Messiah

~ Uitgave van George Frideric Handel; London Philharmonic Orchestra, Karl Richter (Bekijk alle versies van deze uitgave, 5 beschikbaar)

Nummerlijst

1▶digitale media
2▼digitale media
#TitelArtiestWaarderingDuur
1Messiah, HWV 56: Pt. 2: No. 23 "And With His Stripes We Are Healed"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
koor:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
was koorleider:
John Alldis (chorusmaster and conductor) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes” (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part II
George Frideric Handel2:32
2Messiah, HWV 56: Pt. 2: No. 24 "All We Like Sheep Have Gone Astray"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
koor:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
was koorleider:
John Alldis (chorusmaster and conductor) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1973)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part II
George Frideric Handel3:59
3Messiah, HWV 56: Pt. 2: No. 25 "All They That See Him"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
tenorvocalen:
Stuart Burrows (tenor) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor) (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part II
George Frideric Handel0:49
4Messiah, HWV 56: Pt. 2: No. 26 "He Trusted in God"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
koor:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
was koorleider:
John Alldis (chorusmaster and conductor) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part II
George Frideric Handel2:37
5Messiah, HWV 56: Pt. 2: No. 27 "Thy Rebuke Hath Broken His Heart"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
tenorvocalen:
Stuart Burrows (tenor) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1973)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor) (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part II
George Frideric Handel1:39
6Messiah, HWV 56: Pt. 2: No. 28 "Behold and See"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
tenorvocalen:
Stuart Burrows (tenor) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1973)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Messiah, HWV 56: Part II
George Frideric Handel1:30
7Messiah, HWV 56: Pt. 2: No. 29 "He Was Cut Off Out of the Land" - No. 30 "But Thou Didst Not Leave His Soul"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
tenorvocalen:
Stuart Burrows (tenor) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano) (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part II
is een opname van:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano) (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Messiah, HWV 56: Part II
George Frideric Handel2:37
8Messiah, HWV 56: Pt. 2: No. 31 "Lift Up Your Heads, o Ye Gates"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
koor:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
was koorleider:
John Alldis (chorusmaster and conductor) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part II
George Frideric Handel3:42
9Messiah, HWV 56: Pt. 2: No. 32 "Unto Which of the Angels" - No. 33 "Let All the Angels of God Worship Him"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
koor:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
tenorvocalen:
Stuart Burrows (tenor) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
was koorleider:
John Alldis (chorusmaster and conductor) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part II
is een opname van:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part II
George Frideric Handel1:58
10Messiah, HWV 56: Pt. 2: No. 34 "Thou Art Gone Up on High"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
altvocalen:
Anna Reynolds (alto) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
versie van:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
deel van:
Messiah, HWV 56: Part II
George Frideric Handel3:15
11Messiah, HWV 56: Pt. 2: No. 35 "The Lord Gave the Word"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
koor:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
was koorleider:
John Alldis (chorusmaster and conductor) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1973)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part II
George Frideric Handel1:06
12Messiah, HWV 56: Pt. 2: No. 36 "How Beautiful Are the Feet"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
sopraanvocalen:
Helen Donath (soprano) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
is gebaseerd op:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
deel van:
Messiah, HWV 56: Part II
George Frideric Handel3:26
13Messiah, HWV 56: Pt. 2: No. 37 "Their Sound Is Gone Out"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
tenorvocalen:
Stuart Burrows (tenor) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part II
George Frideric Handel1:02
14Messiah, HWV 56: Pt. 2: No. 38 "Why Do the Nations So Furiously Rage"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
basvocalen:
Donald McIntyre (bass-baritone) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1973)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part II
George Frideric Handel2:57
15Messiah, HWV 56: Pt. 2: No. 39 "Let Us Break Their Bonds Asunder"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
koor:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
was koorleider:
John Alldis (chorusmaster and conductor) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder” (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part II
George Frideric Handel1:50
16Messiah, HWV 56: Pt. 2: No. 40 "He That Dwelleth in Heaven" - No. 41 "Thou Shalt Break Them"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
tenorvocalen:
Stuart Burrows (tenor) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor) (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part II
is een opname van:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Messiah, HWV 56: Part II
George Frideric Handel2:23
17Messiah, HWV 56, Pt. 2: No. 44, Hallelujah Chorus
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
koor:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
vocalen:
The John Alldis Choir
orkest:
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) en London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
was koorleider:
John Alldis (chorusmaster and conductor) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1973)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
deel van:
Messiah, HWV 56: Part II
George Frideric Handel4:08
18Messiah, HWV 56: Pt. 3: No. 43 "I Know That My Redeemer Liveth"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
sopraanvocalen:
Helen Donath (soprano) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1973)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part III
George Frideric Handel7:16
19Messiah, HWV 56: Pt. 3: No. 44 "Since by Man Came Death"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
koor:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
was koorleider:
John Alldis (chorusmaster and conductor) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part III
George Frideric Handel2:23
20Messiah, HWV 56: Pt. 3: No. 45 "Behold, I Tell You a Mystery" - No. 46 "The Trumpet Shall Sound"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
basvocalen:
Donald McIntyre (bass-baritone) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass) (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part III
is een opname van:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part III
George Frideric Handel10:40
21Messiah, HWV 56: Pt. 3: No. 47 "Then Shall Be Brought to Pass" - No. 48 "O Death, Where Is Thy Sting" - No. 49 "But Thanks Be to God"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
altvocalen:
Anna Reynolds (alto) (in 1972-11)
koor:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
tenorvocalen:
Stuart Burrows (tenor) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
was koorleider:
John Alldis (chorusmaster and conductor) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Messiah, HWV 56: Part III
is een opname van:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part III
George Frideric Handel3:31
22Messiah, HWV 56: Pt. 3: No. 50 "If God Be for Us"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
sopraanvocalen:
Helen Donath (soprano) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een opname van:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part III
George Frideric Handel5:31
23Messiah, HWV 56: Pt. 3: No. 51 "Worthy Is the Lamb That Was Slain"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
koor:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
was koorleider:
John Alldis (chorusmaster and conductor) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1973)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een gedeeltelijke opname van:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part III
George Frideric Handel3:56
24Messiah, HWV 56: Pt. 3: No. 52 "Amen"
producent:
Dr. Gerd Ploebsch (engineer)
klavecimbel:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
orgel:
Edgar Krapp (organist) (in 1972-11)
solo-trompet:
Gordon Webb (trumpet player) (in 1972-11)
koor:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
was koorleider:
John Alldis (chorusmaster and conductor) (in 1972-11)
balanstechnicus:
Hans‐Peter Schweigmann (engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1973)
opgenomen bij:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, Verenigd Koninkrijk (in 1972-11)
is een gedeeltelijke opname van:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1972-11)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part III
George Frideric Handel3:27