Jazz Ballads

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1L‐O‐V‐E
tecnico:
Ryan Robinson (engineer)
tecnico di missaggio:
Joel Iwataki
assistente editor:
Sam Zeines
voce:
Nat King Cole (il 1964-06-03)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1964-06-03)
registrazione di:
L‐O‐V‐E (il 1964-06-03)
paroliere:
Milton Gabler
compositore:
Bert Kaempfert (German orchestra leader, producer and songwriter)
editore:
Bert Kaempfert Music Publishing GmbH, Edition Doma Bert Kaempfert (publisher) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Nat King Cole52:32
2My Heart Belongs to Daddy
produttore:
Richard Bock (record producer)
batteria e membranofono :
Colin Bailey (drummer) (il 1965-07-12)
chitarra :
Joe Pass (jazz guitarist) (il 1965-07-12)
contrabbasso :
Monty Budwig (il 1965-07-12)
legni :
Bud Shank (il 1965-07-12)
pianoforte :
Russ Freeman (pianist) (il 1965-07-12)
strumenti:
The Bud Shank Quintet (il 1965-07-12)
voce:
Julie London (il 1965-07-12)
arrangiatore:
Russ Freeman (pianist)
registrata presso:
Pacific Jazz Studios in Los Angeles, California, Stati Uniti (il 1965-07-12)
registrazione cover di:
My Heart Belongs to Daddy (il 1965-07-12)
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (company that specialized in library and production music), Chappell & Co. e Chappell Music Ltd.
registrazione di:
My Heart Belongs to Daddy
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (company that specialized in library and production music), Chappell & Co. e Chappell Music Ltd.
Julie London2:40
3Can’t Take My Eyes Off You
registrazione cover di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Vikki Carr3:09
4Unchain My Heart
registrazione cover di:
Unchain My Heart
paroliere e compositore:
Bobby Sharp
autore:
Teddy Powell
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (nel 1987)
parte di:
The Real Book (compilation of jazz standards, Volume I)
Nancy Wilson2:04
5Fever
batteria :
Shelly Manne (US jazz drummer) (il 1958-05-19)
contrabbasso [bass] :
Joe Mondragon (il 1958-05-19)
schiocchi di dita :
Peggy Lee (jazz vocalist) (il 1958-05-19) e Howard Roberts (jazz guitarist, educator, session musician and producer) (il 1958-05-19)
voce:
Peggy Lee (jazz vocalist) (il 1958-05-19)
direttore d'orchestra:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1958-05-19)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1958)
registrazione cover di:
Fever (il 1958-05-19)
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Peggy Lee4.253:20
6Mack the Knife
registrazione cover di:
Mack the Knife (1954 Blitzstein translation)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (American composer) (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Wayne Newton1:59
7Blue Moon
registrazione di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
Billie Holiday2:11
8I Left My Heart in San Francisco
Dinah Washington2:07
9I Can’t Give You Anything but Love
registrazione cover di:
I Can’t Give You Anything but Love, Baby
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jimmy McHugh (songwriter)
editore:
Aldi Music Company, Cotton Club Publishing e EMI Mills Music Inc. (ASCAP-affiliated)
sub-editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Sarah Vaughan3:07
10Wild Is the Wind
produttore:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") e Jack Gold
basso :
Jimmy Bond (nel 1959-10)
batteria :
Albert “Tootie” Heath (nel 1959-10)
pianoforte e voce principale:
Nina Simone (nel 1959-10)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1959)
registrazione cover di:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (nel 1959-10)
paroliere:
Ned Washington
compositore:
Dimitri Tiomkin
editore:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (nel 1957, nel 1985), Catharine Hinen Music (nel 1957, nel 1985), Chappell & Co., Inc. (USA) (nel 1957), Largo Music Inc. (nel 1957, nel 1985) e Patti Washington Music (nel 1957, nel 1985)
parte di:
The 30th Academy Award for Best Original Song (numero: 2)
Nina Simone3:25
11I’ve Got You Under My Skin
tecnico e produttore:
Richard Bock (record producer)
basso :
Monty Budwig (dal 1965-07-12 al 1965-07-16)
batteria e membranofono :
Colin Bailey (drummer) (dal 1965-07-12 al 1965-07-16)
chitarra :
Joe Pass (jazz guitarist) (dal 1965-07-12 al 1965-07-16)
legni :
Bud Shank (dal 1965-07-12 al 1965-07-16)
pianoforte :
Russ Freeman (pianist) (dal 1965-07-12 al 1965-07-16)
strumenti:
The Bud Shank Quintet (dal 1965-07-12 al 1965-07-16)
voce:
Julie London (dal 1965-07-12 al 1965-07-16)
arrangiatore:
Russ Freeman (pianist)
registrata presso:
Pacific Jazz Studios in Los Angeles, California, Stati Uniti (dal 1965-07-12 al 1965-07-16)
registrazione cover di:
I’ve Got You Under My Skin (dal 1965-07-12 al 1965-07-16)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
Julie London3:02
12It Amazes Me
Liza Minnelli3:11
13It Don’t Mean a Thing – If It Ain’t Got That Swing
registrazione di:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
paroliere:
Irving Mills (nel 1931)
compositore:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (nel 1931-08)
editore:
Duke Ellington Music e EMI Mills Music (ASCAP-affiliated)
parte di:
The Real Book (compilation of jazz standards, Volume I)
Louis Armstrong & Duke Ellington4:11
14Maybe I’ll Come Back
Judy Garland2:18
15Why Don’t You Do Right
registrazione cover di:
Why Don’t You Do Right?
paroliere e compositore:
Kansas Joe McCoy
editore:
Edwin Morris Music e Morley Music Co
versione di:
Weed Smoker’s Dream
Peggy Lee2:25
16Cheek to Cheek
Rita Reys6:25
17Misty Blue
registrazione cover di:
Misty Blue
paroliere e compositore:
Bob Montgomery (USA)
editore:
Reservoir One America e Talmont Music (publisher) (dal 1966 a oggi)
Ella Fitzgerald2:27
18You’re Always on My Mind
Lou Rawls2:51
19Put the Blame on Mame
Mark Murphy2:46
20Goin’ Out of My Head
registrazione cover di:
Goin’ Out of My Head
paroliere:
Bobby Weinstein (US songwriter)
compositore:
Teddy Randazzo
editore:
E. H. Morris & Co. Ltd., EMI Catalogue Partnership Australia Pty Ltd, EMI Partnership Musikverlag GmbH, Universal–Songs of PolyGram International, Inc., Vogue Music e Songs of PolyGram International, Inc. (nel 1964)
Nancy Wilson2:11
21How High the Moon
registrazione di:
How High the Moon
paroliere:
Nancy Hamilton (nel 1940)
compositore:
Morgan Lewis (nel 1940)
editore:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
June Christy2:33
22Love for Sale
assistente tecnico:
Robert Reed (member of Trouble Funk, engineer at Mad Hatter Studio)
tecnico:
Malcolm Cecil
produttore:
Charles Mims e Dianne Reeves
assistente tecnico di missaggio:
Chris Morris (LA engineer & producer (late ’70s))
tecnico di missaggio:
F. Byron Clark
basso :
Chris Severin (il 1990-09-11)
batteria :
Billy Kilson (American jazz drummer) (il 1990-09-11)
pianoforte :
Billy Childs (US composer/jazz pianist) (il 1990-09-11)
voce principale:
Dianne Reeves (il 1990-09-11)
arrangiatore:
David Torkanowsky
registrata presso:
Madhatter Studio (Los Angeles) in Echo Park, Los Angeles, California, Stati Uniti (il 1990-09-11)
mixata presso:
Mama Jo’s in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Love for Sale (il 1990-09-11)
paroliere e compositore:
Cole Porter (composer) (nel 1930)
editore:
Chappell & Co., Chappell Music Ltd., Harms, Inc. e Warner Bros., Inc. (not for release label use!)
Dianne Reeves3:44
23Love Is a Many Splendored Thing
produttore:
Norman Newell (incarico: recording supervised by)
voce:
Shirley Bassey (Welsh singer)
voce di accompagnamento:
The Williams Singers
orchestra:
Geoff Love & His Orchestra
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1961)
registrazione cover di:
Love Is a Many‐Splendored Thing
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) e WC Music Corp.
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1955 winner)
Shirley Bassey2:50
24Summertime
Wes Montgomery3:59