The New Complete Edition

~ Release by W.A. Mozart (see all versions of this release, 27 available)

Tracklist

1CD: Chamber
2CD: Chamber
3CD: Chamber
4CD: Chamber
5CD: Chamber
6CD: Chamber
7CD: Chamber
8CD: Chamber
9CD: Chamber
10CD: Chamber
11CD: Chamber
12CD: Chamber
13CD: Chamber
14CD: Chamber
15CD: Chamber
16CD: Chamber
17CD: Chamber
18CD: Chamber
19CD: Chamber
20CD: Chamber
21CD: Chamber
22CD: Chamber
23CD: Chamber
24CD: Chamber
25CD: Chamber
26CD: Chamber
27CD: Chamber
28CD: Chamber
29CD: Chamber
30CD: Chamber
31CD: Chamber
32CD: Chamber
33CD: Chamber
34CD: Chamber
35CD: Chamber
36CD: Chamber
37CD: Chamber
38CD: Chamber
39CD: Chamber
40CD: Chamber
41CD: Chamber
42CD: Chamber
43CD: Chamber
44CD: Chamber
45CD: Chamber
46CD: Chamber
47CD: Chamber
48CD: Chamber
49CD: Chamber
50CD: Orchestral
51CD: Orchestral
52CD: Orchestral
53CD: Orchestral
54CD: Orchestral
55CD: Orchestral
56CD: Orchestral
57CD: Orchestral
58CD: Orchestral
59CD: Orchestral
60CD: Orchestral
61CD: Orchestral
62CD: Orchestral
63CD: Orchestral
64CD: Orchestral
65CD: Orchestral
66CD: Orchestral
67CD: Orchestral
68CD: Orchestral
69CD: Orchestral
70CD: Orchestral
71CD: Orchestral
72CD: Orchestral
73CD: Orchestral
74CD: Orchestral
75CD: Orchestral
76CD: Orchestral
77CD: Orchestral
78CD: Orchestral
79CD: Orchestral
80CD: Orchestral
81CD: Orchestral
82CD: Orchestral
83CD: Orchestral
84CD: Orchestral
85CD: Orchestral
86CD: Orchestral
87CD: Orchestral
88CD: Orchestral
89CD: Orchestral
90CD: Orchestral
91CD: Orchestral
92CD: Orchestral
93CD: Orchestral
94CD: Orchestral
95CD: Orchestral
96CD: Orchestral
97CD: Orchestral
98CD: Orchestral
99CD: Orchestral
100CD: Orchestral
101CD: Orchestral
102CD: Theatre
103CD: Theatre
104CD: Theatre
105CD: Theatre
106CD: Theatre
107CD: Theatre
108CD: Theatre
109CD: Theatre
110CD: Theatre
111CD: Theatre
112CD: Theatre
113CD: Theatre
114CD: Theatre
115CD: Theatre
116CD: Theatre
117CD: Theatre
118CD: Theatre
119CD: Theatre
120CD: Theatre
121CD: Theatre
122CD: Theatre
123CD: Theatre
124CD: Theatre
125CD: Theatre
126CD: Theatre
#TitleArtistRatingLength
1Die Entführung aus dem Serail, K. 384: Act II. "Wo hat sie auf einmal den Mut her"
producer:
Peter Wadland (producer)
spoken vocals [Blonde]:
Marianne Hirsti (soprano) (in 1990-01)
spoken vocals [Pedrillo]:
Wilfried Gahmlich (tenor) (in 1990-01)
spoken vocals [Selim]:
Wolfgang Hinze (German actor & director) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Act II, Scene IV. Dialog "Ist das ein Traum?" (Selim) (in 1990-01)
lyricist:
Johann Gottlieb Stephanie ('The Younger')
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene V. Dialog "Kein Bassa, keine Konstanze mehr da?" (Blonde, Pedrillo) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart2:09
2Die Entführung aus dem Serail, K. 384: Act II. "Welche Wonne, welche Lust"
producer:
Peter Wadland (producer)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. No. 12 Arie "Welche Wonne, welche Lust" (Blonde) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart3:13
3Die Entführung aus dem Serail, K. 384: Act II. "Ah, daß es schon vorbei wäre!"
producer:
Peter Wadland (producer)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. Dialog "Ah, daß es schon vorbei wäre!" (Pedrillo)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart3:14
4Die Entführung aus dem Serail, K. 384: Act II. "Ha! Geht's hier so lustig zu?"
producer:
Peter Wadland (producer)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. Dialog "Ha! Geht's hier so lustig zu?" (Osmin, Pedrillo)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart1:32
5Die Entführung aus dem Serail, K. 384: Act II. "Vivat Bacchus! Bacchus lebe!"
producer:
Peter Wadland (producer)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart2:01
6Die Entführung aus dem Serail, K. 384: Act II. "Ah, ah! Wahrhaftig, es geht noch nichts über.."
producer:
Peter Wadland (producer)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. Dialog "Hör, Alter, trink nicht zu viel" (Pedrillo, Osmin, Belmonte, Konstanze)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart3:07
7Die Entführung aus dem Serail, K. 384: Act II. "Wenn der Freude Tränen fließen"
producer:
Peter Wadland (producer)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart7:33
8Die Entführung aus dem Serail, K. 384: Act II. "Ach Belmonte! Ach, mein Leben!"
producer:
Peter Wadland (producer)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Ach Belmonte! Ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart10:47
9Die Entführung aus dem Serail, K. 384: Act III. "O Konstanze, Konstanze!"Wolfgang Amadeus Mozart7:03
10Die Entführung aus dem Serail, K. 384: Act III. "Alles liegt auf dem Ohr"
producer:
Peter Wadland (producer)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Alles liegt auf dem Ohr" (Pedrillo, Belmonte)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart2:57
11Die Entführung aus dem Serail, K. 384: Act III. "Endlich, sie macht auf, Herr"
producer:
Peter Wadland (producer)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Endlich, sie macht auf, Herr" (Pedrillo, Belmonte, Konstanze, Osmin)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart2:06
12Die Entführung aus dem Serail, K. 384: Act III. "Ha, wie will ich triumphieren"
producer:
Peter Wadland (producer)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart3:17
13Die Entführung aus dem Serail, K. 384: Act III. "Herr, verzeih, daß ich es so früh wage"
producer:
Peter Wadland (producer)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Act III, Scene V. Dialog "Was gibt's, Osmin, was gibt's?" (Selim, Osmin, Konstanze, Belmonte)
lyricist:
Johann Gottlieb Stephanie ('The Younger')
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart2:39
14Die Entführung aus dem Serail, K. 384: Act III. "Welch ein Geschick" -"Meinetwegen willst du sterben"
producer:
Peter Wadland (producer)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20a Rezitativ "Welch ein Geschick!" (Belmonte, Konstanze)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart9:15
15Die Entführung aus dem Serail, K. 384: Act III. "Nun, Sklave! Elender Sklave!"
producer:
Peter Wadland (producer)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Act III, Scene IX. Dialog "Nun,Sklave! Elender Sklave!" (Selim, Belmonte, Konstanze, Pedrillo, Osmin)
lyricist:
Johann Gottlieb Stephanie ('The Younger')
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart2:18
16Die Entführung aus dem Serail, K. 384: Act III. "Nie werd' ich deine Huld verkennen" - "Bassa Selim lebe lange"
producer:
Peter Wadland (producer)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen"
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart5:34
127CD: Theatre
128CD: Theatre
129CD: Theatre
130CD: Theatre
131CD: Theatre
132CD: Theatre
133CD: Theatre
134CD: Theatre
135CD: Theatre
136CD: Theatre
137CD: Theatre
138CD: Theatre
139CD: Theatre
140CD: Theatre
141CD: Theatre
142CD: Theatre
143CD: Theatre
144CD: Theatre
145CD: Theatre
146CD: Theatre
147CD: Theatre
148CD: Theatre
149CD: Theatre
150CD: Theatre
151CD: Theatre
152CD: Theatre
153CD: Sacred
154CD: Sacred
155CD: Sacred
156CD: Sacred
157CD: Sacred
158CD: Sacred
159CD: Sacred
160CD: Sacred
161CD: Sacred
162CD: Sacred
163CD: Sacred
164CD: Sacred
165CD: Sacred
166CD: Sacred
167CD: Sacred
168CD: Sacred
169CD: Sacred
170CD: Sacred
171CD: Private
172CD: Private
173CD: Private
174CD: Fragments
175CD: Fragments
176CD: Completions
177CD: Completions
178CD: Completions
179CD: Arrangements
180CD: Arrangements
181CD: Arrangements
182CD: Arrangements
183CD: Arrangements
184CD: Arrangements
185CD: Arrangements
186CD: Arrangements
187CD: Arrangements
188CD: Self-Arrangements
189CD: Self-Arrangements
190CD: Self-Arrangements
191CD: Self-Arrangements
192CD: Self-Arrangements
193CD: Self-Arrangements
194CD: Doubtful Works
195CD: Doubtful Works
196CD: Doubtful Works
197CD: Doubtful Works
198CD: Doubtful Works
199CD: Doubtful Works
200CD: Doubtful Works