Complete Blue Note Trio Sessions

~ Release by Wynton Kelly (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Blue Moon
3:11
2Fine and Dandy
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Fine and Dandy (on 1951-07-25)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
2:51
3I Found a New Baby
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
I’ve Found a New Baby (on 1951-08-01)
writer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
2:55
4Cherokee
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Cherokee (on 1951-07-25)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
3:10
5Born to Be Blue
3:28
6Where or When
2:55
7Moonglow
3:31
8If I Should Lose You
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
If I Should Lose You (on 1951-07-25)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:06
9Born to Be Blue
3:02
10Goodbye
2:25
11Foolin' Myself
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Foolin’ Myself (on 1951-08-01)
writer:
Jack Lawrence (US songwriter) and Peter Tinturin
publisher:
Chappell Music Co. Inc.
3:04
12There Will Never Be Another You
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
There Will Never Be Another You (on 1951-08-01)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:05
13Do Nothin' Til You Hear From Me
3:07
14Summertime
producer:
Alfred Lion
congas:
Lee Abrams (American jazz drummer) (on 1951-08-01)
double bass [bass]:
Franklin Skeete (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1951-08-01)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
3:07
15Moonlight in Vermont
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Moonlight in Vermont (on 1951-08-01)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:28
16Crazy He Calls Me
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Crazy He Calls Me (on 1951-08-01)
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:15
17Opus Caprice
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
2:56
18Moonglow
3:13
19Goodbye
2:48