The Operas & Operettas Collection

~ Release by Jacques Offenbach (see all versions of this release, 1 available)

Annotation

30 CDs in cardboard sleeve + booklet packed in a cardboard box

Annotation last modified on 2021-02-16 22:24 UTC.

Tracklist

1CD: Ba-ta-clan
2CD: Les Bavards
3CD: Orphée aux enfers (Opéra-féerie in four acts, 1871) (Acts I & II beginning)
4CD: Orphée aux enfers (Opéra-féerie in four acts, 1871) (Acts II end, III & IV)
5CD: Orpheus in der Unterwelt (Opéra bouffon in two acts, 1858) (Act I)
6CD: Orpheus in der Unterwelt (Opéra bouffon in two acts, 1858) (Act II)
7CD: La Belle Hélène (Acts I & II beginning)
8CD: La Belle Hélène (Acts II end & III)
9CD: Die schöne Helena (Act I)
10CD: Die schöne Helena (Acts II & III)
11CD: La Vie parisienne (Acts I & II)
12CD: La Vie parisienne (Acts III & IV)
13CD: Pariser Leben (La Vie parisienne) (Acts I & II)
14CD: Pariser Leben (La Vie parisienne) (Acts III, IV & V)
15CD: La Fille du tambour-major (extraits) / La Grande-duchesse de Gérolstein (extraits)
16CD: Die Großherzogin von Gerolstein (Act I)
17CD: Die Großherzogin von Gerolstein (Acts II & III)
18CD: La Périchole (Act I)
19CD: La Périchole (Acts II & III)
20CD: Les Brigands (Act I)
21CD: Les Brigands (Acts II & III)
22CD: Pomme d'api / Monsieur Choufleuri restera chez lui le … (beginning)
23CD: Monsieur Choufleuri restera chez lui le … (end) / Mesdames de la Halle
24CD: Les Contes d'Hoffman (Prologue / Act I beginning)
25CD: Les Contes d'Hoffman (Acts I end & II)
#TitleRatingLength
1Les Contes d'Hoffmann : Acte I. « Ah ! Mon ami ! Quel accent ! » (Hoffmann, Nicklausse, Spalanzani, chœur, Olympia, Cochenille)
producer:
David R. Murray
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Théâtre Royal de la Monnaie, Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Olympia]:
Luciana Serra (soprano) (in 1988-06)
tenor vocals [Cochenille]:
Robert Tear (tenor) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Spalanzani]:
Alexander Oliver (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte II. « Ah ! mon ami ! quel accent ! » (Hoffmann, Nicklausse, Spalanzani, les invités, Olympia, Cochenille) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
2:19
2Les Contes d'Hoffmann : Acte I. Récit et romance : « Ils se sont éloignés enfin ! » … « Ah ! Vivre à deux ! » (Hoffmann, Olympia)
producer:
David R. Murray
soprano vocals [Olympia]:
Luciana Serra (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte II. No 9 Récit et romance « Ils se sont éloignés enfin » (Hoffmann, Olympia) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
recording of:
Les Contes d’Hoffmann : Acte II. Romance « Ah ! Vivre deux » (Hoffmann) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
4:03
3Les Contes d'Hoffmann : Acte I. Finale : « Tu me fuis ? » … « Oui, pauvres fous » (Hoffmann, Nicklausse, Coppélius, Spalanzani, Cochenille, Olympia, chœur)
producer:
David R. Murray
bass vocals [Coppélius]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Théâtre Royal de la Monnaie, Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Olympia]:
Luciana Serra (soprano) (in 1988-06)
tenor vocals [Cochenille]:
Robert Tear (tenor) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Spalanzani]:
Alexander Oliver (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte II. No 10 Finale « Tu me fuis ? qu'ai-je fait ? » (Hoffmann, Nicklausse, Coppélius) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
6:33
4Les Contes d'Hoffmann : Acte I. « Est-il mort ? » (Nicklausse, Spalanzani, chœur, Cochenille, Hoffmann, Coppélius)
producer:
David R. Murray
bass vocals [Coppélius]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Théâtre Royal de la Monnaie, Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
tenor vocals [Cochenille]:
Robert Tear (tenor) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Spalanzani]:
Alexander Oliver (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte II. « Est-il mort ? » (Nicklausse, Spalanzani, Chorus, Cochenille, Hoffmann, Coppelius) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
2:00
5Les Contes d'Hoffmann : Acte II. Romance : « Elle a fui, la tourterelle » (Antonia)
producer:
David R. Murray
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann: Acte IV. “Elle a fui, la tourterelle” (Antonia, Crespel, Frantz) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
recording of:
Les Contes d’Hoffmann : Acte III. No 11 Romance « Elle a fui, la tourterelle » (Antonia)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
5:10
6Les Contes d'Hoffmann : Acte II. Récit : « Malheureuse enfant, fille bien-aimée » (Crespel, Antonia, Frantz)
producer:
David R. Murray
bass vocals [Crespel]:
Kurt Rydl (operatic bass) (in 1988-06)
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
tenor vocals [Frantz]:
Robert Tear (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte III. Scène « Malheureuse enfant ! » (Crespel, Antonia, Frantz) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
3:08
7Les Contes d'Hoffmann : Acte II. Couplets : « Jour et nuit je me mets en quatre » (Frantz)
producer:
David R. Murray
tenor vocals [Frantz]:
Robert Tear (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte III. No 12 Couplets « Jour et nuit je me mets en quatre » (Frantz) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
3:29
8Les Contes d'Hoffmann : Acte II. « Frantz ! … C'est ici ! » (Hoffmann, Frantz, Nicklausse)
producer:
David R. Murray
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
tenor vocals [Frantz]:
Robert Tear (tenor) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte III. Scène « Frantz ! ... c'est ici ! » (Hoffman, Frantz) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
0:49
9Les Contes d'Hoffmann : Acte II. Récit et romance : « Enfin je vais savoir pourquoi » … « Vois sous l'archet frémissant » (Hoffmann, Nicklausse)
producer:
David R. Murray
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann : Acte III. No 13 Récit et romance « Enfin je vais savoir pourquoi » … « Vois sous l'archet frémissant » … « Ah ! Tu doutes de tout » (Hoffmann, Nicklausse) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
5:45
10Les Contes d'Hoffmann : Acte II. Récit et duo : « Ô chère Antonia » … « Ah ! J'ai le bonheur dans l'âme » (Hoffmann, Nicklausse, Antonia)
producer:
David R. Murray
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte III. No 14 Duo « J'ai le bonheur dans l'âme ! » (Hoffmann, Antonia) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
4:46
11Les Contes d'Hoffmann : Acte II. « Pourtant, ô ma fiancée » … « C'est une chanson d'amour » (Hoffmann, Antonia)
producer:
David R. Murray
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “C'est une chanson … J'ai le bonheur dans l'âme !” (Hoffmann, Antonia) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Pourtant, ô ma fiancée” (Hoffmann, Antonia) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
recording of:
Les Contes d’Hoffmann : Acte III. « C'est une chanson d'amour qui s'envole » (Hoffmann, Antonia)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
5:13
12Les Contes d'Hoffmann : Acte II. « Qu'as-tu donc ? » (Hoffmann, Antonia, Crespel, Frantz, Miracle)
producer:
David R. Murray
bass vocals [Crespel]:
Kurt Rydl (operatic bass) (in 1988-06)
bass vocals [Miracle]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
tenor vocals [Frantz]:
Robert Tear (tenor) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte III. Scène « Qu'as-tu donc ? » (Hoffmann, Antonia, Crespel, Frantz, Miracle) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
2:34
13Les Contes d'Hoffmann : Acte II. Trio : « Pour conjurer le danger » (Miracle, Hoffmann, Crespel)
producer:
David R. Murray
bass vocals [Crespel]:
Kurt Rydl (operatic bass) (in 1988-06)
bass vocals [Miracle]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte III. No 15 Trio « Pour conjurer le danger » (Miracle, Hoffmann, Crespel) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
9:08
14Les Contes d'Hoffmann : Acte II. « Ne plus chanter ! Hélas ! » (Hoffmann, Antonia)
producer:
David R. Murray
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte III. Scène « Ne plus chanter ! » (Hoffmann, Antonia) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
3:28
15Les Contes d'Hoffmann : Acte II. Trio et finale : « Tu ne chantera plus ? » (Miracle, Antonia)
producer:
David R. Murray
bass vocals [Miracle]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte III. No 16 Finale: Trio « Tu ne chanteras plus ? » (Miracle, Antonia, la voix de la mère d'Antonia) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
5:35
16Les Contes d'Hoffmann : Acte II. « Ta mère oses-tu l'invoquer ? » … « Chère enfant, que j'appelle » (Miracle, la mère d'Antonia, Antonia)
producer:
David R. Murray
bass vocals [Miracle]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
mezzo-soprano vocals [Mère d'Antonia]:
Jocelyne Taillon (mezzo-soprano) (in 1988-06)
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Ta mère ? Oses-tu l’invoquer ?... Chère enfant ! Que j’appelle” (Miracle, la voix de la mère d'Antonia, Antonia) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
5:37
17Les Contes d'Hoffmann : Acte II. « Mon enfant ! Ma fille ! Antonia ! » (Crespel, Antonia, Hoffmann, Nicklausse, Miracle)
producer:
David R. Murray
bass vocals [Crespel]:
Kurt Rydl (operatic bass) (in 1988-06)
bass vocals [Miracle]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte III. Finale: Scène « Mon enfant ! ma fille ! » (Crespel, Antonia, Nicklausse, Hoffmann, Miracle) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
2:59
26CD: Les Contes d'Hoffman (Act III / Epilogue & Appendices)
27CD: Hoffmanns Erzählungen (Prologue / Act I & Act II beginning)
28CD: Hoffmanns Erzählungen (Acts II end & III / Epilogue)
29CD: Air célèbres – Operetta Arias
30CD: Gaîté Parisienne / Fables de La Fontaine

Credits

Release group

includes:Airs célèbres by Offenbach (German-French composer, cellist and impresario), Jane Rhodes (French soprano/mezzo-soprano), Roberto Benzi (conductor), Orchestre National Bordeaux Aquitaine
Ba-ta-clan / Les Bavards
Die Großherzogin von Gerolstein
Die schöne Helena (1979 Munich studio cast, sung in german) by Jacques Offenbach (German-French composer, cellist and impresario); Anneliese Rothenberger (soprano), Brigitte Fassbaender (mezzo-soprano), Nicolai Gedda (tenor), Ferry Gruber (tenor), Benno Kusche (baritone), Klaus Hirte (baritone), Chor des Bayerischen Rundfunks (Bavarian Radio Choir), Münchner Rundfunkorchester (The Munich Radio Orchestra) & Willy Mattes (composer, arranger and conductor)
Hoffmanns Erzählungen by Jacques Offenbach (German-French composer, cellist and impresario); Siegfried Jerusalem (tenor), Jeanette Scovotti (soprano), Dietrich Fischer‐Dieskau (baritone), Chor des Bayerischen Rundfunks (Bavarian Radio Choir), Münchner Rundfunkorchester (The Munich Radio Orchestra), Heinz Wallberg (conductor)
La Belle Hélène by Jacques Offenbach (German-French composer, cellist and impresario); Chœur et Orchestre du Capitole de Toulouse, Michel Plasson (conductor), Jessye Norman (soprano)
La Fille du tambour-major (Extraits) by Jacques Offenbach (German-French composer, cellist and impresario); Michel Dens (French baryton vocalist), Liliane Chatel, Nadine Sautereau (French soprano), Suzanne Lafaye (French soprano), Dominique Tirmont (French actor and bass vocalist), Orchestre et Chœurs de la Société des Concerts du Conservatoire, Félix Nuvolone
La Grande–duchesse de Gérolstein (Extraits) by Jacques Offenbach (German-French composer, cellist and impresario); Éliane Lublin (French soprano), Raymond Amade (tenor), Jean-Christophe Benoît (baritone), Christos Grigoriou, Guy Godin, Chœurs et Orchestre de la Société des Concerts du Conservatoire, Jean‐Pierre Marty (pianist & conductor)
La Périchole (Plasson) by Jacques Offenbach (German-French composer, cellist and impresario); Teresa Berganza (mezzo-soprano), José Carreras (Spanish tenor), Gabriel Bacquier (French baritone), Chœurs et Orchestre du Capitole de Toulouse, Michel Plasson (conductor)
La Vie Parisienne by Offenbach (German-French composer, cellist and impresario); Régine Crespin (soprano), Mady Mesplé (soprano), Luis Masson (operatic bass / baritone), Michel Sénéchal (tenor), Michel Trempont (Belgian operatic baritone), Jean-Christophe Benoît (baritone), Christiane Chateau (French soprano), Éliane Lublin (French soprano), Michel Jarry (baritone), Orchestre et Chœur du Capitole de Toulouse, Michel Plasson (conductor)
Les Brigands by Jacques Offenbach (German-French composer, cellist and impresario); Ghyslaine Raphanel (soprano), Colette Alliot-Lugaz (soprano), Tibère Raffalli (tenor), Michel Trempont (Belgian operatic baritone), François Le Roux (baritone), Thierry Dran, Jean-Luc Viala (tenor), Bernard Pisani (tenor), Chœurs et Orchestre de l’Opéra de Lyon, Sir John Eliot Gardiner (John Eliot Gardiner)
Les Contes d’Hoffmann by Offenbach (German-French composer, cellist and impresario); Neil Shicoff (tenor), Ann Murray (Irish mezzo-soprano), Jessye Norman (soprano), Rosalind Plowright (soprano / mezzo soprano), Luciana Serra (soprano), Robert Tear (tenor), José Van Dam (Belgian operatic bass-baritone), Chorus (Chorus of the Théâtre Royal de la Monnaie, Chorus of the Belgian National Opera) and Orchestra of the Théâtre Royal de la Monnaie, Brussels (Orchestra for the Brussels opera La Monnaie / De Munt), Sylvain Cambreling (conductor)
Orphée aux enfers (1978 studio cast) by Jacques Offenbach (German-French composer, cellist and impresario); Mady Mesplé (soprano), Jane Rhodes (French soprano/mezzo-soprano), Michel Sénéchal (tenor), Charles Burles (tenor), Orchestre et Chœur du Capitole de Toulouse, Michel Plasson (conductor)
Orpheus in der Unterwelt by Offenbach (German-French composer, cellist and impresario); Rothenberger (soprano)Dallapozza (tenor)Lindner (soprano)Kusche (baritone)Willy Mattes (composer, arranger and conductor)
Pariser Leben by Jacques Offenbach (German-French composer, cellist and impresario); Chor des Bayerischen Rundfunks (Bavarian Radio Choir), Münchner Rundfunkorchester (The Munich Radio Orchestra), Willy Mattes (composer, arranger and conductor)
Vive Offenbach ! Pomme d'Api – Monsieur Choufleuri – Mesdames de la Halle by Offenbach (German-French composer, cellist and impresario); Mady Mesplé (soprano), Jean-Philippe Lafont (baritone), Charles Burles (tenor), Michel Trempont (Belgian operatic baritone), Léonard Pezzino (tenor), Michel Hamel (tenor), Ensemble Vocal Jean Laforge, Orchestre Philharmonique de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra), Manuel Rosenthal (French conductor & composer)