Trusted Guide to Classical Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Sub tuum praesidium
choir vocals:
The Monks and Choirboys of Downside Abbey
[anonymous]1:04
2O nata lux
choir vocals:
Choir of King’s College, Cambridge
conductor:
Philip Ledger
recording of:
O nata lux (à 5, Cantiones sacrae (1575))
composer:
Thomas Tallis (composer)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
Thomas Tallis1:57
3Ave verum corpus
choir vocals:
Choir of King’s College, Cambridge
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Ave verum corpus, T 92 (à 4, Gradualia I (1605))
composer:
William Byrd (English composer)
publisher:
Oxford University Press
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 92)
part of:
Gradualia ac cantiones sacrae, Liber 1 (1605)
William Byrd4:41
4Miserere mei, Deus (vv. 1-4 & 17-20)
choir vocals:
Choir of King’s College, Cambridge
treble vocals:
Timothy Beasley-Murray (treble vocalist)
vocals:
Gerald Finley (bass-baritone)
conductor:
Stephen Cleobury (organist, conductor)
partial recording of:
Miserere mei, Deus
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri5:47
5Te Deum: Prelude
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recording of:
Te Deum, H. 146: Prélude
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:48
6Canon in D
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel5:00
7Funeral Music for Queen Mary: March
instruments:
Philip Jones Brass Ensemble
choir vocals:
Choir of King’s College, Cambridge
conductor:
Philip Ledger
recording of:
Funeral Music on the Death of Queen Mary: I. March, Z. 860
composer:
Henry Purcell (Baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell1:38
8Funeral Music for Queen Mary: Thou Knowest, Lord
instruments:
Philip Jones Brass Ensemble
choir vocals:
Choir of King’s College, Cambridge
conductor:
Philip Ledger
recording of:
Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58c "Thou knowest, Lord" (2nd setting for 4 trumpets)
composer:
Henry Purcell (Baroque composer) (in 1687)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:22
9Adagio in G minor
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni7:46
10Trumpet Voluntary (The Prince of Denmark's March)
organ:
Jane Parker‐Smith (organist)
trumpet:
Maurice André (French trumpeter)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
composer:
Jeremiah Clarke (English baroque composer and organist) (in 1700)
Jeremiah Clarke2:52
11The Four Seasons: "Summer": III. Presto
violin:
Yehudi Menuhin (violinist)
orchestra:
Camerata Lysy Gstaad
conductor:
Alberto Lysy (violinist and conductor)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:48
12Gloria in excelsis Deo (Gloria, RV 589)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (from 1990-10-05 until 1990-10-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
recording of:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero)
lyricist:
Anonymous ([anonymous], special purpose artist)
additional composer:
Gian Francesco Malipiero (Italian composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
part of:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi2:24
13The Arrival of the Queen of Sheba (Solomon)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
George Frideric Handel2:49
14Hallelujah Chorus (Messiah, ed. Lam)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:01
15Toccata in D minor, BWV 565i
organ:
Wayne Marshall (British pianist, organist and conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach3:23
16Jesu, Joy of Man's Desiring (Cantata no. 147)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
King’s College Choir, Cambridge
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
conductor:
Sir Neville Marriner (conductor) and Sir David Willcocks (UK composer, organist, choral conductor)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Jesu, Joy of Man’s Desiring
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:31
17Double Violin Concerto in D minor, BWV 1043: II. Largo
violin:
Christian Ferras (violinist) and Yehudi Menuhin (violinist)
orchestra:
Bath Festival Orchestra
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach7:43
18Trumpet Concerto in E-flat: III. Finale: Allegro
trumpet:
Alison Balsom (classical trumpet player)
orchestra:
Deutsche Kammerphilharmonie Bremen
conductor:
Thomas Klug (German violinist, conductor and concertmaster)
recording of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: III. Allegro
composer:
Joseph Haydn (composer) (in 1796)
part of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1 (Trumpet Concerto in E-flat major)
Joseph Haydn4:30
19Serenade in G "Eine kleine Nachtmusik", K 525: I. Allegro
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:52
20Piano Concerto no. 21 in C "Elvira Madigan", K 467: II. Andante
piano:
Stephen Hough (pianist) (in 1987-05)
orchestra:
Hallé Orchestra (in 1987-05)
conductor:
Bryden Thomson (conductor) (in 1987-05)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (in 1987-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1987-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:47
2▶CD
3▶CD
4▶CD