Music: An Appreciation, Sixth Edition

~ Release by Roger Kamien (see all versions of this release, 1 available)

Annotation

This is a box set of two fatboxes. This release accompanies a book of the same name.

ISBN 0-07-912159-4
P/N 034996-7
P/N 034997-5
P/N 034998-3
P/N 034999-1
P/N 035000-0
P/N 035001-9
P/N 035002-7
P/M 035003-5

Annotation last modified on 2021-11-28 09:05 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1"Brandenburg" Concerto no. 5 in D major: First movement: allegro
harpsichord:
Trevor Pinnock (conductor / harpsichord)
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
partial recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Bach0:21
2"Brandenburg" Concerto no. 5 in D major: First movement: allegro
harpsichord:
Trevor Pinnock (conductor / harpsichord)
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
partial recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Bach0:29
3"Brandenburg" Concerto no. 5 in D major: First movement: allegro
harpsichord:
Trevor Pinnock (conductor / harpsichord)
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
partial recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Bach2:05
4"Brandenburg" Concerto no. 5 in D major: First movement: allegro
harpsichord:
Trevor Pinnock (conductor / harpsichord)
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
partial recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Bach3:27
5"Brandenburg" Concerto no. 5 in D major: First movement: allegro
harpsichord:
Trevor Pinnock (conductor / harpsichord)
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
partial recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Bach3:27
6"Brandenburg" Concerto no. 5 in D major: Second movement: affettuoso
harpsichord:
Trevor Pinnock (conductor / harpsichord)
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
partial recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Bach0:58
7"Brandenburg" Concerto no. 5 in D major: Second movement: affettuoso
harpsichord:
Trevor Pinnock (conductor / harpsichord)
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
partial recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Bach4:13
8"Brandenburg" Concerto no. 5 in D major: Third movement: allegro
harpsichord:
Trevor Pinnock (conductor / harpsichord)
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
partial recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Bach1:15
9"Brandenburg" Concerto no. 5 in D major: Third movement: allegro
harpsichord:
Trevor Pinnock (conductor / harpsichord)
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
partial recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Bach2:29
10"Brandenburg" Concerto no. 5 in D major: Third movement: allegro
harpsichord:
Trevor Pinnock (conductor / harpsichord)
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
partial recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Bach1:24
11Organ Fugue in G major ("Little Fugue")
organ:
E. Power Biggs (English organist/harpsichordist)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
partial recording of:
Fugue in G minor, BWV 578 ("Little")
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: BC J 66) and Bach-Werke-Verzeichnis (number: BWV 578)
Bach1:14
12Organ Fugue in G major ("Little Fugue")
organ:
E. Power Biggs (English organist/harpsichordist)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
partial recording of:
Fugue in G minor, BWV 578 ("Little")
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: BC J 66) and Bach-Werke-Verzeichnis (number: BWV 578)
Bach0:38
13Organ Fugue in G major ("Little Fugue")
organ:
E. Power Biggs (English organist/harpsichordist)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
partial recording of:
Fugue in G minor, BWV 578 ("Little")
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: BC J 66) and Bach-Werke-Verzeichnis (number: BWV 578)
Bach2:15
14"Tu se' morta" from "Orfeo"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
tenor vocals:
Anthony Rolfe Johnson (tenor)
orchestra:
English Baroque Soloists (The English Baroque Soloists)
conductor:
John Eliot Gardiner
recording of:
L'Orfeo: Atto secondo. Tu se' morta, mia vita (Orfeo)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Atto secondo
Monteverdi2:25
15"Dido's Lament" from "Dido and Aeneas"
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto)
soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Anthony Lewis (conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
partial recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Purcell0:55
16"Dido's Lament" from "Dido and Aeneas"
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto)
soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Anthony Lewis (conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
partial recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Purcell4:11
17"La Primavera" from "The Four Seasons", first movement (allegro)
orchestra:
Tafelmusik (Canadian Baroque orchestra)
conductor:
Jeanne Lamon (conductor/violinist)
partial recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Vivaldi0:30
18"La Primavera" from "The Four Seasons", first movement (allegro)
orchestra:
Tafelmusik (Canadian Baroque orchestra)
conductor:
Jeanne Lamon (conductor/violinist)
partial recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Vivaldi0:40
19"La Primavera" from "The Four Seasons", first movement (allegro)
orchestra:
Tafelmusik (Canadian Baroque orchestra)
conductor:
Jeanne Lamon (conductor/violinist)
partial recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Vivaldi0:30
20"La Primavera" from "The Four Seasons", first movement (allegro)
orchestra:
Tafelmusik (Canadian Baroque orchestra)
conductor:
Jeanne Lamon (conductor/violinist)
partial recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Vivaldi0:33
21"La Primavera" from "The Four Seasons", first movement (allegro)
orchestra:
Tafelmusik (Canadian Baroque orchestra)
conductor:
Jeanne Lamon (conductor/violinist)
partial recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Vivaldi1:07
22Suite no. 3 in D major: Second movement: Air
harpsichord:
Trevor Pinnock (conductor / harpsichord)
orchestra:
The English Concert
conductor:
Karl Münchinger (German conductor) and Trevor Pinnock (conductor / harpsichord)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
partial recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Bach1:33
23Suite no. 3 in D major: Second movement: Air
harpsichord:
Trevor Pinnock (conductor / harpsichord)
orchestra:
The English Concert
conductor:
Karl Münchinger (German conductor) and Trevor Pinnock (conductor / harpsichord)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
partial recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Bach3:17
24Suite no. 3 in D major: Fourth movement: Bourée
harpsichord:
Trevor Pinnock (conductor / harpsichord)
orchestra:
The English Concert
conductor:
Karl Münchinger (German conductor) and Trevor Pinnock (conductor / harpsichord)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
partial recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Bach0:18
25Suite no. 3 in D major: Fourth movement: Bourée
harpsichord:
Trevor Pinnock (conductor / harpsichord)
orchestra:
The English Concert
conductor:
Karl Münchinger (German conductor) and Trevor Pinnock (conductor / harpsichord)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
partial recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Bach0:57
26Suite no. 3 in D major: Fifth movement: Gigue
harpsichord:
Trevor Pinnock (conductor / harpsichord)
orchestra:
The English Concert
conductor:
Karl Münchinger (German conductor) and Trevor Pinnock (conductor / harpsichord)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
partial recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Bach0:56
27Suite no. 3 in D major: Fifth movement: Gigue
harpsichord:
Trevor Pinnock (conductor / harpsichord)
orchestra:
The English Concert
conductor:
Karl Münchinger (German conductor) and Trevor Pinnock (conductor / harpsichord)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
partial recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Bach1:59
28Cantata no. 140, "Wachet auf, ruft, uns die Stimme": First movement, chorus and orchestra
orchestra:
Stuttgart Chamber Orchestra
conductor:
Karl Münchinger (German conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
partial recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Bach0:29
29Cantata no. 140, "Wachet auf, ruft, uns die Stimme": First movement, chorus and orchestra
choir vocals:
Hymnuschor (Stuttgart Hymnus Boys' Choir)
orchestra:
Stuttgart Chamber Orchestra
conductor:
Karl Münchinger (German conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
partial recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Bach3:31
30Cantata no. 140, "Wachet auf, ruft, uns die Stimme": First movement, chorus and orchestra
choir vocals:
Hymnuschor (Stuttgart Hymnus Boys' Choir)
orchestra:
Stuttgart Chamber Orchestra
conductor:
Karl Münchinger (German conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
partial recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Bach2:13
31Cantata no. 140, "Wachet auf, ruft, uns die Stimme": Fourth movement, tenor chorale
tenor vocals:
Gösta Winbergh (tenor)
orchestra:
Stuttgart Chamber Orchestra
conductor:
Karl Münchinger (German conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
partial recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Bach0:37
32Cantata no. 140, "Wachet auf, ruft, uns die Stimme": Fourth movement, tenor chorale
tenor vocals:
Gösta Winbergh (tenor)
orchestra:
Stuttgart Chamber Orchestra
conductor:
Karl Münchinger (German conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
partial recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Bach1:59
33Cantata no. 140, "Wachet auf, ruft, uns die Stimme": Fourth movement, tenor chorale
tenor vocals:
Gösta Winbergh (tenor)
orchestra:
Stuttgart Chamber Orchestra
conductor:
Karl Münchinger (German conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
partial recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Bach1:23
34Cantata no. 140, "Wachet auf, ruft, uns die Stimme": Seventh movement, chorale
tenor vocals:
Gösta Winbergh (tenor)
orchestra:
Stuttgart Chamber Orchestra
conductor:
Karl Münchinger (German conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
partial recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Bach1:48
35Messiah: Sinfonia for Orchestra (French Overture)
Handel1:51
36Messiah: Sinfonia for Orchestra (French Overture)
Handel2:15
37Messiah: Comfort Ye, My People
Handel2:39
38Messiah: Comfort Ye, My People
Handel0:29
39Messiah: Ev'ry Valley Shall Be Exhalted
orchestra:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Handel3:28
40Messiah: For unto Us a Child Is Born
Handel0:58
41Messiah: For unto Us a Child Is Born
Handel0:17
42Messiah: For unto Us a Child Is Born
Handel2:42
43Messiah: "Hallelujah" Chorus
choir vocals:
London Symphony Chorus
orchestra:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
partial recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Handel0:26
44Messiah: "Hallelujah" Chorus
choir vocals:
London Symphony Chorus
orchestra:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
partial recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Handel0:24
45Messiah: "Hallelujah" Chorus
choir vocals:
London Symphony Chorus
orchestra:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
partial recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Handel0:28
46Messiah: "Hallelujah" Chorus
choir vocals:
London Symphony Chorus
orchestra:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
partial recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Handel0:21
47Messiah: "Hallelujah" Chorus
choir vocals:
London Symphony Chorus
orchestra:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
partial recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Handel0:24
48Messiah: "Hallelujah" Chorus
choir vocals:
London Symphony Chorus
orchestra:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
partial recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Handel1:50
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