The Great Opera Collection

~ Veröffentlichung von Giacomo Puccini (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Manon Lescaut 1
2▶CD: Manon Lescaut 2
3▶CD: La bohème 1
4▶CD: La bohème 2
5▶CD: Tosca 1
6▼CD: Tosca 2
Nr.TitelBewertungLänge
1Tosca, opera: Act 2. Tosca è un buon falco!
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
bass-baritone vocals [Schiarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
3:01
2Tosca, opera: Act 2. Ha più forte sapore
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
bass-baritone vocals [Schiarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
1:24
3Tosca, opera: Act 2. O galantuomo, come andò la caccia?
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
Tenor-Gesang [Spoletta]:
Piero de Palma (tenor) (in 1959)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
3:32
4Tosca, opera: Act 2. Ov'è Angelotti?
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
Soprangesang [Tosca]:
Renata Tebaldi (soprano) (in 1959)
Tenor-Gesang [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
Tenor-Gesang [Spoletta]:
Piero de Palma (tenor) (in 1959)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
Kompilation von:
Tosca: Atto II. "Ov'è Angelotti" (Scarpia) (Act II, Scene III) von George London (bass-baritone), Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia), Francesco Molinari‐Pradelli (conductor) und Tosca: Atto II. "Mario, tu qui" (Tosca) (start of Act II, Scene IV) von Renata Tebaldi (soprano), Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia), Francesco Molinari‐Pradelli (conductor)
recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
4:02
5Tosca, opera: Act 2. Sciarrone, che dice il Cavalier?
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
bass-baritone vocals [Sciarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
Soprangesang [Tosca]:
Renata Tebaldi (soprano) (in 1959)
Tenor-Gesang [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
2:50
6Tosca, opera: Act 2. Orsù, Tosca, parlate
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
bass-baritone vocals [Sciarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
Soprangesang [Tosca]:
Renata Tebaldi (soprano) (in 1959)
Tenor-Gesang [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
Tenor-Gesang [Spoletta]:
Piero de Palma (tenor) (in 1959)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
3:49
7Tosca, opera: Act 2. Floria... Amore
Solo Soprangesang [Tosca]:
Renata Tebaldi (soprano) (in 1959)
Solo Tenor-Gesang [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
Soprangesang [Tosca]:
Renata Tebaldi (soprano)
Tenor-Gesang [Cavaradossi]:
Mario Del Monaco (tenor)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
1:29
8Tosca, opera: Act 2. Vittoria! Vittoria!
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
Soprangesang [Tosca]:
Renata Tebaldi (soprano) (in 1959)
Tenor-Gesang [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Vittoria! Vittoria! L’alba vindice appar” (Cavaradossi, Tosca, Scarpia) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Teil von:
Tosca: Atto II (Tosca: Act II)
2:40
9Tosca, opera: Act 2. Quanto?... Quanto?... Il prezzo
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
Soprangesang [Tosca]:
Renata Tebaldi (soprano) (in 1959)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Quanto?” (Tosca, Scarpia) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Teil von:
Tosca: Atto II (Tosca: Act II)
4:58
10Tosca, opera: Act 2. Vissi d'arte
Soprangesang [Tosca]:
Renata Tebaldi (soprano) (in 1959)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
4:19
11Tosca, opera: Act 2. Chi è là?
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
Soprangesang [Tosca]:
Renata Tebaldi (soprano) (in 1959)
Tenor-Gesang [Spoletta]:
Piero de Palma (tenor) (in 1959)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Chi è là?” (Scarpia, Spoletta, Tosca) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Teil von:
Tosca: Atto II (Tosca: Act II)
1:55
12Tosca, opera: Act 2. Io tenni la promessa
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
Soprangesang [Tosca]:
Renata Tebaldi (soprano) (in 1959)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only)
recording of:
Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
6:38
13Tosca, opera: Act 3. Io de' sospiri
Diskantstimme [Un pastore]:
Ernesto Palmerini (boy soprano) (in 1959)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only)
recording of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto III (Tosca: Act III)
6:33
14Tosca, opera: Act 3. Mario Cavaradossi? A voi
Bass-Gesang [Carceriere]:
Giovanni Morese (Italian bass-baritone) (in 1959)
Tenor-Gesang [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only)
recording of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto III (Tosca: Act III)
2:59
15Tosca, opera: Act 3. E lucevan le stelle
Tenor-Gesang [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
3:36
16Tosca, opera: Act 3. Ah! Franchigia a Floria Tosca
Soprangesang [Tosca]:
Renata Tebaldi (soprano) (in 1959)
Tenor-Gesang [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto III (Tosca: Act III)
2:02
17Tosca, opera: Act 3. O dolci mani
Soprangesang [Tosca]:
Renata Tebaldi (soprano) (in 1959)
Tenor-Gesang [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto III (Tosca: Act III)
7:59
18Tosca, opera: Act 3. Come è lunga l'attesa!
Soprangesang [Tosca]:
Renata Tebaldi (soprano) (in 1959)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto III (Tosca: Act III)
2:28
19Tosca, opera: Act 3. Presto, su! Mario! Mario!
bass-baritone vocals [Sciarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
Soprangesang [Tosca]:
Renata Tebaldi (soprano) (in 1959)
Tenor-Gesang [Spoletta]:
Piero de Palma (tenor) (in 1959)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto III (Tosca: Act III)
1:33
7▶CD: Madama Butterfly (Madame Butterfly) 1
8▶CD: Madama Butterfly (Madame Butterfly) 2
9▶CD: La fanciulla del West (The Girl of the Golden West) 1
10▶CD: La fanciulla del West (The Girl of the Golden West) 2
11▶CD: Turandot 1
12▶CD: Turandot 2
13▶CD: Il tabarro (The Cloak)
14▶CD: Suor Angelica
15▶CD: Gianni Schicchi