Jazz & Blues Collection 12: Sidney Bechet

~ Release by Sidney Bechet (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Baby, Won't You Please Come Home
double bass:
Wellman Braud (on 1941-01-08)
drums (drum set):
J.C. Heard (on 1941-01-08)
piano:
James Toliver (on 1941-01-08)
soprano saxophone:
Sidney Bechet (on 1941-01-08)
trombone:
J.C. Higginbotham (on 1941-01-08)
trumpet:
Henry “Red” Allen (jazz musician) (on 1941-01-08)
instrumental cover recording of:
Baby Won’t You Please Come Home (on 1941-01-08)
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
2:35
2I'm Coming Virginia
double bass:
Wellman Braud (on 1941-09-13)
drums (drum set):
Manzie Johnson (on 1941-09-13)
guitar:
Everett Barksdale (on 1941-09-13)
piano:
Willie “The Lion” Smith (on 1941-09-13)
soprano saxophone:
Sidney Bechet (on 1941-09-13)
trumpet:
Charlie Shavers (on 1941-09-13)
instrumental cover recording of:
I’m Coming Virginia (on 1941-09-13)
lyricist:
Will Marion Cook
composer:
Donald Heywood
2:38
3Four or Five Times
double bass:
Wellman Braud (on 1940-03-28)
guitar:
Carmen Mastren (on 1940-03-28)
soprano saxophone:
Sidney Bechet (on 1940-03-28)
recording of:
Four or Five Times (on 1940-03-28)
composer:
Byron Gay (in 1928) and Marco H. Hellman (in 1928)
publisher:
EMI Miller Catalog, Inc.
4:02
4Wild Man Blues
double bass:
Wellman Braud (on 1940-06-04)
drums (drum set):
Sid Catlett (on 1940-06-04)
guitar:
Bernard Addison (on 1940-06-04)
piano:
Cliff Jackson (jazz pianist) (on 1940-06-04)
soprano saxophone:
Sidney Bechet (on 1940-06-04)
trombone:
Sandy Williams (American jazz trombonist) (on 1940-06-04)
trumpet:
Sidney De Paris (on 1940-06-04)
recording of:
Wild Man Blues (on 1940-06-04)
composer:
Louis Armstrong and Ferdinand Joseph LaMothe
3:21
5Really the Blues
clarinet:
Mezz Mezzrow (on 1938-11-28)
double bass:
Elmer James (on 1938-11-28)
drums (drum set):
Manzie Johnson (on 1938-11-28)
guitar:
Teddy Bunn (on 1938-11-28)
piano:
Cliff Jackson (jazz pianist) (on 1938-11-28)
soprano saxophone:
Sidney Bechet (on 1938-11-28)
trumpet:
Tommy Ladnier (American jazz trumpeter) (on 1938-11-28)
3:39
6Summertime
double bass:
Johnny Williams (jazz bassist) (on 1939-06-08)
drums (drum set):
Sid Catlett (on 1939-06-08)
guitar:
Teddy Bunn (on 1939-06-08)
piano:
Meade Lux Lewis (on 1939-06-08)
soprano saxophone:
Sidney Bechet (on 1939-06-08)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1939-06-08)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
4:06
7Blues in Thirds
recorded in:
Chicago, Illinois, United States (on 1940-09-06)
clarinet and soprano saxophone:
Sidney Bechet (on 1940-09-06)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1940-09-06)
drums (drum set):
Warren “Baby” Dodds (on 1940-09-06)
piano:
Earl Hines (jazz pianist and bandleader) (on 1940-09-06)
performer:
Sidney Bechet Trio (on 1940-09-06)
recording of:
Blues in Thirds (on 1940-09-06)
composer:
Earl Hines (jazz pianist and bandleader)
publisher:
Hi-Cue Productions
2:56
8Egyptian Fantasy
double bass:
Wellman Braud (on 1941-01-08)
drums (drum set):
J.C. Heard (on 1941-01-08)
piano:
James Toliver (on 1941-01-08)
soprano saxophone:
Sidney Bechet (on 1941-01-08)
trombone:
J.C. Higginbotham (on 1941-01-08)
trumpet:
Henry “Red” Allen (jazz musician) (on 1941-01-08)
recording of:
Egyptian Fantasy (on 1941-01-08)
composer:
Sidney Bechet
3:01
9Indian Summer
double bass:
Wilson Myers (on 1940-02-05)
drums (drum set):
Kenny Clarke (on 1940-02-05)
electric guitar and guitar:
Charlie Howard (on 1940-02-05)
piano:
Sonny White (on 1940-02-05)
soprano saxophone:
Sidney Bechet (on 1940-02-05)
vocals:
Wilson Myers (on 1940-02-05)
43:08
10Dear Old Southland
drums (drum set):
Sid Catlett (on 1940-03-27)
guitar:
Teddy Bunn (on 1940-03-27)
soprano saxophone:
Sidney Bechet (on 1940-03-27)
instrumental recording of:
Dear Old Southland (jazz standard) (on 1940-03-27)
lyricist:
Henry Creamer (Lyricist) (in 1921)
composer:
Turner Layton (in 1921)
publisher:
Mills Music
4:00
11China Boy
double bass:
Wellman Braud (on 1940-03-28)
guitar:
Carmen Mastren (on 1940-03-28)
soprano saxophone:
Sidney Bechet (on 1940-03-28)
instrumental recording of:
China Boy (on 1940-03-28)
composer:
Phil Boutelje (in 1922) and Richard A. Winfree (in 1922)
publisher:
Leo Feist Inc.
3:51
12Strange Fruit
guitar:
Everett Barksdale (on 1941-09-13)
piano:
Willie “The Lion” Smith (on 1941-09-13)
soprano saxophone:
Sidney Bechet (on 1941-09-13)
2:32
13The Mooche
double bass:
Ernest Williamson (on 1941-10-13)
drums (drum set):
Manzie Johnson (on 1941-10-13)
piano:
Don Donaldson (on 1941-10-13)
soprano saxophone:
Sidney Bechet (on 1941-10-13)
trombone:
Vic Dickenson (on 1941-10-13)
trumpet:
Henry Goodwin (on 1941-10-13)
recording of:
The Mooche (on 1941-10-13)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
3:00
14Mood Indigo
double bass:
Wellman Braud (on 1941-10-24)
drums (drum set):
Sid Catlett (on 1941-10-24)
guitar:
Everett Barksdale (on 1941-10-24)
piano:
Willie “The Lion” Smith (on 1941-10-24)
soprano saxophone:
Sidney Bechet (on 1941-10-24)
trumpet:
Charlie Shavers (on 1941-10-24)
instrumental recording of:
Mood Indigo (1930 jazz composition and song) (on 1941-10-24)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:14
15What Is This Thing Called Love?
double bass:
Wellman Braud (on 1941-10-24)
drums (drum set):
Sid Catlett (on 1941-10-24)
guitar:
Everett Barksdale (on 1941-10-24)
piano:
Willie “The Lion” Smith (on 1941-10-24)
soprano saxophone:
Sidney Bechet (on 1941-10-24)
trumpet:
Charlie Shavers (on 1941-10-24)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1941-10-24)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
3:30
16Shake It And Break It
double bass:
Wellman Braud (on 1940-06-04)
drums (drum set):
Sid Catlett (on 1940-06-04)
guitar:
Bernard Addison (on 1940-06-04)
piano:
Cliff Jackson (jazz pianist) (on 1940-06-04)
soprano saxophone:
Sidney Bechet (on 1940-06-04)
trombone:
Sandy Williams (American jazz trombonist) (on 1940-06-04)
trumpet:
Sidney De Paris (on 1940-06-04)
instrumental recording of:
Shake It and Break It (on 1940-06-04)
lyricist:
H. Quail Clarke
composer:
Lou Friscoe Chiha
2:55
17Stompy Jones
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1940-09-06)
drums (drum set):
Warren “Baby” Dodds (on 1940-09-06)
piano:
Earl Hines (jazz pianist and bandleader) (on 1940-09-06)
soprano saxophone:
Sidney Bechet (on 1940-09-06)
recording of:
Stompy Jones (on 1940-09-06)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
2:49
18You're The Limit
guitar:
Everett Barksdale (on 1941-09-13)
piano:
Willie “The Lion” Smith (on 1941-09-13)
soprano saxophone:
Sidney Bechet (on 1941-09-13)
3:11
19Save It, Pretty Mama
recorded in:
Chicago, Illinois, United States (on 1940-09-06)
bass and double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1940-09-06)
clarinet and soprano saxophone:
Sidney Bechet (on 1940-09-06)
cornet:
Rex Stewart (on 1940-09-06)
drums (drum set):
Warren “Baby” Dodds (on 1940-09-06)
piano:
Earl Hines (jazz pianist and bandleader) (on 1940-09-06)
vocals:
Herb Jeffries (on 1940-09-06)
performer:
Sidney Bechet and His New Orleans Feetwarmers (on 1940-09-06)
instrumental recording of:
Save It, Pretty Mama (on 1940-09-06)
writer:
Paul Denniker, Joseph M. Davis (Joe Davis, US lyricist, producer, publisher & promoter) and Don Redman
2:53
20Rose Boom
double bass:
Wellman Braud (on 1941-10-24)
drums (drum set):
Sid Catlett (on 1941-10-24)
guitar:
Everett Barksdale (on 1941-10-24)
piano:
Willie “The Lion” Smith (on 1941-10-24)
soprano saxophone:
Sidney Bechet (on 1941-10-24)
trumpet:
Charlie Shavers (on 1941-10-24)
instrumental cover recording of:
Rose Room (on 1941-10-24)
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
2:34

Credits

Release group

part of:Jazz & Blues Collection (number: 12) (order: 11)