Night on Bald Mountain / “1812” Overture / The Sorcerer’s Apprentice

~ Release by Boston Pops, Arthur Fiedler (see all versions of this release, 3 available)

Annotation

For track 2 Overture “1812”, op. 49, back cover and booklet state the year of phonographic copyright 1976. However, on the German version the year 1975 is stated. The correct one should be 1975, as the recording appears on this 1975 release.

Annotation last modified on 2017-07-12 12:44 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Night on Bald Mountain
producer:
Thomas Mowrey
orchestra:
Boston Pops Orchestra (in 1971-06)
conductor:
Arthur Fiedler (conductor) (in 1971-06)
balance engineer:
Gernot Westhäuser (Engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1971-06)
recording of:
Une nuit sur le mont chauve: Fantaisie pour l’orchestre (Night on Bald Mountain, orchestrated by Rimsky-Korsakov) (in 1971-06)
orchestrator:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1886)
composer:
Modest Mussorgsky (composer) (from 1867-06-12 until 1867-06-23)
dedicated to:
Wladimir Stassoff (Vladimir Vasilievich Stasov)
publisher:
W. Bessel & Cie (in 1886)
is based on:
St. John’s Night on the Bare Mountain (original version)
Modest Mussorgski10:49
2Overture “1812”, op. 49
producer:
Karl Faust (producer) and Tom Mowrey
orchestra:
Boston Pops Orchestra (in 1971-06)
conductor:
Arthur Fiedler (conductor) (in 1971-06)
balance engineer:
Günter Hermanns (producer/engineer) and Volker Martin (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1971-06)
recording of:
The Year 1812, Festival Overture in E-flat major, op. 49 (in 1971-06)
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Peter Tschaikowski15:14
3Danse macabre
producer:
Thomas Mowrey
solo violin:
Jerome Rosen (American violinist) (in 1971-06)
orchestra:
Boston Pops Orchestra (in 1971-06)
conductor:
Arthur Fiedler (conductor) (in 1971-06)
balance engineer:
Gernot Westhäuser (Engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recording of:
Danse macabre, op. 40 (symphonic poem for orchestra) (in 1971-06)
composer:
Camille Saint‐Saëns (composer) (in 1874)
part of:
Classic 100: Music of France (2012) (number: 16) and Works of Camille Saint-Saëns by opus number (number: op. 40)
is based on:
Danse macabre (song for voice and piano)
quotes music from:
Dies Irae (plainchant)
Camille Saint‐Saëns7:12
4Sabre Dance From “Gayaneh”
producer:
Thomas Mowrey
orchestra:
Boston Pops Orchestra (in 1971-06)
conductor:
Arthur Fiedler (conductor) (in 1971-06)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1971-06)
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance (in 1971-06)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1942)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
Aram Khatschaturian2:22
5The Sorcerer’s Apprentice
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
Paul Dukas10:57
6Clair de lune From “Suite bergamasque”
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
arranger:
Henri Mouton (composer) and Walter Piston (American composer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973, in 1976)
recording of:
Clair de lune from Suite bergamasque (orch. Mouton)
orchestrator:
Henri Mouton (composer)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
orchestration of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy4:49
7Danse infernale From “The Firebird”
producer:
Thomas Mowrey
orchestra:
Boston Pops Orchestra (in 1971-06)
conductor:
Arthur Fiedler (conductor) (in 1971-06)
balance engineer:
Gernot Westhäuser (Engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1971-06)
recording of:
Firebird Suite: V. Infernal Dance of King Kastchei (catch-all for unknown versions) (in 1971-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Firebird Suite (catch‐all for unknown versions)
recording of:
L’Oiseau de feu: III. Danse infernale du roi Kachtcheï (“Concert suite for orchestra No. 2” 1919 version) (in 1971-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Strawinsky4:23
8Love Theme From “Romeo and Juliet”
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
instrumental recording of:
What Is a Youth (Love Theme from Romeo and Juliet, 1968 film)
lyricist:
Eugene Walter
composer:
Nino Rota (Italian composer)
publisher:
Sony/ATV Harmony and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nino Rota4:14
9Danza final (“Malambo”) From “Estancia”
producer:
Thomas Mowrey
orchestra:
Boston Pops Orchestra (in 1971-06)
conductor:
Arthur Fiedler (conductor) (in 1971-06)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1971-06)
recording of:
Danzas de “Estancia”, op. 8a: IV. Danza final (Malambo) (in 1971-06)
composer:
Alberto Ginastera (Argentinean composer) (in 1941)
part of:
Danzas de “Estancia”, op. 8a
Alberto Ginastera3:53

Credits

Release

part of:Special (Deutsche Grammophon) (order: 3)