Edge of the 80s: Heart of the Eighties

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Before Too Long
Paul Kelly3:24
2Rock Me Amadeus
producer:
Ferdi Bolland and Rob Bolland
phonographic copyright (℗) by:
GiG Records (Austrian label) (in 1985) and TELDEC Record Service GmbH (not for release label use! manufacturing and distribution company) (in 1985)
music videos:
Rock Me Amadeus by Falco (Austrian pop & rock musician)
part of:
TV Cream: Real 100 Best Singles Ever (number: 15) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 87)
recording of:
Rock Me Amadeus (in 1985)
lyricist:
Ferdi Bolland, Rob Bolland and Falco (Austrian pop & rock musician)
composer:
Ferdi Bolland and Rob Bolland
publisher:
Bolland Music, Manuskript (not for release label use! this is only for copyrights and publishing relationships) and Nada Music (Dutch publisher)
Falco3.653:23
3Take On Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
music videos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) by a‐ha (Norwegian synth‐pop band) and Take On Me (official music video, 1985 version) by a‐ha (Norwegian synth‐pop band)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 26), The Downloader’s Music Source Book (number: 284) and BILLIONS CLUB
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. and EMI Music Publishing (do not use as a release label!)
version of:
Miss Eerie
a‐ha4.53:50
4She Bop
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
She Bop
writer:
Rick Chertoff, Gary Corbett, Cyndi Lauper and Steve Lunt (British musician, songwriter, music executive also credited as Stephen Broughton)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), ATV/Sony Songs, LLC, Concord Copyrights (BMI), Hobbler Music, Mushroom Music Pty. Ltd., Noyb Music Company, Perfect Punch Music (publisher), Rellla Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spirit One Music, Twenty Twenty 6 Music, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Wall to Wall Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (number: 15)
Cyndi Lauper4.13:48
5Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
lead vocals:
Nik Kershaw (in 1983)
horn arranger:
Jerry Hey and Nik Kershaw
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
recording of:
Wouldn’t It Be Good (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
part of:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:27
6No One Is to Blame
recording of:
No One Is to Blame
lyricist and composer:
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd.
Howard Jones4:13
7Love Resurrection
producer:
Steve Jolley and Tony Swain (songwriter, producer)
drums (drum set):
Tim Goldsmith
keyboard:
Tony Swain (songwriter, producer)
background vocals and lead vocals:
Alison Moyet
music videos:
Love Resurection by Alison Moyet
recording of:
Love Resurrection
writer:
Steve Jolley, Alison Moyet and Tony Swain (songwriter, producer)
Alison Moyet33:54
8Shout to the Top
recording of:
Shout to the Top
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council3:19
9Out of Mind Out of Sight
producer:
Mark Opitz
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1985) and Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1993)
recording of:
Out of Mind Out of Sight
lyricist and composer:
James Freud
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Models3:37
10The Reflex
recording of:
The Reflex
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
Beechwood de México, S.A. de C.V., EMI Music Publishing (do not use as a release label!) and Gloucester Place Music Ltd.
Duran Duran4:24
11Only When You Leave
recording of:
Only When You Leave
lyricist and composer:
Gary Kemp
publisher:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and Reformation Publishing Co. Ltd.
Spandau Ballet4:45
12You Keep Me Hangin’ On
recorded in:
England, United Kingdom
engineer:
Peter Wade Schwier (producer, mixing and recording engineer)
producer:
Ricky Wilde
guitar:
Steve Byrd
keyboard:
Ricky Wilde
lead vocals:
Kim Wilde
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1986), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M (Bigbeat, House label) and Big M Productions Ltd. (British record and publishing company)
recorded at and mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States, Select Sound Studios in Knebworth, Hertfordshire, England, United Kingdom and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
part of:
Cachitos Nochevieja 2022 (number: 108)
cover recording of:
You Keep Me Hangin’ On
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
recording of:
You Keep Me Hangin’ On
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Kim Wilde3.454:17
13Rush Rush
recording of:
Rush Rush
lyricist:
Deborah Harry
composer:
Giorgio Moroder
publisher:
MCA Music Ltd.
Deborah Harry4:47
14We Built This City
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (US rock vocalist, member of J. Geils Band)
recording of:
We Built This City
writer:
Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) and Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship4:49
15Axel F
producer:
Harold Faltermeyer
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) and Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 70)
recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Harold Faltermeyer4.153:03
2▶CD

Credits

Release group

part of:Edge of the 80s (Time-Life Music) (number: 8) (order: 7)