| # | Title | Artist | Rating | Length |
|---|
| 1 | Two Tribes | Frankie Goes to Hollywood | 4.2 | 3:22 |
| 2 | Rapture- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- saxophone:
- Tom Scott (in 1980)
- timpani:
- Chris Stein (in 1980)
- lead vocals:
- Deborah Harry (in 1980)
- phonographic copyright (℗) by:
- Capitol Records (in 1980), Capitol Records, Inc. (in 1980), Chrysalis Records (in 1980) and Chrysalis Records Ltd. (in 1981)
- recorded at:
- United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- recording of:
- Rapture (in 1980)
- writer:
- Deborah Harry and Chris Stein
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , EMI Music , Monster Island Music Publishing Corporation and Rare Blue Music Inc
| Blondie | 3.6 | 4:57 |
| 3 | Going Underground | The Jam | 4.25 | 2:53 |
| 4 | I Got You Babe | UB40 feat. Chrissie Hynde | | 3:05 |
| 5 | Call Me | Spagna | | 4:04 |
| 6 | Never Gonna Give You Up- keyboard [Fairlight] programming:
- Ian Curnow (in 1986-10)
- additional engineer:
- Jamie Bromfield , Mike Duffy , Phil Harding and Karen Hewitt
- assistant engineer:
- Boky, Peter Day, Gordon Dennis , Jonathan King and Yoyo
- engineer:
- Mark McGuire
- producer:
- Aitken, Stock and Waterman
- mixer:
- Mixmasters Pete Hammond (on 1987-01-01)
- drums (drum set) [drums]:
- A Linn (in 1986-10)
- guitar [guitars]:
- Matt Aitken (in 1986-10)
- keyboard [keyboards]:
- Matt Aitken (in 1986-10) and Mike Stock (in 1986-10)
- background vocals [backing vocals]:
- Dee Lewis (in 1986-10), Shirley Lewis (in 1986-10), Mae McKenna (in 1986-10) and Suzanne Rhatigan (in 1986-10)
- lead vocals:
- Rick (in 1986-10)
- arranger:
- Gordon Jenkins
- phonographic copyright (℗) by:
- BMG Rights Management (UK) Ltd. (in 1987), Pete Waterman Ltd. (in 1987) and PWL (in 1987)
- miscellaneous support:
- PWL (task: original sound recordings made by)
- recorded at:
- PWL Studio 1 (in 1986-10), PWL Studio 2 (in 1986-10) and PWL Studios in London , England, United Kingdom (in 1986-10)
- mixed at:
- PWL Studio 1 (on 1987-01-01) and PWL Studio 2 (on 1987-01-01)
- music videos:
- Never Gonna Give You Up by Rick Astley
- part of:
- Cachitos Nochevieja 2022 (number: 48) and Billboard: The 500 Best Pop Songs (number: 244)
- recording of:
- Never Gonna Give You Up (in 1986-10)
- writer:
- Matt Aitken, Mike Stock and Pete Waterman
- publisher:
- All Boys Music Ltd., BMG Music, Copyright Control , Hammer Music , Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. , Universal Music Careers, Universal Music Publishers MGB Australia Pty Ltd, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント , ヤマハミュージックEH(CM) , ユニバーサル・ミュージック・パブリッシング Synch事業部 and Terrace Music (in 1987)
| Rick Astley | 4.4 | 3:31 |
| 7 | Axel F | Harold Faltermeyer | 4.15 | 3:00 |
| 8 | Pump Up the Jam | Technotronic | | 3:34 |
| 9 | Super Freak- recording engineer and mixer:
- Tom "Super" Flye
- assistant engineer:
- Rick "Port Hole" Sanchez
- engineer:
- Bobby Brooks , Rick "Port Hole" Sanchez and Tom "Super" Flye
- executive producer:
- Alonzo Miller
- producer:
- Rick James
- bass:
- Oscar Alston
- drums (drum set):
- Lanise Hughes
- electric piano and synthesizer [Crumar]:
- Levi Ruffin, Jr.
- guitar:
- Tom McDermott
- handclaps and percussion:
- Oscar Alston, Rick James and Tom McDermott
- other instruments [flexatone] and vibraslap:
- Rick James
- tenor saxophone:
- Daniel LeMelle
- background vocals:
- Dennis Edwards , Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street and Otis Williams
- horn arranger:
- Daniel LeMelle and Rick James
- arranger:
- Rick James
- recorded at:
- Motown Studios - Hitsville West in West Hollywood, California, United States (background vocals) and The Plant Studios in Sausalito, California, United States
- mixed at:
- Westlake Studios in West Hollywood, California, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 153) and Rolling Stone: 500 Greatest Songs of All Time (number: 477)
- recording of:
- Super Freak
- lyricist and composer:
- Alonzo Miller and Rick James
- publisher:
- Jobete Music Co., Inc. and Stone Diamond Music Corporation
| Rick James | 4.15 | 3:21 |
| 10 | U Can’t Touch This | MC Hammer | 4.1 | 4:12 |
| 11 | I Don’t Believe You Want to Get Up and Dance (Oops, Up Side Your Head)- producer:
- Lonnie Simmons
- phonographic copyright (℗) by:
- Phonogram, Inc. (in 1979), UMG Recordings, Inc. (in 1979) and The Island Def Jam Music Group (in 1980)
- produced for:
- Total Experience Productions
- recording of:
- I Don’t Believe You Want to Get Up and Dance (Oops!)
- writer:
- Lonnie Simmons , Rudy Taylor , Charlie Wilson , Robert Wilson and Ronnie Wilson
- publisher:
- Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (in 1979) and Total Experience Music (in 1979)
- cover recording of:
- I Don’t Believe You Want to Get Up and Dance (Oops!)
- writer:
- Lonnie Simmons , Rudy Taylor , Charlie Wilson , Robert Wilson and Ronnie Wilson
- publisher:
- Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (in 1979) and Total Experience Music (in 1979)
| The Gap Band | | 3:24 |
| 12 | 8th Wonder | The Sugarhill Gang | | 3:54 |
| 13 | Fresh | Kool & the Gang | | 3:47 |
| 14 | Feels Like I’m in Love | Kelly Marie | | 3:15 |
| 15 | A Night to Remember | Shalamar | 3.5 | 3:32 |
| 16 | Do It to the Music | Raw Silk | | 3:29 |
| 17 | All Cried Out | Alison Moyet | 4 | 3:36 |
| 18 | Doctor! Doctor! | Thompson Twins | | 4:33 |
| 19 | Everybody’s Got to Learn Sometime | The Korgis | | 4:14 |
| 20 | Close (To the edit) | Art of Noise | | 4:02 |
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