Richard Strauss Edition

~ Release by Richard Strauss (see all versions of this release, 1 available)

Tracklist

1▶CD: Also sprach Zarathustra / Tod und Verklärung / Der Rosenkavalier (Waltzes)
2▶CD: Till Eulenspiegels lustige Streiche / Don Juan / Ein Heldenleben
3▶CD: Metamorphosen / Eine Alpensinfonie
4▶CD: Don Quixote / Dance Suite after Couperin
5▶CD: Aus Italien / Macbeth
6▶CD: Salome / Le bourgeois gentilhomme / Schlagobers / Josephslegende (excerpts)
7▶CD: Violin Concerto / Sinfonia Domestica
8▶CD: Horn Concertos Nos. 1 & 2 / Oboe Concerto / Duett-Concertino
9▶CD: Burleske / Parergon zur Sinfonia Domestica / Panathenäenzug
10▶CD: Music for violin and piano
11▶CD: Music for cello and piano / String Trio / String Quartet
12▶CD: Piano Trios / Music for clarinet, horn, cello and piano
13▶CD: Music for Piano Quartet
14▶CD: Music for horn and piano
15▶CD: Music for piano four hands
16▶CD: Music for solo piano & piano four hands
17▶CD: Piano Music
18▶CD: Melodramas / Music for Harmonium
19▶CD: Taillefer / Wanderers Sturmlied / Die Tageszeiten
20▶CD: Der Rosenkavalier (1)
21▶CD: Der Rosenkavalier (2)
22▶CD: Der Rosenkavalier (3)
23▶CD: Elektra (1)
24▶CD: Elektra (2)
25▶CD: Salome (1)
26▶CD: Salome (2)
27▼CD: Ariadne auf Naxos (1)
#TitleRatingLength
1Ariadne auf Naxos: Vorspiel. Overture
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [1] Orchestereinleitung (Orchestral Introduction) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
2:19
2Ariadne auf Naxos: Vorspiel. Mein Herr Haushofmeister!
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Albert Dohmen (bass-baritone) (from 2000-09 until 2000-12)
bass vocals:
Jürgen Commichau (operatic bass) (from 2000-09 until 2000-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (from 2000-09 until 2000-12)
spoken vocals:
Romuald Pekny (from 2000-09 until 2000-12)
tenor vocals:
Klaus Florian Vogt (tenor) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [2] “Mein Herr Haushofmeister!” (Musiklehrer, Haushofmeister, Lakai, Offizier) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Vorspiel
5:55
3Ariadne auf Naxos: Vorspiel. Du allmächtiger Gott!
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Albert Dohmen (bass-baritone) (from 2000-09 until 2000-12) and Matthias Henneberg (german operatic baritone) (from 2000-09 until 2000-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12) and Deborah Voigt (soprano) (from 2000-09 until 2000-12)
tenor vocals:
Ben Heppner (tenor) (from 2000-09 until 2000-12) and Michael Howard (English choral conductor, organist and composer) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [4] „O, ich möcht' vieles ändern noch in zwölfter Stund'” … „Eselsgesicht…” … „Du allmächtiger Gott! O du mein zitterndes Herz!” (Komponist, Tenor, Perückenmacher, Zerbinetta, Primadonna, Musiklehrer, Tanzmeister) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
6:12
4Ariadne auf Naxos: Vorspiel. Hast ein Stückerl Notenpapier?
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Albert Dohmen (bass-baritone) (from 2000-09 until 2000-12)
bass vocals:
Jürgen Commichau (operatic bass) (from 2000-09 until 2000-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (from 2000-09 until 2000-12)
solo soprano vocals:
Deborah Voigt (soprano) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12)
spoken vocals:
Romuald Pekny (from 2000-09 until 2000-12)
tenor vocals:
Michael Howard (English choral conductor, organist and composer) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [8] „Hast' ein Stückerl Notenpapier?” … „Meine Partner! Meine erprobten Freunde!” … „Die ungetreue Zerbinetta und ihre vier Liebhaber” (Zerbinetta, Komponist, Musiklehrer, Primadonna, Tanzmeister) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
3:43
5Ariadne auf Naxos: Vorspiel. Ist schon geschehn. Wir sind bereit
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12) and Deborah Voigt (soprano) (from 2000-09 until 2000-12)
spoken vocals:
Romuald Pekny (from 2000-09 until 2000-12)
tenor vocals:
Ben Heppner (tenor) (from 2000-09 until 2000-12) and Michael Howard (English choral conductor, organist and composer) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [9] „Die Herrschaften stehen von Tisch auf!” – „Meine Damen und Herren, an Ihre Plätze” … „Ist schon geschehen. Wir sind bereit” (Lakai, Musiklehrer, Haushofmeister, Primadonna, Tanzmeister, Tenor, Zerbinetta, Komponist) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
8:26
6Ariadne auf Naxos: Vorspiel. Nein, Herr, so kommt es nicht
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Albert Dohmen (bass-baritone) (from 2000-09 until 2000-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [11] „Nein, Herr, so kommt es nicht! (Komponist, Zerbinetta, Musiklehrer) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Vorspiel
5:17
7Ariadne auf Naxos: Vorspiel. Ein Augenblick ist wenig
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Albert Dohmen (bass-baritone) (from 2000-09 until 2000-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12) and Deborah Voigt (soprano) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
partial recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [12] „Kindskopf! Merkt auf: wir spielen mit in dem Stück 'Ariadne auf Naxos'” … „Ein Augenblick ist wenig - ein Blick ist viel” (Zerbinetta, Komponist) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
5:06
8Ariadne auf Naxos: Vorspiel. Sei'n wir wieder gut … Musik ist eine heilige Kunst
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Albert Dohmen (bass-baritone) (from 2000-09 until 2000-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [14] „Seien wir wieder gut” (Musiklehrer, Komponist) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
3:16
9Ariadne auf Naxos: Oper. Overture
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. Ouvertüre (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
3:43
10Ariadne auf Naxos: Oper. Schläft sie?
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
contralto vocals:
Angela Liebold (operatic mezzo-soprano) (from 2000-09 until 2000-12)
soprano vocals:
Eva Kirchner, Christiane Hossfeld (german operatic soprano) (from 2000-09 until 2000-12) and Deborah Voigt (soprano) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [1] „Schläft sie?” (Najade, Dryade, Echo)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
3:53
11Ariadne auf Naxos: Oper. Wie? War ich? Tot?
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Stephan Genz (baritone) (from 2000-09 until 2000-12)
bass vocals:
Sami Luttinen (Finnish operatic bass) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12), Eva Kirchner (from 2000-09 until 2000-12) and Deborah Voigt (soprano) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [2] ”Ach! Wo war ich?” (Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
3:15
12Ariadne auf Naxos: Oper. Ein Schönes war, hieß Theseus–Ariadne
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Stephan Genz (baritone) (from 2000-09 until 2000-12)
bass vocals:
Sami Luttinen (Finnish operatic bass) (from 2000-09 until 2000-12)
contralto vocals:
Angela Liebold (operatic mezzo-soprano) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12), Christiane Hossfeld (german operatic soprano) (from 2000-09 until 2000-12), Eva Kirchner (from 2000-09 until 2000-12) and Deborah Voigt (soprano) (from 2000-09 until 2000-12)
tenor vocals:
Ian Thompson (tenor) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [3] „Ein Schönes war: hieß Theseus–Ariadne” (Ariadne, Najade, Echo, Dryade, Harlekin, Zerbinetta, Scaramuccio, Truffaldin) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
7:01
13Ariadne auf Naxos: Oper. Lieben, Hassen, Hoffen, Zagen
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Stephan Genz (baritone) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12) and Eva Kirchner (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [4] „Ach, so versuchet doch ein kleines Lied!” … „Lieben, Hassen, Hoffen, Zagen” (Zerbinetta, Harlekin) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
2:16
14Ariadne auf Naxos: Oper. Es gibt ein Reich
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
soprano vocals:
Deborah Voigt (soprano) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [5] “Es gibt ein Reich, wo alles rein ist” (Ariadne) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
6:02
15Ariadne auf Naxos: Oper. Die Dame gibt mit trübem Sinn … Wie sie sich schwingen
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Stephan Genz (baritone) (from 2000-09 until 2000-12)
bass vocals:
Sami Luttinen (Finnish operatic bass) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12)
tenor vocals:
Christoph Genz (tenor) (from 2000-09 until 2000-12) and Ian Thompson (tenor) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [6] „Die Dame gibt mit trübem Sinn” (Brighella, Scaramuccio, Harlekin, Truffaldin, Zerbinetta) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
5:00
28▶CD: Ariadne auf Naxos (2)
29▶CD: Die Frau ohne Schatten (1)
30▶CD: Die Frau ohne Schatten (2)
31▶CD: Die Frau ohne Schatten (3)
32▶CD: Friedenstag
33▶CD: Lieder (1)
34▶CD: Lieder (2)
35▶CD: Lieder (3)

Credits

Release group

includes:Ariadne auf Naxos (2000 Dresden cast, composite recordings) by Richard Strauss (German composer); Giuseppe Sinopoli (conductor), Deborah Voigt (soprano), Natalie Dessay (soprano), Anne Sofie von Otter (mezzo-soprano), Ben Heppner (tenor), Albert Dohmen (bass-baritone), Staatskapelle Dresden (Dresden Symphonic Orchestra)
Der Rosenkavalier by Richard Strauss (German composer); Herbert von Karajan (conductor), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Christa Ludwig (mezzo-soprano), Teresa Stich‐Randall (soprano), Otto Edelmann (austrian bass-baritone), Eberhard Wächter (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Salome by Richard Strauss (German composer), Karl Böhm (Austrian conductor), Orchestre de I’Opera d’Etat de Hambourg (Hamburg Philharmonic State Orchestra), Dietrich Fischer‐Dieskau (baritone), Gwyneth Jones (soprano), Wiesław Ochman (tenor), Kurt Moll (operatic bass), Richard Cassilly (tenor) & Mignon Dunn (mezzo-soprano)