Opera Breve

~ Release by Philippe Quint, Lily Maisky (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Spanish Dance from “La vida breve”
piano:
Lily Maisky
violin:
Philippe Quint (American classical violinist)
recording of:
Danse espagnole (for violin and piano, Kreisler)
composer:
Manuel de Falla (Spanish composer)
arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
La vida breve: Acto II. Danza española
Manuel de Falla arr. Fritz Kreisler3:42
2Lensky's Aria from “Eugen Onegin”
piano:
Lily Maisky
violin:
Philippe Quint (American classical violinist)
recording of:
Wohin seid ihr entschwunden from "Eugen Onegin" (for violin and piano, Auer)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
arranger:
Leopold Auer (Hungarian violinist and composer)
arrangement of:
Евгений Онегин, op. 24: Действие II, картина 2, no. 17. Интродукция и сцена "Ну, что же" (Introduction and Scene "Nu, chto zhe")
Piotr Illitch Tchaikovsky arr. Leopold Auer6:08
3Una furtiva lagrima from “L’elisir d’amore”
piano:
Lily Maisky
violin:
Philippe Quint (American classical violinist)
arranger:
Philippe Quint (American classical violinist)
recording of:
L’elisir d’amore: “Una furtiva lagrima” (catch-all for arrangements)
composer:
Gaetano Donizetti (Italian opera composer)
arrangement of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
Gaetano Donizetti arr. Philippe Quint4:10
4Melodie from “Orfeo ed Euridice”
piano:
Lily Maisky
violin:
Philippe Quint (American classical violinist)
recording of:
Mélodie (Dance of the Blessed Spirits) (for violin and piano, arr. Kreisler)
composer:
Christoph Willibald Gluck (composer) (in 1774)
piano and violin arranger:
Fritz Kreisler (Austrian‐American violinist and composer) (in 1913)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck arr. Fritz Kreisler3:57
5Paraphrase on “Largo al factotum” from “Il barbiere di Siviglia”
piano:
Lily Maisky
violin:
Philippe Quint (American classical violinist)
recording of:
Figaro from “The Barber of Seville” (for violin and piano, Castelnuovo-Tedesco)
composer:
Gioachino Rossini (composer)
arranger:
Mario Castelnuovo‐Tedesco (Italian composer)
arrangement of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro)
Gioachino Rossini arr. Mario Castelnuovo‐Tedesco5:56
6Morgen, op. 27/4
piano:
Lily Maisky
violin:
Philippe Quint (American classical violinist)
arranger:
Mischa Maisky (cellist)
recording of:
Morgen!, op. 27 no. 4 (catch-all for arrangements)
lyricist:
John Henry Mackay (Scottish-German egoist anarchist, thinker and writer)
composer:
Richard Strauss (German composer) (in 1894)
arrangement of:
Morgen!, op. 27 no. 4 (for voice and piano)
Richard Strauss arr. Mischa Maisky3:38
7Porgy and Bess Suite: “Summertime” – “A Woman is a Sometime Thing”
piano:
Lily Maisky
violin:
Philippe Quint (American classical violinist)
recording of:
Porgy and Bess: A Woman Is a Sometime Thing (for violin and piano, arr. Heifetz)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act Ⅰ, Scene Ⅰ. “Lissen to yo’ daddy warn you … A woman is a sometime thing”
George Gershwin arr. Jascha Heifetz4:35
8Porgy and Bess Suite: “My Man’s Gone Now”
piano:
Lily Maisky
violin:
Philippe Quint (American classical violinist)
recording of:
Porgy and Bess: My Man's Gone Now (for violin and piano, arr. Heifetz)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
George Gershwin arr. Jascha Heifetz4:26
9Porgy and Bess Suite: “Bess You Is My Woman Now”
piano:
Lily Maisky
violin:
Philippe Quint (American classical violinist)
recording of:
Porgy and Bess: Bess, You Is My Woman Now (for violin and piano, arr. Heifetz)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
George Gershwin arr. Jascha Heifetz3:32
10Porgy and Bess Suite: “It Ain’t Necessarily So”
piano:
Lily Maisky
violin:
Philippe Quint (American classical violinist)
recording of:
Porgy and Bess: It Ain’t Necessarily So (for piano and violin, arr. Heifetz)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
George Gershwin arr. Jascha Heifetz2:58
11Cantabile from “Samson et Dalila”
piano:
Lily Maisky
violin:
Philippe Quint (American classical violinist)
recording of:
Mon cœur s’ouvre à ta voix (Samson et Dalila) (catch-all for arrangements)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)
Camille Saint‐Saëns3:35
12Evening Prayer from “Hänsel und Gretel”
piano:
Lily Maisky
violin:
Philippe Quint (American classical violinist)
arranger:
Philippe Quint (American classical violinist)
instrumental recording of:
Hänsel und Gretel: “Abends, will ich schlafen gehn” (Evening Prayer, Nachtgebet) (catch-all for arrangements)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
arrangement of:
Hänsel und Gretel: Akt II, 2. Szene. “Abends, will ich schlafen gehn” (Hänsel, Gretel) (Hansel and Gretel: Evening Prayer, Nachtgebet / Evening Prayer / Prière du soir)
Engelbert Humperdinck arr. Philippe Quint3:52
13Cavatina, op. 85 no. 3
piano:
Lily Maisky
violin:
Philippe Quint (American classical violinist)
recording of:
Cavatina, op. 85 no. 3
composer:
Joachim Raff (composer) (in 1859)
part of:
6 Morceaux, op. 85
Joachim Raff5:02

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ASIN:US: B00ECJABTK [info]