TA212 The Technology of Music: Block 2

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#TitoloValutazioneDurata
1Block 2, Chapter 4, Activity 11: Reverberant Sounds
0:12
2Block 2, Chapter 4, Activity 14: Reverberation Times
1:36
3Block 2, Chapter 4, Activity 24: Multiple Echoes
0:21
4Block 2, Chapter 5, Activity 8: Beating in Context
0:57
5Block 2, Chapter 5, Activity 13: Sketching What You Hear
0:57
6Block 2, Chapter 5, Activity 20: Streaming in Context
0:24
7Block 2, Chapter 5, Activity 21: Pitch Illusions 1
0:35
8Block 2, Chapter 5, Activity 24: Pitch Illusions 2
0:35
9Block 2, Chapter 5, Activity 25: Pitch Illusions in Context
2:56
10Block 2, Chapter 5, Activity 26: Cultural Musical Styles in Context
0:53
11Block 2, Chapter 5, Activity 28: Dissonance in Context
0:13
12Block 2, Chapter 5, Activity 29: The Diminished Fifth in Context
0:10
13Block 2, Chapter 5, Activity 31: Percussion in Contemporary Music
1:04
14Block 2, Chapter 5, Activity 32: From Noise to Musical Sound
registrazione di:
Cinq études de bruits: I. Étude aux chemins de fer
compositore:
Pierre Schaeffer (French musique concrète composer) (nel 1948)
parte di:
Cinq études de bruits
2:53
15Block 2, Chapter 5, Activity 33a: From Musical Sound to Music
5:23
16Block 2, Chapter 5, Activity 33b: From Musical Sound to Music
0:33
17Block 2, Chapter 5, Activity 34: New Sounds, New Music
12:55
18Block 2, Chapter 5, Activity 35: Music Invoking Moods or Feelings
1:55
19Block 2, Chapter 5, Activity 36: Contemporary Music in Context
6:06
20Block 2, Chapter 6, Activity 7: Loading and Frequency Response
0:20
21Block 2, Chapter 6, Activity 16: Noise in Context
0:12
22Block 2, Chapter 6, Activity 17: Sine Wave and White Noise
0:13
23Block 2, Chapter 6, Activity 18: Signal-to-Noise Ratio in Context
0:42
24Block 2, Chapter 6, Activity 23: Aliasing in Context
0:27
25Block 2, Chapter 6, Activity 25: Quantisation Levels in Context
0:27
26Block 2, Chapter 6, Activity 26: Analogue Recording in Context
2:58