Jephtha

~ Release by George Frideric Handel; Academy of St Martin in the Fields, Sir Neville Marriner (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Jephtha, HWV 70: Overture
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: no. 0. Overture (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Jephtha, HWV 70
George Frideric Handel3:49
2Jephtha, HWV 70: Menuet
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: no. 0a. Minuet (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Jephtha, HWV 70
George Frideric Handel1:43
3Jephtha, HWV 70: Act I: It Must Be So
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
bass vocals [Zebul]:
Christopher Keyte (operatic bass) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act I, no. 1. Accompagnato "It must be so or these wile Ammonites" (Zebul) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel1:27
4Jephtha, HWV 70: Act I: Pour Forth No More Unheeded Pray'rs
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
bass vocals [Zebul]:
Christopher Keyte (operatic bass) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act I, no. 2. Air "Pour forth no more unheeded pray'rs" (Zebul) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel3:16
5Jephtha, HWV 70: Act I: No More to Ammon's God and King
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act I, no. 3. Chorus "No more to Ammon's god and King" (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel2:58
6Jephtha, HWV 70: Act I: But Jephta Comes
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
bass vocals [Zebul]:
Christopher Keyte (operatic bass) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act I, no. 3a. Recitative "But Jephtha comes" (Zebul, Jephtha) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel1:01
7Jephtha, HWV 70: Act I: Virtue My Soul Shall Still Embrace
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
tenor vocals [Jephtha]:
Anthony Rolfe Johnson (tenor) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act I, no. 4. Air "Virtue my soul shall still embrace" (Jephtha) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel4:04
8Jephtha, HWV 70: Act I: 'Twill Be a Painful Separation, Jephta - In Gentle Murmurs Will I Mourn
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
mezzo-soprano vocals [Storgè]:
Alfreda Hodgson (contralto) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act I, no. 4a. Recitative "Twill be a painful separation" (Storge) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
recording of:
Jephtha, HWV 70: Act I, no. 5. Air "In gentle murmurs will I mourn" (Storge) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel5:17
9Jephtha, HWV 70: Act I: Happy This Embassy, My Charming Iphis - Dull Delay, in Piercing Anguish
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
countertenor vocals [Hamor]:
Paul Esswood (countertenor) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act I, no. 5a. Recitative "Happy this embassy" (Hamor) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
recording of:
Jephtha, HWV 70: Act I, no. 6. Air "Dull delay, in piercing anguish" (Hamor) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel4:48
10Jephtha, HWV 70: Act I: Ill Suits the Voice of Love When Glory Calls - Take the Heart You Fondly Gave
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
soprano vocals [Iphis]:
Margaret Marshall (Scots soprano active in late 20th century) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act I, no. 6a. Recitative "Ill suits the voice of love" (Iphis) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
recording of:
Jephtha, HWV 70: Act I, no. 7. Air "Take the heart you fondly gave" (Iphis) (in 1979-03)
lyricist:
Thomas Morell
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Jephtha, HWV 70: Act I
George Frideric Handel5:00
11Jephtha, HWV 70: Act I: I Go, My soul, Inspir'd - These Labours Past, How Happy We!
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
countertenor vocals [Hamor]:
Paul Esswood (countertenor) (in 1979-03)
soprano vocals [Iphis]:
Margaret Marshall (Scots soprano active in late 20th century) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act I, no. 7a. Recitative "I go. My soul, inspir'd by thy command" (Hamor) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
recording of:
Jephtha, HWV 70: Act I, no. 8. Duet "These labours past, how happy we" (Iphis, Hamor) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel6:41
12Jephtha, HWV 70: Act I: What Mean These Doubtful Fancies
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
tenor vocals [Jephtha]:
Anthony Rolfe Johnson (tenor) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act I, no. 8a. Recitative "What mean these doubtful fancies" (Jephtha) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
recording of:
Jephtha, HWV 70: Act I, no. 9. Accompagnato "If, Lord, sustain'd by Thy almighty pow'r" (Jephtha) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel1:30
13Jephtha, HWV 70: Act I: O God, Behold Our Sore Distress
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1979-03)
tenor vocals [Jephtha]:
Anthony Rolfe Johnson (tenor) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act I, no. 10. Chorus "O God, behold our sore distress" (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel4:42
14Jephtha, HWV 70: Act I: Some Dire Event Hangs o'er Our Heads - Scenes of Horror, Scenes of Woe
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
mezzo-soprano vocals [Storgè]:
Alfreda Hodgson (contralto) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act I, no. 10a. Recitative "Some dire event hangs o'er our heads" (Storge) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
recording of:
Jephtha, HWV 70: Act I, no. 11. Air "Scenes of horror, scenes of woe" (Storge) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel5:13
15Jephtha, HWV 70: Act I: Say, My Dear Mother
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
soprano vocals [Iphis]:
Margaret Marshall (Scots soprano active in late 20th century) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act I, no. 11a. Recitative "Say, my dear mother" (Iphis, Storge) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel0:52
16Jephtha, HWV 70: Act I: The Smiling Dawn of Happy Days
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
soprano vocals [Iphis]:
Margaret Marshall (Scots soprano active in late 20th century) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act I, no. 12. Air "The smiling dawn of happy days" (Iphis) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel3:02
17Jephtha, HWV 70: Act I: Such, Jephta - When His Loud Voice
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
bass vocals [Zebul]:
Christopher Keyte (operatic bass) (in 1979-03)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act I, no. 12a. Recitative "Such, Jephtha, was the haughty King's reply" (Zebul, Jephtha) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
recording of:
Jephtha, HWV 70: Act I, no. 13. Chorus "When His loud voice in thunder spoke" (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel5:07
18Jephtha, HWV 70: Act II: Glad Tidings of Great Joy to Thee, Dear Iphis
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
countertenor vocals [Hamor]:
Paul Esswood (countertenor) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act II, no. 13a. Recitative "Glad things of great joy" (Hamor) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel1:10
19Jephtha, HWV 70: Act II: Cherub and Seraphim, Unbodied Forms
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act II, no. 14. Chorus "Cherub and Seraphim, unbodied forms" (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel3:13
20Jephtha, HWV 70: Act II: Up the DreadfulSteep Ascending
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
countertenor vocals [Hamor]:
Paul Esswood (countertenor) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act II, no. 15. Air "Up the dreadful steep ascending" (Hamor) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel5:27
21Jephtha, HWV 70: Act II: 'Tis Well - Tune the Soft Melodious Lute
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
soprano vocals [Iphis]:
Margaret Marshall (Scots soprano active in late 20th century) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act II, no. 15a. Recitative "'Tis well. Haste, haste, ye maidens" (Iphis) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
recording of:
Jephtha, HWV 70: Act II, no. 16: Air "Tune the soft melodious lute" (Iphis) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel5:07
22Jephtha, HWV 70: Act II: Again Heav'n Smiles - Freedom Now Once More Possessing
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
bass vocals [Zebul]:
Christopher Keyte (operatic bass) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act II, no. 16a. Recitative "Heav'n smiles once more" (Zebul) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel4:05
23Jephtha, HWV 70: Act II: Zebul, Thy Deeds Were Valiant - His Mighty Arm
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
bass vocals [Zebul]:
Christopher Keyte (operatic bass) (in 1979-03)
tenor vocals [Jephtha]:
Anthony Rolfe Johnson (tenor) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act II, no. 17a. Recitative "Zebul, thy deeds were valiant" (Jephtha) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel6:05
24Jephtha, HWV 70: Act II: In Glory High, in Might Serene
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act II, no. 19. Chorus: "In glory high, in might serene" (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel2:26
25Jephtha, HWV 70: Act II: Symphony
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act II, no. 20. Symphony (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel1:19
26Jephtha, HWV 70: Act II: Hail, Glorious Conqueror - Welcome as the Cheerful Ligh
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
choir vocals:
Southend Boys’ Choir (in 1979-03)
soprano vocals [Iphis]:
Margaret Marshall (Scots soprano active in late 20th century) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act II, no. 20a. Recitative "Hail, glorious conqueror!" (Iphis) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
recording of:
Jephtha, HWV 70: Act II, no. 21. Air and Chorus: "Welcome, as the cheerful light" (Iphis) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel4:03
27Jephtha, HWV 70: Act II: Horror! Confusion! - Open Thy Marble Jaws, O Tomb
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
tenor vocals [Jephtha]:
Anthony Rolfe Johnson (tenor) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act II, no. 21a. Recitative "Horror! Confusion! Harsh this music grates" (Jephtha) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
recording of:
Jephtha, HWV 70: Act II, no. 22. Air "Open thy marble jaws, o tomb" (Jephtha) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel4:51
28Jephtha, HWV 70: Act II: Why Is My Brother Thus Afflicted
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
bass vocals [Zebul]:
Christopher Keyte (operatic bass) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act II, no. 22a. Recitative "Why is my brother thus afflicted?" (Zebul, Jephtha) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel1:15
29Jephtha, HWV 70: Act II: First Perish Thou, and Perish All the World
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
mezzo-soprano vocals [Storgè]:
Alfreda Hodgson (contralto) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act II, no. 23. Accompagnato and Arioso "First perish thou and perish all the world!" (Storge) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel2:14
30Jephtha, HWV 70: Act II: If Such Thy Cruel Purpose - On Me Let Blind Mistaken Zeal
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
countertenor vocals [Hamor]:
Paul Esswood (countertenor) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act II, no. 23a. Recitative "If such thy cruel purpose, lo!" (Hamor) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
recording of:
Jephtha, HWV 70: Act II, no. 24. Air "On me let blind mistake zeal" (Hamor) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel1:51
31Jephtha, HWV 70: Act II: O Spare Your Daughter
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
bass vocals [Zebul]:
Christopher Keyte (operatic bass) (in 1979-03)
countertenor vocals [Hamor]:
Paul Esswood (countertenor) (in 1979-03)
mezzo-soprano vocals [Storgè]:
Alfreda Hodgson (contralto) (in 1979-03)
tenor vocals [Jephtha]:
Anthony Rolfe Johnson (tenor) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act II, no. 25. Quartet "O spare your daughter!" (Storge, Hamor, Jephtha, Zebul) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel2:40
32Jephtha, HWV 70: Act II: Such News Flies Swift - Happy They
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
soprano vocals [Iphis]:
Margaret Marshall (Scots soprano active in late 20th century) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act II, no. 25a. Recitative "Such news flies swift" (Iphis) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
recording of:
Jephtha, HWV 70: Act II, no. 27. Air "Happy they! This vital breath with content" (Iphis) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel4:13
33Jephtha, HWV 70: Act II: Deeper, and Deeper Still
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
tenor vocals [Jephtha]:
Anthony Rolfe Johnson (tenor) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act II, no. 28. Accompagnato "Deeper and deeper still, thy goodness" (Jephtha) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel3:23
34Jephtha, HWV 70: Act II: How Dark, O Lord, Are Thy Decrees!
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act II, no. 29. Chorus "How dark, o Lord, are thy decrees!" (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
George Frideric Handel8:45
35Jephtha, HWV 70: Act III: Hide Thou Thy Hated Beams, O Sun
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
tenor vocals [Jephtha]:
Anthony Rolfe Johnson (tenor) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act III, no. 30. Arioso "Hide thou thy hated beams" (Jephtha) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
recording of:
Jephtha, HWV 70: Act III, no. 31. Accompagnato "A father, off'ring up his only child" (Jephtha) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel2:55
36Jephtha, HWV 70: Act III: Waft Her, Angels, Through the Skies
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
tenor vocals [Jephtha]:
Anthony Rolfe Johnson (tenor) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act III, no. 32. Air "Waft her, angels, through the skies" (Jephtha) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel4:49
37Jephtha, HWV 70: Act III: Ye Sacred Priests - Farewell, Ye Limpid Springs and Floods
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
soprano vocals [Iphis]:
Margaret Marshall (Scots soprano active in late 20th century) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act III, no. 33. Accompagnato "Ye sacred priests, whose hands" (Iphis) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
recording of:
Jephtha, HWV 70: Act III, no. 34. Air "Farewell, ye limpid springs and floods" (Iphis) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel6:03
38Jephtha, HWV 70: Act III: Doubtful Fear and Rev'rent Awe
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act III, no. 35. Chorus "Doubtful fear and reverend awe" (Preists) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel5:00
39Jephtha, HWV 70: Act III: Symphony
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act III, no. 36. Symphony (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel1:28
40Jephtha, HWV 70: Act III: Rise, Jephta, and Ye Rev'rend Priests
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
soprano vocals [Angel]:
Emma Kirkby (soprano) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act III, no. 36a. Recitative "Rise, Jephtha, and ye reverend priests" (Angel) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel1:12
41Jephtha, HWV 70: Act III: Happy, Iphis Shalt Thou Live
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
soprano vocals [Angel]:
Emma Kirkby (soprano) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act III, no. 37. Air "Happy, Iphis, shalt thou live" (Angel) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel4:44
42Jephtha, HWV 70: Act III: For Ever Blessed Be Thy Holy Name
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
tenor vocals [Jephtha]:
Anthony Rolfe Johnson (tenor) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act III, no. 38. Arioso "For ever blessed be thy holy name" (Jephtha) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel1:51
43Jephtha, HWV 70: Act III: Theme Sublime of Endless Praise
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act III, no. 39. Chorus "Theme sublime of endless praise" (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel3:10
44Jephtha, HWV 70: Act III: Let Me Congratulate This Happy Turn - Laud Her, All Ye Virgin Train
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
bass vocals [Zebul]:
Christopher Keyte (operatic bass) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act III, no. 39a. Recitative "Let me congratulate this happy turn" (Zebul) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
recording of:
Jephtha, HWV 70: Act III, no. 40. Air "Laud her, all ye virgin train" (Zebul) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel1:45
45Jephtha, HWV 70: Act III: O Let Me Fold Thee in a Mother's Arms - Sweet as Sight
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
mezzo-soprano vocals [Storgè]:
Alfreda Hodgson (contralto) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act III, no. 40a. Recitative "O let me fold thee in a mother's arms" (Storge) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
recording of:
Jephtha, HWV 70: Act III, no. 41. Air "Sweet as sight to the blind" (Storge) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel2:32
46Jephtha, HWV 70: Act III: With Transport, Iphis - 'Tis Heaven's All-ruling Power
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
countertenor vocals [Hamor]:
Paul Esswood (countertenor) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act III, no. 41a. Recitative "With transport, Iphis, I behold thy safety" (Hamor) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
recording of:
Jephtha, HWV 70: Act III, no. 42. Air "'Tis Heaven's all-ruling pow'r" (Hamor) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel5:41
47Jephtha, HWV 70: Act III: My Faithful Hamor, May That Providence - All That Is in Hamor Mine
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
bass vocals [Zebul]:
Christopher Keyte (operatic bass) (in 1979-03)
countertenor vocals [Hamor]:
Paul Esswood (countertenor) (in 1979-03)
mezzo-soprano vocals [Storgè]:
Alfreda Hodgson (contralto) (in 1979-03)
soprano vocals [Iphis]:
Margaret Marshall (Scots soprano active in late 20th century) (in 1979-03)
tenor vocals [Jephtha]:
Anthony Rolfe Johnson (tenor) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act III, no. 42a. Recitative "My faithful Hamor, may that Providence" (Iphis) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
recording of:
Jephtha, HWV 70: Act III, no. 43b. Quintet "All that is in Hamor mine" (Iphis, Hamor, storge, Jephtha, Zebul) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel4:21
48Jephtha, HWV 70: Act III: Ye House of Gilead, With One Voice
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act III, no. 44. Chorus "Ye house of Gilead, with one voice" (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
George Frideric Handel3:47