| # | Title | Rating | Length |
|---|
| 1 | Cantata, BWV 51 - Aria: Jauchzet Gott in allen Landen | | 4:39 |
| 2 | Cantata, BWV 80 - Chorus: Ein feste Burg ist unser Gott | | 5:56 |
| 3 | Cantata, BWV 140 - Chorale: Zion hort die Wachter singen- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- cor anglais:
- Edgar Shann (in 1977-10, in 1978-03, in 1978-05)
- oboe [oboe I]:
- Manfred Clement (in 1977-10, in 1978-03, in 1978-05)
- oboe [oboe II]:
- Martin Spanner (in 1977-10, in 1978-03, in 1978-05)
- violin:
- Kurt Guntner (in 1977-10, in 1978-03, in 1978-05)
- tenor vocals:
- Peter Schreier (in 1977-10, in 1978-03, in 1978-05)
- orchestra:
- Münchener Bach‐Orchester (in 1977-10, in 1978-03, in 1978-05)
- conductor:
- Karl Richter (in 1977-10, in 1978-03, in 1978-05)
- balance engineer:
- Hans‐Peter Schweigmann
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1979)
- recorded at:
- Herkulessaal in München , Bayern , Germany (in 1977-10, in 1978-03, in 1978-05)
- recording of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1978-05)
- premiered in:
- Leipzig, Sachsen , Germany (on 1731-11-25)
- composer:
- Johann Sebastian Bach (in 1731)
- is based on:
- Wachet auf, ruft uns die Stimme
- part of:
- Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
| | 6:02 |
| 4 | Cantata, BWV 147 - Chorale: Jesus bleibet meine Freude | | 3:35 |
| 5 | Cantata, BWV 208 - Aria: Schafe konnen sicher weiden | | 5:53 |
| 6 | Christmas Oratorio, BWV 248 - Sinfonia- recording engineer:
- Hans‐Peter Schweigmann
- executive producer:
- Dr Gerd Ploebsch and Prof. Dr. Hans Hickmann
- producer:
- Hans Weber
- bassoon:
- Karl Kolbinger (from 1965-02 until 1965-06) and Detlev Kühl (from 1965-02 until 1965-06)
- cello:
- Kurt Engert (from 1965-02 until 1965-06) and Oswald Uhl (from 1965-02 until 1965-06)
- double bass:
- Herbert Duft (from 1965-02 until 1965-06) and Ludwig Kiblböck (from 1965-02 until 1965-06)
- horn [corno da caccia I]:
- Kurt Richter (from 1965-02 until 1965-06)
- horn [corno da caccia II]:
- Willy Beck (from 1965-02 until 1965-06)
- oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
- Edgar Shann (from 1965-02 until 1965-06)
- oboe [oboe II] and oboe d'amore [oboe d'amore II]:
- Kurt Hausmann (from 1965-02 until 1965-06)
- oboe da caccia [oboe da caccia II]:
- Gustav Meyer (from 1965-02 until 1965-06)
- organ:
- Hedwig Bilgram (from 1965-02 until 1965-06)
- transverse flute:
- Paul Meisen (from 1965-02 until 1965-06)
- trumpet [trumpet I]:
- Maurice André (from 1965-02 until 1965-06)
- trumpet [trumpet II]:
- Bernhard Gediga (from 1965-02 until 1965-06)
- trumpet [trumpet III]:
- Wilhelm Oppermann (from 1965-02 until 1965-06)
- violin:
- Otto Büchner (from 1965-02 until 1965-06)
- orchestra:
- Munich Bach Orchestra (from 1965-02 until 1965-06)
- conductor:
- Karl Richter (from 1965-02 until 1965-06)
- balance engineer:
- Hans‐Peter Schweigmann (from 1965-02 until 1965-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1966)
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1965-02 until 1965-06)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 1965-02 until 1965-06)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 7:19 |
| 7 | Mass in B Minor, BWV 232 - Chorus: Credo in umum Deum | | 1:55 |
| 8 | Chorus: Patrem omnipotentem- recording engineer:
- Klaus Behrens
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Dr. Steven Paul
- editor:
- Klaus Behrens and Gregor Zielinsky
- choir vocals:
- Monteverdi Choir (in 1985-02)
- orchestra:
- English Baroque Soloists (in 1985-02)
- conductor:
- John Eliot Gardiner (in 1985-02)
- balance engineer:
- Karl-August Naegler
- phonographic copyright (℗) by:
- Polydor (in 1985)
- recorded at:
- All Saints Church in London , England, United Kingdom (in 1985-02)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1985-02)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| | 1:52 |
| 9 | Duet: Et in unum Dominum | | 4:12 |
| 10 | Chorus: Et incarnatus est | | 3:26 |
| 11 | Chorus: Crucifixus- recording engineer:
- Klaus Behrens
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Dr. Steven Paul
- editor:
- Klaus Behrens and Gregor Zielinsky
- bass vocals:
- Stephen Varcoe (in 1985-02)
- choir vocals:
- Monteverdi Choir (in 1985-02)
- countertenor vocals:
- Michael Chance (in 1985-02)
- mezzo-soprano vocals:
- Carol Hall (in 1985-02)
- tenor vocals:
- Wynford Evans (in 1985-02)
- orchestra:
- English Baroque Soloists (in 1985-02)
- conductor:
- John Eliot Gardiner (in 1985-02)
- balance engineer:
- Karl-August Naegler
- phonographic copyright (℗) by:
- Polydor (in 1985)
- recorded at:
- All Saints Church in London , England, United Kingdom (in 1985-02)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1985-02)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| | 3:09 |
| 12 | Chorus: Et resurrexit | | 3:50 |
| 13 | Aria: Et in Spiritum Sanctum | | 5:30 |
| 14 | Chorus: Confiteor | | 2:32 |
| 15 | Chorus: Et exspecto resurrectionem | | 3:34 |
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