- Terri Nunn
- phonographic copyright (℗) by:
- CBS Inc. (in 1986) and Sony Music Entertainment Inc. (in 1986)
- recorded at:
- Oasis Recording Studios in North Hollywood, Los Angeles, California, United States
- music videos:
- Take My Breath Away by Berlin
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 28), VH1: 100 Greatest Songs of the 80’s (number: 62) and Billboard: The 500 Best Pop Songs (number: 490)
- recording of:
- Take My Breath Away
- lyricist:
- Tom Whitlock
- composer:
- Giorgio Moroder
- publisher:
- Famous Music Publishing Germany GmbH & Co. KG (ended), Jastian Music Inc. (ended), BMG Ariola Belgium, BMG Music Publishing Ltd., Copyright Control , Neue Welt Musikverlag GmbH & Co. KG , Sony/ATV Harmony, Warner Chappell Music Ltd. , WB Music Corp. (until 2019-05-28), Famous Music Corporation (in 1986), GMPC (in 1986) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- ワーナー・チャペル音楽出版 Synch事業部 (ended), ソニー・ミュージックパブリッシング A事業部 and ヤマハミュージックエンタテインメントホールディングス
- part of:
- The 59th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1986 winner)
| Berlin | 3.65 | 4:09 |
| 3 | Eye of the Tiger- assistant engineer:
- Hill Swimmer
- engineer:
- Phil Bonnano and Mike Clink
- producer:
- Jim Peterik and Frankie Sullivan
- phonographic copyright (℗) by:
- Scotti Bros. Industries Inc (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) and Sony Music Entertainment UK Limited (in 2016)
- recorded at:
- Rumbo Recorders in Canoga Park, Los Angeles, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 28) and VH1: 100 Greatest Hard Rock Songs (number: 63)
- recording of:
- Eye of the Tiger
- writer:
- Jim Peterik and Frankie Sullivan
- publisher:
- Copyright Control , Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music , Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited , Warner/Chappell North America Limited , WB Music Corp. (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division , Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
- part of:
- The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
| Survivor | 4.45 | 3:56 |
| 4 | Aquarius | Ren Woods | 4 | 4:45 |
| 5 | Mrs. Robinson | Simon & Garfunkel | 4.25 | 3:52 |
| 6 | She’s Like the Wind | Patrick Swayze & Wendy Fraser | 4.35 | 3:52 |
| 7 | For Your Eyes Only | Sheena Easton | 3.5 | 3:02 |
| 8 | Ghostbusters | Ray Parker Jr. | 3.9 | 4:04 |
| 9 | We Don’t Need Another Hero (Thunderdome) | Tina Turner | 3.55 | 4:12 |
| 10 | You Can Leave Your Hat On- engineer:
- Brian Reeves
- producer:
- Richie Zito
- mixer:
- Rik Pekkonen
- bass and synthesizer:
- Arthur Barrow
- guitar:
- Richie Zito
- horn:
- Dick Hyde, Steve Madaio and Joel Peskin
- membranophone:
- Michael Baird
- background vocals:
- Maxine Sharp, Julia Waters and Maxine Waters
- lead vocals:
- Joe Cocker
- recorded at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- cover recording of:
- You Can Leave Your Hat On
- lyricist and composer:
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (in 1972, in 1976)
- recording of:
- You Can Leave Your Hat On
- lyricist and composer:
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (in 1972, in 1976)
| Joe Cocker | 3.85 | 4:01 |
| 11 | Mustang Sally | The Commitments | 4.5 | 3:59 |
| 12 | Waiting for a Star to Fall- drum machine programming:
- George Merrill
- producer:
- Arif Mardin
- assistant mixer:
- Jim Dineen
- mixer:
- David Leonard
- alto saxophone:
- Andy Snitzer
- bass guitar, piano and synthesizer:
- George Merrill
- drums (drum set):
- Denny Fongheiser and Michael Jochum
- guitar:
- John Goux
- synthesizer [Crowning touch]:
- Joe Mardin
- additional vocals:
- Susan Boyd
- vocals:
- George Merrill and Shannon Rubicam
- phonographic copyright (℗) by:
- BMG Music (in 1988) and Sony Music Entertainment (in 1988)
- mixed at:
- The Grey Room in Hollywood, Los Angeles, California, United States
- recording of:
- Waiting for a Star to Fall
- writer:
- George Merrill and Shannon Rubicam
- publisher:
- Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. , ヤマハミュージックEH(CM) , ユニバーサル・ミュージック・パブリッシング Synch事業部 , Boy Meets Girl Music (from 1987 to present) and Irving Music (from 1987 to present)
| Boy Meets Girl | 3.25 | 4:22 |
| 13 | Show Me Heaven | Maria McKee | 3 | 3:43 |
| 14 | Arthur’s Theme (The Best That You Can Do)- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- producer:
- Michael Omartian
- mixer:
- Chet Himes
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1981, in 1983)
- recorded at and mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
- recording of:
- Arthur’s Theme (Best That You Can Do)
- writer:
- Peter Allen , Burt Bacharach, Carole Bayer Sager and Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing , Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
| Christopher Cross | 5 | 3:47 |
| 15 | Hero | Chad Kroeger | 3.85 | 3:16 |
| 16 | Gotham City | R. Kelly | 3.2 | 4:49 |
| 17 | Gangsta’s Paradise | Coolio & L.V. | 3.95 | 4:01 |
| 18 | Across the 110th Street | Bobby Womack | 4.5 | 3:48 |
| 19 | If I Used to Love You | Daniel Lemma | | 3:52 |
| 20 | U Got Me Good | Sheri | 2 | 3:34 |
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