Turangalîla Symphony

~ Release by Messiaen; Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn (see all versions of this release, 3 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Turangalîla-symphonie: Final
producer:
Christopher Bishop (conductor/producer)
ondes Martenot:
Jeanne Loriod (from 1977-07-11 until 1977-07-13)
piano:
Michel Béroff (French pianist) (from 1977-07-11 until 1977-07-13)
orchestra:
London Symphony Orchestra (from 1977-07-11 until 1977-07-13)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-07-11 until 1977-07-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and (p) for Digital Remastering EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-07-11 until 1977-07-13)
recording of:
Turangalîla-Symphonie, I/29: X. Final (from 1977-07-11 until 1977-07-13)
composer:
Olivier Messiaen (composer and organist) (from 1946 until 1948)
part of:
Turangalîla-Symphonie, I/29
Olivier Messiaen7:18
2Quatuor pour la Fin du Temps: I. Liturgie de cristal
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : I. Liturgie de cristal (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen3:00
3Quatuor pour la Fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : II. Vocalise, pour l'Ange qui annonce la fin du Temps (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen5:36
4Quatuor pour la Fin du Temps: III. Abîme des oiseaux
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : III. Abîme des oiseaux (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen6:24
5Quatuor pour la Fin du Temps: IV. Intermède
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : IV. Intermède (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen1:41
6Quatuor pour la Fin du Temps: V. Louange a l'Éternité de Jésus
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : V. Louange à l'Éternité de Jesus (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen7:01
7Quatuor pour la Fin du Temps: VI. Danse de la fureur, pour les sept trompettes
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : VI. Danse de la fureur pour les sept trompettes (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen6:37
8Quatuor pour la Fin du Temps: VII. Fouillis d'arcs-de-ciel, pour l'Ange qui annonce la fin du Temps
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : VII. Fouillis d'arc-en-ciel, pour l'Ange qui annonce la fin du Temps (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen7:22
9Quatuor pour la Fin du Temps: VIII. Louange à l'immortalité de Jésus
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : VIII. Louange à l'Immortalité de Jésus (Quartet for the End of Time: VII. Praise to the Immortality of Jesus) (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen7:08