100 Essential: 1980’s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Shout
producer:
Chris Hughes (producer, aka “Merrick”)
recording of:
Shout
writer:
Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. and Virgin Music (Publishers) Ltd.
Tears for Fears56:04
2Teardrops
producer:
Chris Blackwell (Island Records), Lee Hamblin and The Gypsy Wave Power Co.
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Teardrops
writer:
Cecil Womack and Linda Womack
publisher:
Zomba Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack33:51
3Song for Whoever
engineer:
Ian Grimble
producer:
Mike Hedges (UK producer/recording engineer)
acoustic guitar and electric guitar:
Dave Rotheray
bass guitar:
Sean Welch
drums (drum set):
David Stead
piano:
Pete Wingfield (keyboardist, singer, producer, songwriter)
vocals:
Paul Heaton and Dave Hemingway
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1989)
recording of:
Song for Whoever
lyricist:
Paul Heaton
composer:
Paul Heaton and Dave Rotheray
publisher:
Go! Discs Music Ltd. (publisher) and Island Music Ltd.
The Beautiful South2.654:06
4Pull Up to the Bumper
producer:
Chris Blackwell (Island Records) and Alex Sadkin
remixer:
Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
recording of:
Pull Up to the Bumper
writer:
Lowell “Sly” Dunbar, Grace Jones, Dana Manno and Robert “Robbie” Shakespeare
publisher:
Ackee Music Inc., Chenana Music Publishing, Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG) and Ixat Music
Grace Jones3:42
5I Think We’re Alone Now
additional recording engineer:
John Kerns (US engineer)
drum machine [drum] programming:
John Duarte
engineer:
Bill Smith (US recording engineer)
producer:
George E. Tobin
guitar:
Chuck Yamek
synthesizer:
John Duarte
background vocals and lead vocals:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin and Bill Smith (US recording engineer)
arranger:
John Duarte
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 7) (number: 7)
cover recording of:
I Think We’re Alone Now
lyricist and composer:
Ritchie Cordell
publisher:
EMI Longitude Music
recording of:
I Think We’re Alone Now
lyricist and composer:
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:46
6Just Like Heaven
assistant producer:
Sean Burrows, Michel Dierickx (Belgian producer & engineer, aka ‘Shelle’) and Jacques Hermet
producer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
mixer:
Bob Clearmountain
drums (drum set) and percussion:
Boris Williams
electric bass guitar:
Simon Gallup
electric guitar:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Porl Thompson
keyboard:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson and Lol Tolhurst
lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
remixer:
Bob Clearmountain
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1987)
recorded at:
Compass Point Studios in Nassau, Bahamas, ICP Recording Studios in Brussels (Brussels-Capital Region), Belgium and Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, France
music videos:
Just Like Heaven by The Cure
part of:
Indie 88: Top 500 Indie Rock Songs (number: 11), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 22), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 108), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 231) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 483)
recording of:
Just Like Heaven
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Simon Gallup, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst and Boris Williams
publisher:
APB Music Co.
The Cure4.353:34
7Stop
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1988)
recording of:
Stop
writer:
Bruce Brody, Sam Brown (UK singer/songwriter) and Gregg Sutton
publisher:
Doolittle Music, Irving Music (BMI), Rondor Music Ltd. (publisher) and WayBlue Ltd. (publisher)
Sam Brown44:00
8In My House
recording of:
In My House
lyricist and composer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (number: 13)
Mary Jane Girls4:01
9Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
lead vocals:
Nik Kershaw (in 1983)
horn arranger:
Jerry Hey and Nik Kershaw
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
recording of:
Wouldn’t It Be Good (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
part of:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:36
10Follow the Leader
producer:
Eric B. and Rakim (William Michael Griffin Jr., American rapper)
phonographic copyright (℗) by:
UNI Records, Inc. (in 1988)
samples:
I Know You Got Soul by Eric B. & Rakim, I Wouldn’t Change a Thing by Coke Escovedo, Listen to Me by Baby Huey (US rock/soul singer James Ramey) and Nautilus by Bob James (US jazz keyboardist, arranger and producer)
recording of:
Follow the Leader
lyricist:
William Griffin (William Michael Griffin Jr., American rapper)
writer:
Eric Barrier and William Griffin (William Michael Griffin Jr., American rapper)
Eric B. & Rakim45:36
11I Can Dream About You
additional recording engineer:
Shelly Yakus
recording engineer:
Dan Hartman
additional engineer:
Gabe Veltri
assistant mixer:
Steve Krause (Steven A Krause)
mixer:
Humberto Gatica
additional drums (drum set):
Art Wood (US session drummer/percussionist)
additional guitar:
Richie Zito
electric bass guitar:
Eddie N. Watkins Jr.
percussion:
Bobbye Hall
piano:
Bill Payne
background vocals:
Winston Ford, Dan Hartman and Joe Pizzullo
lead vocals:
Dan Hartman
phonographic copyright (℗) by:
Geffen Records (in 1984), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1984)
recording of:
I Can Dream About You
lyricist and composer:
Dan Hartman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!) and Multi-Level Music, Inc. (BMI affiliated)
Dan Hartman4.24:09
12(Do) The Hucklebuck
cover recording of:
The Hucklebuck
lyricist:
Roy Alfred (Tin Pan Alley lyricist and composer)
additional writer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
composer:
Andy Gibson (trumpet, arranger, composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal/MCA Music Publishing Pty Ltd
Coast to Coast2:33
13Secret Lovers
recording of:
Secret Lovers
writer:
David Lewis (member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Jodaway Music (ASCAP)
Atlantic Starr33:38
14Too Good to Be Forgotten
cover recording of:
Too Good to Be Forgotten
writer:
Barbara Acklin and Eugene Record
Amazulu3:07
15Harvest for the World
producer:
S. & M. Young (Martyn Young & Steven Young)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1988)
music videos:
Harvest for the World by The Christians
cover recording of:
Harvest for the World
writer:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley and Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. and EMI Songs Ltd.
The Christians3:56
16Town Called Malice
producer:
The Jam (late 70s/early 80s UK punk/mod revival band) and Peter Wilson (UK Producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1981-12)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 151)
recording of:
Town Called Malice
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.82:54
17Marlene on the Wall
assistant engineer:
Kurt Upper
engineer:
Steve Addabbo
executive producer:
Ronald K. Fierstein
producer:
Steve Addabbo and Lenny Kaye
editor:
Rhonda Schoen
acoustic guitar:
Suzanne Vega (American singer-songwriter) (from 1985-01 until 1985-03)
bass:
Frank Gravis (from 1985-01 until 1985-03)
drums (drum set):
Sue Evans (from 1985-01 until 1985-03)
electric guitar:
Jon Gordon (guitarist, music director, producer, composer) (from 1985-01 until 1985-03)
synthesizer:
C. P. Roth (from 1985-01 until 1985-03)
vocals:
Suzanne Vega (American singer-songwriter) (from 1985-01 until 1985-03)
recorded at:
Celestial Sound Studios in New York, New York, United States (from 1985-01 until 1985-03)
mixed at:
Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, New York, New York, United States
music videos:
Marlene on the Wall by Suzanne Vega (American singer-songwriter)
recording of:
Marlene on the Wall (from 1985-01 until 1985-03)
lyricist and composer:
Suzanne Vega (American singer-songwriter)
publisher:
WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Suzanne Vega4.23:42
18There She Goes
engineer:
Dave Charles (British drummer as well as producer & engineer)
producer:
Bob Andrews (keyboardist and producer)
mixer:
Steve Lillywhite
bass guitar and background vocals:
John Power (of The La’s and Cast)
drums (drum set):
Chris Sharrock
electric guitar:
John Byrne (John 'Boo' Byrne, electric guitarist)
lead vocals:
Lee Mavers
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 45), TV Cream: Real 100 Best Singles Ever (number: 62) and Indie 88: Top 500 Indie Rock Songs (number: 418)
recording of:
There She Goes (The La’s)
lyricist and composer:
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher) and Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:44
19The Wanderer
engineer:
Steve Churchyard, Greg Jackman and Tim Summerhayes
producer:
Status Quo (UK boogie rock band) and Pip Williams (producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1984), Mercury Records Ltd. (London) (for copyrights use only) (in 1984), Mercury Records Ltd. (UK) (in 1984) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1984)
cover recording of:
The Wanderer
lyricist and composer:
Ernie Maresca
publisher:
Mijac Music, Schwartz Music Ltd., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd., Warner/Chappell Music, Inc. and Warner/Chappell North America
Status Quo33:28
20Pass the Dutchie
producer:
Peter Collins (producer)
bass guitar:
Patrick
drums (drum set):
Junior
guitar:
Kelvin
keyboard:
Michael (Keyboard player for Musical Youth)
vocals:
Dennis
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 25)
cover recording of:
Pass the Kouchie
writer:
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) and Fitzroy “Bunny” Simpson
part of:
My Kind of People
Musical Youth43:23
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