The Great Recordings: The LSO Years 1971-1980

~ Release by André Previn (see all versions of this release, 1 available)

Tracklist

1▶CD: Olivier Messiaen : Turangalîla-Symphonie
2▶CD: Claude Debussy : Prélude à l'après-midi d'un faune, Images for Orchestra, Nocturnes (3) for Orchestra
3▶CD: Rachmaninov : Symphony No.2 & Maurice Ravel : Boléro
4▶CD: Shostakovich : Symphony No.8 & Prokofiev : Symphony No.1
5▶CD: Prokofiev : Romeo & Juliet
6▶CD: Tchaikovsky : Swan Lake, The Sleeping Beauty, The Nutcracker
7▶CD: Walton : Belshazzar's Feast & Elgar : Enigma Variations & Vaughan Williams : Fantasia on Greensleeves
8▶CD: Holst : The Planets & Britten : Four Sea Interludes, Passacaglia from Peter Grimes
9▼CD: Orff : Carmina Burana & Barber : Adagio for Strings
#TitleArtistRatingLength
1Carmina Burana: Cantiones profanae: Fortuna Imperatrix Mundi: No. 1. O Fortuna
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Symphony Orchestra Chorus (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
chorus master:
Arthur Oldham (chorus master) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:49
2Carmina Burana: Cantiones profanae: Fortuna Imperatrix Mundi: No. 2. Fortune plango vulnera
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Symphony Orchestra Chorus (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
chorus master:
Arthur Oldham (chorus master) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:50
3Carmina Burana: Cantiones profanae: I. Primo vere: No. 3. Veris Ieta facies
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Symphony Orchestra Chorus (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
chorus master:
Arthur Oldham (chorus master) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff4:17
4Carmina Burana: Cantiones profanae: I. Primo vere: No. 4. Omnia Sol temperat
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Thomas Allen (baritone) (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:07
5Carmina Burana: Cantiones profanae: I. Primo vere: No. 5. Ecce gratum
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Symphony Orchestra Chorus (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
chorus master:
Arthur Oldham (chorus master) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:49
6Carmina Burana: Cantiones profanae: Uf dem Anger: No. 6. Tanz
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance) (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:40
7Carmina Burana: Cantiones profanae: Uf dem Anger: No. 7. Floret silva
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Symphony Orchestra Chorus (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
chorus master:
Arthur Oldham (chorus master) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (Carmina Burana: Uf dem Anger: 7. Floret silva) (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:26
8Carmina Burana: Cantiones profanae: Uf dem Anger: No. 8. Chramer, gip die varwe mir
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Symphony Orchestra Chorus (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
chorus master:
Arthur Oldham (chorus master) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir) (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:18
9Carmina Burana: Cantiones profanae: Uf dem Anger: No. 9. Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Symphony Orchestra Chorus (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
chorus master:
Arthur Oldham (chorus master) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff4:45
10Carmina Burana: Cantiones profanae: Uf dem Anger: No. 10. Were diu werlt alle min
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Symphony Orchestra Chorus (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
chorus master:
Arthur Oldham (chorus master) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min) (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:00
11Carmina Burana: Cantiones profanae: II. In taberna: No. 11. Estuans interius
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Thomas Allen (baritone) (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:25
12Carmina Burana: Cantiones profanae: II. In taberna: No. 12. Olim lacus colueram
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Symphony Orchestra Chorus (from 1974-11-25 until 1974-11-27)
tenor vocals:
Gerald English (English tenor) (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
chorus master:
Arthur Oldham (chorus master) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:47
13Carmina Burana: Cantiones profanae: II. In taberna: No. 13. Ego sum abbas
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Thomas Allen (baritone) (from 1974-11-25 until 1974-11-27)
choir vocals:
London Symphony Orchestra Chorus (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
chorus master:
Arthur Oldham (chorus master) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff1:22
14Carmina Burana: Cantiones profanae: II. In taberna: No. 14. In taberna quando sumus
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Symphony Orchestra Chorus (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
chorus master:
Arthur Oldham (chorus master) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:25
15Carmina Burana: Cantiones profanae: III. Cours d'amour: No.15. Amor volat undique
producer:
Christopher Bishop (conductor/producer)
choir vocals:
St. Clement Danes School Boys' Choir (from 1974-11-25 until 1974-11-27)
soprano vocals:
Sheila Armstrong (soprano) (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
chorus master:
Audrey Clifford (chorus master) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
recording of:
Carmina Burana: XV. Amor Volat Undique (for winds, percussion and choruses, Mas Quiles)
composer:
Carl Orff (composer) (in 1936)
arranger:
Juan Vicente Mas Quiles
part of:
Carmina Burana (for winds, percussion and choruses, Mas Quiles)
Carl Orff3:28
16Carmina Burana: Cantiones profanae: III. Cours d'amour: No. 16. Dies, nox et omnia
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Thomas Allen (baritone) (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
recording of:
Carmina Burana: XVI. Dies, Nox Et Omnia (for winds, percussion and choruses, Mas Quiles)
composer:
Carl Orff (composer) (in 1936)
arranger:
Juan Vicente Mas Quiles
part of:
Carmina Burana (for winds, percussion and choruses, Mas Quiles)
Carl Orff2:17
17Carmina Burana: Cantiones profanae: III. Cours d'amour: No. 17. Stetit puella
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Sheila Armstrong (soprano) (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:15
18Carmina Burana: Cantiones profanae: III. Cours d'amour: No. 18. Circa mea pectora
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Thomas Allen (baritone) (from 1974-11-25 until 1974-11-27)
choir vocals:
London Symphony Orchestra Chorus (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
chorus master:
Audrey Clifford (chorus master) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:12
19Carmina Burana: Cantiones profanae: III. Cours d'amour: No. 19. Si puer cum puellula
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Symphony Orchestra Chorus (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
chorus master:
Arthur Oldham (chorus master) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:05
20Carmina Burana: Cantiones profanae: III. Cours d'amour: No. 20. Veni, veni, venias
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Symphony Orchestra Chorus (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
chorus master:
Arthur Oldham (chorus master) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:04
21Carmina Burana: Cantiones profanae: III. Cours d'amour: No. 21. In trutina
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Sheila Armstrong (soprano) (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff12:31
22Carmina Burana: Cantiones profanae: III. Cours d'amour: No. 22. Tempus est iocundum
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Thomas Allen (baritone) (from 1974-11-25 until 1974-11-27)
choir vocals:
London Symphony Orchestra Chorus (from 1974-11-25 until 1974-11-27) and St. Clement Danes School Boys' Choir (from 1974-11-25 until 1974-11-27)
soprano vocals:
Sheila Armstrong (soprano) (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
chorus master:
Audrey Clifford (chorus master) (from 1974-11-25 until 1974-11-27) and Arthur Oldham (chorus master) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:23
23Carmina Burana: Cantiones profanae: III. Cours d'amour: No. 23. Dulcissime
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Sheila Armstrong (soprano) (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:41
24Carmina Burana: Cantiones profanae: Blanziflor et Helena: No. 24. Ave formosissima
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Symphony Orchestra Chorus (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
chorus master:
Arthur Oldham (chorus master) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:00
25Carmina Burana: Cantiones profanae: Fortuna Imperatrix Mundi: No. 25. O Fortuna
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Symphony Orchestra Chorus (from 1974-11-25 until 1974-11-27)
orchestra:
London Symphony Orchestra (from 1974-11-25 until 1974-11-27)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-11-25 until 1974-11-27)
chorus master:
Arthur Oldham (chorus master) (from 1974-11-25 until 1974-11-27)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-11-25 until 1974-11-27)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (from 1974-11-25 until 1974-11-27)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:49
26Adagio for Strings, op. 11
sound engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (from 1976-12-15 until 1976-12-16)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-12-15 until 1976-12-16)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1976-12-15 until 1976-12-16)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-12-15 until 1976-12-16)
recording of:
Adagio for Strings (from 1976-12-15 until 1976-12-16)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber9:44
10▶CD: Gershwin ; Rhapsody in Blue, An American in Paris, Piano Concerto in F, Cuban Overture