| # | Title | Artist | Rating | Length |
|---|
| 1 | Joker and the Thief | Wolfmother | 3 | 3:31 |
| 2 | Are You Gonna Be My Girl- additional engineer:
- Greg Gordon
- assistant engineer:
- Evil Chris
- engineer:
- Greg Fidelman
- producer and mixer:
- Brooklyn’s own Dave Sardy
- editor:
- Greg Gordon
- additional guitar:
- Brooklyn’s own Dave Sardy
- bass guitar:
- Mark Wilson
- drums (drum set):
- Chris Cester
- guitar:
- Cam Muncey and Nic Cester
- vocals:
- Cam Muncey, Chris Cester and Nic Cester
- phonographic copyright (℗) by:
- Elektra Entertainment Group Inc. (in 2003), Real Horrorshow Pty. Ltd. (in 2003) and WEA International Inc. (in 2003)
- recorded at:
- Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
- mixed at:
- The Village in Los Angeles, California, United States
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 23), triple j’s Hottest 100 (number: 2003), Sean Michaels: The Top 30 Songs of 2003 (number: runner-up) and Indie 88: Top 500 Indie Rock Songs (number: 364)
- recording of:
- Are You Gonna Be My Girl
- writer:
- Nic Cester and Cameron Muncey
- publisher:
- Copyright Control , Universal Music Publishing and Universal Music Publishing Pty Ltd.
| Jet | 3.7 | 3:36 |
| 3 | We Gotta Get Out of This Place | The Angels | | 4:40 |
| 4 | Boys in Town | Divinyls | 3 | 2:52 |
| 5 | Second Solution | The Living End | 4 | 3:01 |
| 6 | Rock'n Roll Outlaw | Rose Tattoo | 3.65 | 3:21 |
| 7 | Get Free | The Vines | 4.25 | 2:06 |
| 8 | Feeler | Pete Murray | 3 | 4:23 |
| 9 | Tip of My Tongue- assistant recording engineer:
- Marc DeSisto
- recording engineer:
- John Philip Shenale and Rick Will
- assistant engineer:
- Stoli Jaeger
- engineer and mixer:
- Rick Will
- producer:
- Don Gehman
- assistant mixer:
- Marc DeSisto and Ulrich Wild
- bass:
- Tommy Sims
- drums (drum set):
- Yak Sherrit
- keyboard arranger, percussion arranger and strings arranger:
- John Philip Shenale
- phonographic copyright (℗) by:
- Chrysalis Australia (in 1992), EMI Music Australia (in 1992), EMI Music Australia Pty. Limited (in 1992) and EMI Recorded Music Australia Pty Ltd. (in 1992)
- recorded at:
- Hot Tin Roof in Hollywood, Los Angeles, California, United States (in 1991)
- recording of:
- Tip of My Tongue
- writer:
- Diesel and John Daniel Tate
- publisher:
- BMG Gold Songs, BMG Rights Management Canada A, Copyright Control , EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd , EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Virgin Music Publishing, EMI Virgin Music Publishing Australia Pty Ltd, Mushroom Music Pty. Ltd., Mushroom Records and Tate Music Group
| Diesel | 3 | 4:15 |
| 10 | Chained to the Wheel- producer:
- Jeff Burstin, Joe Camilleri and Tomie
- bass guitar:
- Mick Girasole
- drums (drum set):
- Peter Luscombe
- percussion:
- Alex Pertout
- vocals:
- Joe Camilleri
- phonographic copyright (℗) by:
- CBS Productions Pty. Limited (in 1988), Sony BMG Music Entertainment (Australia) Pty Limited (in 1988), Sony Music Entertainment (Australia) Limited (in 1988) and Sony Music Productions Pty. Ltd. (in 1988)
- recorded at:
- Sing Sing Recording Studios in South Yarra, Melbourne, Victoria, Australia
- mixed at:
- Metropolis Audio in Melbourne, Victoria, Australia and RBX Studios in Melbourne, Victoria, Australia
- recording of:
- Chained to the Wheel
- lyricist:
- Nick Smith
- writer:
- Joe Camilleri
- publisher:
- Copyright Control , Mushroom Music , Mushroom Music Publishing, Orient Pacific Music Pty. Ltd. and Warner Chappell Music
| The Black Sorrows | | 3:56 |
| 11 | Get on Down the Road | Adam Brand | | 3:12 |
| 12 | Hot Chilli Woman | Noiseworks | | 3:25 |
| 13 | Howzat | Sherbet | 2 | 3:45 |
| 14 | Hollywood Seven | Jon English | | 4:53 |
| 15 | Tenterfield Saddler | Peter Allen | | 3:37 |
| 16 | Hands Up in the Air | Boom Crash Opera | | 3:55 |
| 17 | As the Days Go By | Daryl Braithwaite | | 4:01 |
| 18 | I Was Only 19 (A Walk in the Light Green) | Redgum | | 4:19 |
| 19 | Runnin' Wild | Airbourne | 4.4 | 3:41 |
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