Eugen Jochum

~ Release by Bach, Mozart, Beethoven, Brahms, Bruckner; Eugen Jochum (see all versions of this release, 1 available)

Tracklist

1▶CD: Beethoven Symphonies 1 & 3
2▶CD: Beethoven Symphonies 2 & 6
3▶CD: Beethoven Symphonies 4 & 5
4▶CD: Beethoven Symphonies 7 & 8
5▶CD: Beethoven Symphony 9
6▶CD: Brahms Symphony 1
7▶CD: Brahms Symphonies 2 & 3
8▶CD: Brahms Symphony 4 Beethoven Overtures
9▶CD: Bruckner Symphony 1
10▶CD: Bruckner Symphony 2
11▶CD: Bruckner Symphony 3
12▶CD: Bruckner Symphony 4
13▶CD: Bruckner Symphony 5
14▶CD: Bruckner Symphony 6
15▶CD: Bruckner Symphony 7
16▶CD: Bruckner Symphony 8
17▶CD: Bruckner Symphony 9
18▶CD: JS Bach Mass in B minor Part 1
19▼CD: JS Bach Mass in B minor Part 2
#TitleArtistRatingLength
1Mass in B minor, BWV 232: II. Symbolum Nicenum (Credo): Chorus: Credo in unum deum
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1980-03-29 until 1980-04-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor) (from 1980-03-29 until 1980-04-03)
chorus master:
Josef Schmidhuber (chorus master) (from 1980-03-29 until 1980-04-03)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03-29 until 1980-04-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:29
2Mass in B minor, BWV 232: II. Symbolum Nicenum (Credo): Chorus: patrem omnipotentem
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1980-03-29 until 1980-04-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor) (from 1980-03-29 until 1980-04-03)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03-29 until 1980-04-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:08
3Mass in B minor, BWV 232: II. Symbolum Nicenum (Credo): Duet: Et in unum dominum
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
solo vocals:
Claes‐Håkan Ahnsjö (tenor) (from 1980-03-29 until 1980-04-03), Helen Donath (soprano) (from 1980-03-29 until 1980-04-03), Brigitte Fassbaender (mezzo-soprano) (from 1980-03-29 until 1980-04-03), Roland Hermann (baritone) (from 1980-03-29 until 1980-04-03) and Robert Holl (bass‐baritone) (from 1980-03-29 until 1980-04-03)
soprano vocals:
Helen Donath (soprano) (from 1980-03 until 1980-04) and Brigitte Fassbaender (mezzo-soprano) (from 1980-03 until 1980-04)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor) (from 1980-03-29 until 1980-04-03)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03-29 until 1980-04-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:26
4Mass in B minor, BWV 232: II. Symbolum Nicenum (Credo): Chorus: Et incarnatus est
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1980-03-29 until 1980-04-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03-29 until 1980-04-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:26
5Mass in B minor, BWV 232: II. Symbolum Nicenum (Credo): Chorus: Crucifixus
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1980-03-29 until 1980-04-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor) (from 1980-03-29 until 1980-04-03)
chorus master:
Josef Schmidhuber (chorus master) (from 1980-03-29 until 1980-04-03)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03-29 until 1980-04-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:19
6Mass in B minor, BWV 232: II. Symbolum Nicenum (Credo): Chorus: Et resurrexit
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1980-03 until 1980-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:21
7Mass in B minor, BWV 232: II. Symbolum Nicenum (Credo): Aria: Et in spiritum sanctum dominum
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
bass vocals:
Hans Braun (baritone) (from 1980-03-29 until 1980-04-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 1980-03 until 1980-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:26
8Mass in B minor, BWV 232: II. Symbolum Nicenum (Credo): Chorus: Confiteor
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
solo vocals:
Claes‐Håkan Ahnsjö (tenor) (from 1980-03-29 until 1980-04-03), Helen Donath (soprano) (from 1980-03-29 until 1980-04-03), Brigitte Fassbaender (mezzo-soprano) (from 1980-03-29 until 1980-04-03), Roland Hermann (baritone) (from 1980-03-29 until 1980-04-03) and Robert Holl (bass‐baritone) (from 1980-03-29 until 1980-04-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
chorus master:
Josef Schmidhuber (chorus master) (from 1980-03-29 until 1980-04-03)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 1980-03 until 1980-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:55
9Mass in B minor, BWV 232: II. Symbolum Nicenum (Credo): Chorus: Et expecto resurrectionem
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
solo vocals:
Claes‐Håkan Ahnsjö (tenor) (from 1980-03-29 until 1980-04-03), Helen Donath (soprano) (from 1980-03-29 until 1980-04-03), Brigitte Fassbaender (mezzo-soprano) (from 1980-03-29 until 1980-04-03), Roland Hermann (baritone) (from 1980-03-29 until 1980-04-03) and Robert Holl (bass‐baritone) (from 1980-03-29 until 1980-04-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
chorus master:
Josef Schmidhuber (chorus master) (from 1980-03-29 until 1980-04-03)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 1980-03 until 1980-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:52
10Mass in B minor, BWV 232: III. Sanctus: Chorus: Sanctus
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1980-03-29 until 1980-04-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor) (from 1980-03-29 until 1980-04-03)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03-29 until 1980-04-03)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:02
11Mass in B minor, BWV 232: III. Sanctus: Chorus: Osanna in excelsis
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
solo vocals:
Claes‐Håkan Ahnsjö (tenor) (from 1980-03-29 until 1980-04-03), Helen Donath (soprano) (from 1980-03-29 until 1980-04-03), Brigitte Fassbaender (mezzo-soprano) (from 1980-03-29 until 1980-04-03), Roland Hermann (baritone) (from 1980-03-29 until 1980-04-03) and Robert Holl (bass‐baritone) (from 1980-03-29 until 1980-04-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
chorus master:
Josef Schmidhuber (chorus master) (from 1980-03-29 until 1980-04-03)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 1980-03 until 1980-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:04
12Mass in B minor, BWV 232: III. Sanctus: Aria: Benedictus
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1980-03-29 until 1980-04-03)
solo vocals:
Claes‐Håkan Ahnsjö (tenor) (from 1980-03-29 until 1980-04-03), Helen Donath (soprano) (from 1980-03-29 until 1980-04-03), Brigitte Fassbaender (mezzo-soprano) (from 1980-03-29 until 1980-04-03), Roland Hermann (baritone) (from 1980-03-29 until 1980-04-03) and Robert Holl (bass‐baritone) (from 1980-03-29 until 1980-04-03)
tenor vocals:
Claes‐Håkan Ahnsjö (tenor) (from 1980-03 until 1980-04)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
chorus master:
Josef Schmidhuber (chorus master) (from 1980-03-29 until 1980-04-03)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 1980-03 until 1980-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:59
13Mass in B minor, BWV 232: III. Sanctus: Chorus: Osanna in excelsis
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1980-03-29 until 1980-04-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor) (from 1980-03-29 until 1980-04-03)
chorus master:
Josef Schmidhuber (chorus master) (from 1980-03-29 until 1980-04-03)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03-29 until 1980-04-03)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:06
14Mass in B minor, BWV 232: III. Sanctus: Aria: Agnus dei
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
solo alto vocals:
Brigitte Fassbaender (mezzo-soprano) (from 1980-03-29 until 1980-04-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor) (from 1980-03-29 until 1980-04-03)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03-29 until 1980-04-03)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:47
15Mass in B minor, BWV 232: III. Sanctus: Chorus: Dona nobis pacem
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1980-03-29 until 1980-04-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor) (from 1980-03-29 until 1980-04-03)
chorus master:
Josef Schmidhuber (chorus master) (from 1980-03-29 until 1980-04-03)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03-29 until 1980-04-03)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:13
20▶CD: Mozart Coronation Mass, Vesperae Solennes de Confessore