Perfect Prima Donna

~ Release by Elisabeth Schwarzkopf (see all versions of this release, 2 available)

Tracklist

1▼CD: Cantata: Jauchzet Gott in allen Landen, BWV 51
#TitleArtistRatingLength
1Aria: Jauchzet Gott In Allen Landen!
producer:
Walter Legge (British classical producer)
cello:
Raymond Clark (cellist) (on 1950-10-08) and Haydn Rogerson (on 1950-10-08)
double bass:
James Merrett (double bass player) (on 1950-10-08)
organ:
Geraint Jones (conductor, organist / harpsichordist) (on 1950-10-08)
trumpet:
Harold Jackson (Trumpeter) (on 1950-10-08)
violin:
Gerald Emms (violinist) (on 1950-10-08) and Manoug Parikian (violinist) (on 1950-10-08)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1950-10-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1950-10-08)
conductor:
Peter Gellhorn (conductor/composer/pianist) (on 1950-10-08)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1950-10-08)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (on 1950-10-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach?:??
2Recitative: Wir Beten Zu Dem Tempel An
producer:
Walter Legge (British classical producer)
cello:
Raymond Clark (cellist) (on 1950-10-08) and Haydn Rogerson (on 1950-10-08)
double bass:
James Merrett (double bass player) (on 1950-10-08)
organ:
Geraint Jones (conductor, organist / harpsichordist) (on 1950-10-08)
trumpet:
Harold Jackson (Trumpeter) (on 1950-10-08)
violin:
Gerald Emms (violinist) (on 1950-10-08) and Manoug Parikian (violinist) (on 1950-10-08)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1950-10-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1950-10-08)
conductor:
Peter Gellhorn (conductor/composer/pianist) (on 1950-10-08)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1950-10-08)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo "Wir beten zu dem Tempel an" (on 1950-10-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach?:??
3Aria: Höchster, Mache Deine Güte
producer:
Walter Legge (British classical producer)
cello:
Raymond Clark (cellist) (on 1950-10-08) and Haydn Rogerson (on 1950-10-08)
double bass:
James Merrett (double bass player) (on 1950-10-08)
organ:
Geraint Jones (conductor, organist / harpsichordist) (on 1950-10-08)
trumpet:
Harold Jackson (Trumpeter) (on 1950-10-08)
violin:
Gerald Emms (violinist) (on 1950-10-08) and Manoug Parikian (violinist) (on 1950-10-08)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1950-10-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1950-10-08)
conductor:
Peter Gellhorn (conductor/composer/pianist) (on 1950-10-08)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1950-10-08)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": III. Aria "Höchster, mache deine Güte" (on 1950-10-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach?:??
4Chorale: Sei Lob Und Preis Mit Ehren
producer:
Walter Legge (British classical producer)
cello:
Raymond Clark (cellist) (on 1950-10-08) and Haydn Rogerson (on 1950-10-08)
double bass:
James Merrett (double bass player) (on 1950-10-08)
organ:
Geraint Jones (conductor, organist / harpsichordist) (on 1950-10-08)
trumpet:
Harold Jackson (Trumpeter) (on 1950-10-08)
violin:
Gerald Emms (violinist) (on 1950-10-08) and Manoug Parikian (violinist) (on 1950-10-08)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1950-10-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1950-10-08)
conductor:
Peter Gellhorn (conductor/composer/pianist) (on 1950-10-08)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1950-10-08)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren" (on 1950-10-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach?:??
5Aria: Alleluia
producer:
Walter Legge (British classical producer)
cello:
Raymond Clark (cellist) (on 1950-10-08) and Haydn Rogerson (on 1950-10-08)
double bass:
James Merrett (double bass player) (on 1950-10-08)
organ:
Geraint Jones (conductor, organist / harpsichordist) (on 1950-10-08)
trumpet:
Harold Jackson (Trumpeter) (on 1950-10-08)
violin:
Gerald Emms (violinist) (on 1950-10-08) and Manoug Parikian (violinist) (on 1950-10-08)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1950-10-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1950-10-08)
conductor:
Peter Gellhorn (conductor/composer/pianist) (on 1950-10-08)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1950-10-08)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (on 1950-10-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach?:??
6Recitative: Soll Den Der Pales Opfer Hier Das Letzte Sein?
sound engineer:
Douglas Larter
producer:
Walter Legge (British classical producer)
cello:
Maurer (cello) (on 1946-11-01)
flute:
Josef Niedermayer (on 1946-11-01) and Karl Rezniček (flutist) (on 1946-11-01)
harpsichord:
Isolde Ahlgrimm (harpsichordist) (on 1946-11-01)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1946-11-01)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (on 1946-11-01)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VIII. Recitativo (Sopran II) “Soll denn der Pales Opfer hier das letzte sein?” (on 1946-11-01)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach?:??
7Aria: Schafe Können Sicher Weiden
sound engineer:
Douglas Larter (on 1946-11-01)
producer:
Walter Legge (British classical producer)
cello:
Maurer (cello) (on 1946-11-01)
flute:
Josef Niedermayer (on 1946-11-01) and Karl Rezniček (flutist) (on 1946-11-01)
harpsichord:
Isolde Ahlgrimm (harpsichordist) (on 1946-11-01)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1946-11-01)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (on 1946-11-01)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (on 1946-11-01)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Classic 100: Piano (2025) (number: 38)
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach?:??
8Aria: Mein Gläubiges Herze
sound engineer:
Arthur S. Clarke (engineer) (on 1950-10-13)
producer:
Walter Legge (British classical producer)
cello:
Raymond Clark (cellist) (on 1950-10-13)
oboe:
Sidney Sutcliffe (oboist) (on 1950-10-13)
organ:
Geraint Jones (conductor, organist / harpsichordist) (on 1950-10-13)
violin:
Manoug Parikian (violinist) (on 1950-10-13)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1950-10-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1950-10-13)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": II. Aria (Sopran) + Ritornello "Mein gläubiges Herze" (on 1950-10-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
Johann Sebastian Bach?:??
9Recitative: Mein Herze schwimmt im Blut
Johann Sebastian Bach?:??
10Aria: Stumme Seufzer, Stille Klagen
Johann Sebastian Bach?:??
11Recitative: Doch Gott Muß Mir Genädig Sein
Johann Sebastian Bach?:??
12Aria: Tiefgebückt Und Voller Reue
Johann Sebastian Bach?:??
13Recitative: Auf Diese Schmerzensreu
Johann Sebastian Bach?:??
14Chorale: Ich, Dein Betrübtes Kind
Johann Sebastian Bach?:??
15Recitative: Ich Lege Mich In Diese Wunden
Johann Sebastian Bach?:??
16Aria: Wie Freudig Ist Mein Herz
Johann Sebastian Bach?:??
17Bist Du Bei Mir
Johann Sebastian Bach?:??
18Sweet Bird
sound engineer:
Douglas Larter
producer:
Walter Legge (British classical producer)
flute:
Josef Niedermayer (on 1946-11-02)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1946-11-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1946-11-02)
conductor:
Josef Krips (conductor/violinist) (on 1946-11-02)
recording of:
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 13. Air “Sweet Bird” (Il Penseroso) (on 1946-11-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1740)
part of:
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I
George Frideric Handel?:??
19Exsultate, Jubilate
sound engineer:
Douglas Larter
producer:
Walter Legge (British classical producer)
organ:
Sir George Thomas Thalben-Ball (from 1948-05-26 until 1948-05-28)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1948-05-26 until 1948-05-28)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1948-05-26 until 1948-05-28)
conductor:
Walter Süsskind (conductor) (from 1948-05-26 until 1948-05-28)
recording of:
Exsultate, jubilate, K. 158a/165: I. Exsultate, jubilate (from 1948-05-26 until 1948-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart?:??
20Fulget Amica
sound engineer:
Douglas Larter
producer:
Walter Legge (British classical producer)
organ:
Sir George Thomas Thalben-Ball (from 1948-05-26 until 1948-05-28)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1948-05-26 until 1948-05-28)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1948-05-26 until 1948-05-28)
conductor:
Walter Süsskind (conductor) (from 1948-05-26 until 1948-05-28)
recording of:
Exsultate, jubilate, K. 158a/165: II. Fulget amica dies (from 1948-05-26 until 1948-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart?:??
21Tu Virginum
sound engineer:
Douglas Larter
producer:
Walter Legge (British classical producer)
organ:
Sir George Thomas Thalben-Ball (from 1948-05-26 until 1948-05-28)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1948-05-26 until 1948-05-28)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1948-05-26 until 1948-05-28)
conductor:
Walter Süsskind (conductor) (from 1948-05-26 until 1948-05-28)
recording of:
Exsultate, jubilate, K. 158a/165: III. Tu virginum corona (from 1948-05-26 until 1948-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart?:??
22Alleluia
sound engineer:
Douglas Larter
producer:
Walter Legge (British classical producer)
organ:
Sir George Thomas Thalben-Ball (from 1948-05-26 until 1948-05-28)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1948-05-26 until 1948-05-28)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1948-05-26 until 1948-05-28)
conductor:
Walter Süsskind (conductor) (from 1948-05-26 until 1948-05-28)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia (from 1948-05-26 until 1948-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart?:??
2▶CD: Lieder
3▶CD: Opera Arias
4▶CD: Lieder
5▶CD: Lieder
6▶CD: Mörike Lieder
7▶CD: Vier Letzte Lieder
8▶CD: Der Rosenkavalier (Excerpts)
9▶CD: Operetta Arias
10▶CD: Arias & Songs

Credits

Release

part of:ICON (EMI Classics/Warner Classics compilations) (order: 9)
Discogs:https://www.discogs.com/release/15566296 [info]