Elokuvien 100 suosituinta

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1Digital Media
2Digital Media
3Digital Media
4Digital Media
5Digital Media
#TitleArtistRatingLength
1I’m Every Woman
programming:
James T. Alfano and Chauncey Mahan
additional engineer:
Richard Joseph (recording engineer and musician) and Acar Key
engineer:
Marc Reyburn and Matt Rohr (Recording Engineer)
additional producer:
Robert Clivillés (record producer, songwriter, arranger, music video director) and David Cole (US musician/producer, member of C+C Music Factory)
producer:
Narada Michael Walden
mixer:
Bob Rosa
additional vocals arranger:
Robert Clivillés (record producer, songwriter, arranger, music video director) and David Cole (US musician/producer, member of C+C Music Factory)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Tarpan Studios in San Rafael, California, United States
cover recording of:
I’m Every Woman (in 1992)
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Whitney Houston4.24:46
2I’m So Excited
producer:
Richard Perry (producer)
bass guitar:
Nathan East
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
George Doering and Lee Ritenour
keyboard [keyboards] and synthesizer:
Michael Boddicker and Greg Phillinganes
piano:
William D. “Smitty” Smith (organist/keyboardist)
background vocals:
June Pointer and Ruth Pointer
lead vocals:
Anita Pointer
phonographic copyright (℗) by:
BMG Music (in 1982)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 5) (number: 6) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 258)
recording of:
I’m So Excited
writer:
Anita Pointer, June Pointer, Ruth Pointer and Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. and SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-publisher:
Fujipacific Music Inc. SBK Division (until 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Pointer Sisters4.83:50
3Lupaus
Terhi Kokkonen & Mikko von Hertzen4:01
4Boogie Nights (single version)
producer:
Barry Blue (singer, producer, and songwriter)
phonographic copyright (℗) by:
GTO Records (in 1976) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976)
edit of:
Boogie Nights by Heatwave (70s/80s R&B/funk band)
recording of:
Boogie Nights (in 1976)
lyricist and composer:
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music, Tincabell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.653:36
5Best of My Love
producer:
Al McKay
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 334)
recording of:
Best of My Love
writer:
Al McKay and Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions4.153:40
6Let’s Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Deniece Williams3.64:21
7Nothing’s Gonna Stop Us Now
performer:
Starship (continuation of Jefferson Starship) (in 1987)
phonographic copyright (℗) by:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
Starship3.754:30
8Colgate Soulmate
Paleface3:57
9From the Heart
engineer:
Ali Boudris and Mario Luccy
executive producer:
Diane Warren (US songwriter)
producer:
Khris Kellow
assistant mixer:
Tom Bender (engineer)
mixer:
Mick Guzauski
guitar:
Ali Boudris
recorded at:
Bananaboat Studios in Burbank, California, United States and Realsongs in Los Angeles, California, United States
mixed at:
Barking Doctor Recording in Mount Kisco, New York, United States
recording of:
From the Heart
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Realsongs
Another Level4:53
10Raindrops Keep Fallin’ on My Head
recording of:
Raindrops Keep Fallin’ on My Head
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
The 42nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1969 winner)
Peter Nero2:42
11Immortal Life (single mix)
Von Hertzen Brothers4:18
12Stand by Your Man
producer:
Billy Sherrill (US songwriter/producer/arranger)
lead vocals:
Tammy Wynette (in 1968)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 8) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 473)
recording of:
Stand by Your Man (in 1968)
writer:
Billy Sherrill (US songwriter/producer/arranger) and Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. and EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette42:40
13Kaupunki
Sani3:17
14Älä revi mua
Tuure Kilpeläinen3:30
15Here Comes the Hotstepper
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1994) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1994)
samples:
Heartbeat (club version) by Taana Gardner and Land of 1000 Dances by Cannibal & the Headhunters
recording of:
Here Comes the Hotstepper
writer:
Ini Kamoze, Chris Kenner and Salaam Remi
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), EMI (EMI Records, or EMI Music only if there is no other imprint), Longitude Music, Pine Publishing, Rondor Music (London) Ltd. and Salaam Remi Music
Ini Kamoze34:09
16I’m Kissing You
recording of:
Kissing You
writer:
Tim Atack (twin brother of Keith Atack) and Des’ree
part of:
William Shakespeare’s Romeo + Juliet (orchestral score from the 1996 Baz Luhrmann film)
Des’ree3.754:52
17Tres Deseos (Three Wishes) (12″ remix)
Gloria Estefan4:59
6Digital Media