The Cole Porter Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Anything Goes
cover recording of:
Anything Goes
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
Teil von:
Anything Goes
Count Basie and Tony Bennett2:21
2Begin the Beguine
recorded in:
New York, New York, Vereinigte Staaten (am 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1938-07-24) und Les Robinson (am 1938-07-24)
Gitarre:
Al Avola (am 1938-07-24)
Klarinette:
Artie Shaw (am 1938-07-24)
Klavier:
Les Burness (am 1938-07-24)
Kontrabass:
Sid Weiss (am 1938-07-24)
Posaune:
George Arus (am 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (am 1938-07-24) und Ted Vesely (am 1938-07-24)
Schlagzeug:
Cliff Leeman (am 1938-07-24)
Tenorsaxophon:
Tony Pastor (am 1938-07-24) und Ronnie Perry (am 1938-07-24)
Trompete:
Claude Bowen (am 1938-07-24), John Best (jazz trumpeter) (am 1938-07-24) und Chuck Peterson (trumpet) (am 1938-07-24)
Orchester:
Artie Shaw and His Orchestra (am 1938-07-24)
conductor:
Artie Shaw (am 1938-07-24)
arranger:
Jerry Gray (US big band arranger and conductor)
aufgenommen bei und engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, Vereinigte Staaten (am 1938-07-24)
instrumental recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
Artie Shaw33:17
3I've Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Shirley Bassey43:34
4Night and Day
recorded in:
New York, New York, Vereinigte Staaten (am 1933-06-22)
vocals:
Fred Astaire (am 1933-06-22)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1933-06-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Fred Astaire3:14
5I Love You, Samantha
recording of:
I Love You, Samantha (High Society musical romantic comedy film)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
publisher:
Chappell & Co Ltd.
Bing Crosby4:29
6It's Alright With Me
vocals:
Dinah Shore
recording of:
It’s All Right with Me (Can‐Can musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Dinah Shore2:41
7True Love
cover recording of:
True Love (High Society)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 2)
Teil von:
High Society (stage musical)
Teil von:
High Society (1956 film)
Eve Boswell2:44
8Let's Do It (Let's Fall in Love)
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
Nelson Riddle and His Orchestra2:51
9You're Sensational
recording of:
You’re Sensational (High Society musical romantic comedy film)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp.
Teil von:
High Society (stage musical)
Matt Monro3:00
10Love for Sale
recording of:
Love for Sale
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
Julie London2:38
11Miss Otis Regrets
Produzent(in):
Brad Benedict
Cembalo:
George Shearing (British jazz pianist)
conductor:
Milt Raskin (Milton Raskin)
remixer:
Bob Norberg
Saiteninstrumente arranger:
George Shearing (British jazz pianist)
cover recording of:
Miss Otis Regrets
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1934)
Nancy Wilson3:28
12All of You
recording of:
All of You (Silk Stockings musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
Bobby Darin1:55
13I Love Paris
recording of:
I Love Paris (Can-Can [Pistache, Company])
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Can‐Can
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Kay Starr2:43
14I Get a Kick Out of You
Cello:
Edgar Lustgarten
Klavier:
Dick Hazard
Kontrabass:
John Kitzmiller
Schlagzeug:
Frankie Capp
aufgenommen bei:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Jeri Southern3:49
15Ev'ry Time We Say Goodbye
Bass:
George Duvivier (am 1961-07-18)
Gitarre:
Mundell Lowe (am 1961-07-18)
vocals:
Sarah Vaughan (am 1961-07-18)
aufgenommen bei:
RKO-Pathé Studios in New York, New York, Vereinigte Staaten (am 1961-07-18)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (am 1961-07-18)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sarah Vaughan2:26
16My Heart Belongs to Daddy
Produzent(in):
Richard Bock (record producer)
Gitarre:
Joe Pass (jazz guitarist) (am 1965-07-12)
Holzblasinstrumente:
Bud Shank (am 1965-07-12)
Instrumente:
The Bud Shank Quintet (am 1965-07-12)
Klavier:
Russ Freeman (pianist) (am 1965-07-12)
Kontrabass:
Monty Budwig (am 1965-07-12)
membranophone und Schlagzeug:
Colin Bailey (drummer) (am 1965-07-12)
vocals:
Julie London (am 1965-07-12)
arranger:
Russ Freeman (pianist)
aufgenommen bei:
Pacific Jazz Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-07-12)
cover recording of:
My Heart Belongs to Daddy (am 1965-07-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. und Chappell Music Ltd.
recording of:
My Heart Belongs to Daddy
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. und Chappell Music Ltd.
Julie London2:41
17Just One of Those Things
recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
Nelson Riddle and His Orchestra2:33
18Now You Has Jazz
recording of:
Now You Has Jazz (High Society musical romantic comedy film)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
Teil von:
High Society (1956 film)
Graham Dalby and the Grahamophones3:21
19You Do Something to Me
recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Fifty Million Frenchmen
Alma Cogan2:32
20Get Out of Town
recording of:
Get Out of Town
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
Teil von:
Leave It to Me!
Rosemary Squires2:02
21What Is This Thing Called Love?
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
Keely Smith1:53
22It's De-Lovely
recording of:
It’s De‐Lovely
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Teil von:
Anything Goes
Teil von:
Red, Hot and Blue (1936 Cole Porter musical)
Ray Anthony Orchestra3:14

Nennungen

Veröffentlichungsgruppe

Hommage an:Cole Porter (composer)