Complete 1939-1951 Blue Note Master Takes

~ Release by Sidney Bechet (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Milenberg Joys
clarinet and soprano saxophone:
Sidney Bechet (on 1945-03-10)
double bass and double bass [bass]:
George "Pops" Foster (on 1945-03-10)
drums (drum set):
Manzie Johnson (on 1945-03-10)
piano:
Cliff Jackson (jazz pianist) (on 1945-03-10)
trombone:
Sandy Williams (American jazz trombonist) (on 1945-03-10)
trumpet:
Bunk Johnson (on 1945-03-10)
recording of:
Milenberg Joys (on 1945-03-10)
writer:
Walter Melrose
composer:
Ferdinand Morton, Paul Mares and Leon Roppolo
Bunk Johnson and Sidney Bechet4:20
2Lord, Let Me in the Lifeboat
clarinet and soprano saxophone:
Sidney Bechet (on 1945-03-10)
double bass and double bass [bass]:
George "Pops" Foster (on 1945-03-10)
drums (drum set):
Manzie Johnson (on 1945-03-10)
piano:
Cliff Jackson (jazz pianist) (on 1945-03-10)
trombone:
Sandy Williams (American jazz trombonist) (on 1945-03-10)
trumpet:
Bunk Johnson (on 1945-03-10)
recording of:
Lord, Let Me in the Lifeboat (on 1945-03-10)
composer:
Sidney Bechet
Bunk Johnson and Sidney Bechet3:34
3Days Beyond Recall
clarinet and soprano saxophone:
Sidney Bechet (on 1945-03-10)
double bass:
George "Pops" Foster (on 1945-03-10)
drums (drum set):
Manzie Johnson (on 1945-03-10)
piano:
Cliff Jackson (jazz pianist) (on 1945-03-10)
trombone:
Sandy Williams (American jazz trombonist) (on 1945-03-10)
trumpet:
Bunk Johnson (on 1945-03-10)
recording of:
Days Beyond Recall (on 1945-03-10)
composer:
Sidney Bechet
Bunk Johnson and Sidney Bechet4:53
4Porto Rico
clarinet and soprano saxophone:
Sidney Bechet (on 1945-03-10)
double bass:
George "Pops" Foster (on 1945-03-10)
drums (drum set):
Manzie Johnson (on 1945-03-10)
piano:
Cliff Jackson (jazz pianist) (on 1945-03-10)
trombone:
Sandy Williams (American jazz trombonist) (on 1945-03-10)
trumpet:
Bunk Johnson (on 1945-03-10)
Bunk Johnson and Sidney Bechet3:13
5Up in Sidney's Flat
clarinet and soprano saxophone:
Sidney Bechet (on 1945-03-10)
double bass and double bass [bass]:
George "Pops" Foster (on 1945-03-10)
drums (drum set):
Manzie Johnson (on 1945-03-10)
piano:
Cliff Jackson (jazz pianist) (on 1945-03-10)
solo trombone and trombone:
Sandy Williams (American jazz trombonist) (on 1945-03-10)
trumpet:
Bunk Johnson (on 1945-03-10)
recording of:
Up in Sidney's Flat (on 1945-03-10)
composer:
Sidney Bechet
Bunk Johnson and Sidney Bechet4:22
6Save It Pretty Mama
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
vocals:
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
instrumental recording of:
Save It, Pretty Mama (on 1945-10-12)
writer:
Paul Denniker, Joseph M. Davis (Joe Davis, US lyricist, producer, publisher & promoter) and Don Redman
Art Hodes' Hot Five3:12
7Way Down Yonder in New Orleans
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
vocals:
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
recording of:
’Way Down Yonder in New Orleans (on 1945-10-12)
lyricist:
Henry Creamer (Lyricist)
composer:
Turner Layton
publisher:
Shapiro, Bernstein & Co., Inc.
Art Hodes' Hot Five3:10
8Memphis Blues
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
vocals:
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
recording of:
The Memphis Blues (on 1945-10-12)
lyricist:
George A. Norton (in 1913)
composer:
William Christopher Handy (in 1912)
Art Hodes' Hot Five2:58
9Shine
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
vocals:
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
recording of:
Shine (on 1945-10-12)
lyricist:
Lew Brown (in 1910) and Cecil Mack (in 1910)
composer:
Ford Dabney (in 1910)
Art Hodes' Hot Five2:59
10St. James Infirmary
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
vocals:
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
recording of:
St. James Infirmary (Joe Primrose’s arrangement) (on 1945-10-12)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
arrangement of:
St. James Infirmary
version of:
The Unfortunate Lass (Bad Girl's Lament)
Art Hodes' Hot Five3:21
11Darktown Strutters' Ball
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
vocals:
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
recording of:
Darktown Strutters’ Ball (on 1945-10-12)
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
J. Albert & Son Pty. Ltd. and Leo Feist, Inc.
part of:
For Me and My Gal (1942 movie)
Art Hodes' Hot Five3:03
12Blame It On the Blues (Quincy Street Stomp)
clarinet:
Albert Nicholas (on 1946-02-12)
double bass:
George "Pops" Foster (on 1946-02-12)
drums (drum set):
Danny Alvin (on 1946-02-12)
piano:
Art Hodes (on 1946-02-12)
soprano saxophone:
Sidney Bechet (on 1946-02-12)
recording of:
Blame It on the Blues (on 1946-02-12)
composer:
Doc Cook
Bechet-Nicholas Blue Five2:59
13Old Stack O'lee Blues
clarinet:
Albert Nicholas (on 1946-02-12)
double bass:
George "Pops" Foster (on 1946-02-12)
drums (drum set):
Danny Alvin (on 1946-02-12)
piano:
Art Hodes (on 1946-02-12)
soprano saxophone:
Sidney Bechet (on 1946-02-12)
recording of:
Old Stack O'Lee Blues (on 1946-02-12)
composer:
Sidney Bechet
Bechet-Nicholas Blue Five4:16
14Bechet's Fantasy
clarinet:
Albert Nicholas (on 1946-02-12)
double bass:
George "Pops" Foster (on 1946-02-12)
drums (drum set):
Danny Alvin (on 1946-02-12)
piano:
Art Hodes (on 1946-02-12)
soprano saxophone:
Sidney Bechet (on 1946-02-12)
Bechet-Nicholas Blue Five3:50
15Weary Way Blues
clarinet:
Albert Nicholas (on 1946-02-12)
double bass:
George "Pops" Foster (on 1946-02-12)
drums (drum set):
Danny Alvin (on 1946-02-12)
piano:
Art Hodes (on 1946-02-12)
soprano saxophone:
Sidney Bechet (on 1946-02-12)
recording of:
Weary way blues (on 1946-02-12)
composer:
Ida Cox and Lovie Austin
Bechet-Nicholas Blue Five3:13
16Sister Kate
cornet:
Wild Bill Davison (on 1949-01-21)
double bass:
Walter Page (on 1949-01-21)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1949-01-21)
piano:
Art Hodes (on 1949-01-21)
soprano saxophone:
Sidney Bechet (on 1949-01-21)
instrumental recording of:
I Wish I Could Shimmy Like My Sister Kate (on 1949-01-21)
writer:
Armand J. Piron and Clarence Williams (US jazz pianist, composer, singer and bandleader)
Sidney Bechet’s Blue Note Jazzmen3:05
17Tiger Rag
cornet:
Wild Bill Davison (on 1949-01-21)
double bass:
Walter Page (on 1949-01-21)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1949-01-21)
piano:
Art Hodes (on 1949-01-21)
soprano saxophone:
Sidney Bechet (on 1949-01-21)
recording of:
Tiger Rag (original 1917 instrumental version) (on 1949-01-21)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
Sidney Bechet’s Blue Note Jazzmen3:08
18Tin Roof Blues
cornet:
Wild Bill Davison (on 1949-01-21)
double bass:
Walter Page (on 1949-01-21)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1949-01-21)
piano:
Art Hodes (on 1949-01-21)
soprano saxophone:
Sidney Bechet (on 1949-01-21)
recording of:
Tin Roof Blues (original instrumental version) (on 1949-01-21)
composer:
Georg Brunis, Paul Mares, Ben Pollack, Leon Roppolo and Mel Stitzel
Sidney Bechet’s Blue Note Jazzmen2:59
19I've Found a New Baby
cornet:
Wild Bill Davison (on 1949-01-21)
double bass:
Walter Page (on 1949-01-21)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1949-01-21)
piano:
Art Hodes (on 1949-01-21)
soprano saxophone:
Sidney Bechet (on 1949-01-21)
instrumental recording of:
I’ve Found a New Baby (on 1949-01-21)
writer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
Sidney Bechet’s Blue Note Jazzmen3:10
20Darktown Strutters' Ball (alt. take)
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
vocals:
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
recording of:
Darktown Strutters’ Ball (on 1949-10-12)
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
J. Albert & Son Pty. Ltd. and Leo Feist, Inc.
part of:
For Me and My Gal (1942 movie)
Art Hodes' Hot Five3:07
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