Aria 51 (Disk 1 of 3)

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Compilation produced by Merrin Lazyan, Matt Abramovitz and Jenny Houser

Annotation last modified on 2023-10-01 02:59 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Rusalka: Song to the Moon
soprano vocals [Rusalka]:
Jana Valášková (Slovak soprano)
orchestra:
Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings)
conductor:
Johannes Wildner (conductor)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
composer:
Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák5:53
2The Magic Flute: “Der Hölle Rache”
soprano vocals [Königin der Nacht]:
Hellen Kwon (soprano)
orchestra:
Failoni Orchestra (Failoni Chamber Orchestra)
conductor:
Michael Halász (conductor)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:55
3Tannhäuser: “O du, mein holder Abendstern”
baritone vocals [Wolfram]:
Dmitri Hvorostovsky (Russian operatic baritone)
orchestra:
Spiritual Revival Choir of Russia
conductor:
Constantine Orbelian (Константин Гарриевич Орбелян / US conductor, born in 1956)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene II. „Wie Todesahnung, Dämm'rung deckt die Lande … O du mein holder Abendstern”
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III
Richard Wagner4:42
4Carmen: « L’amour est un oiseau rebelle »
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir)
mezzo-soprano vocals [Carmen]:
Graciela Alperyn (mezzo-soprano)
orchestra:
Slovak Radio Symphony Orchestra
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:52
5Romeo et Juliette : « Ah, lève toi soleil »
tenor vocals [Romeo]:
Yinjia Gong
orchestra:
Sinfonia Lahti (Lahti Symphony Orchestra)
conductor:
Markus Lehtinen (conductor, pianist)
recording of:
Roméo et Juliette : Acte II. No. 7 Cavatine « L’amour ! l’amour ! » … « Ah ! lève‐toi, soleil ! » (Roméo)
composer:
Charles Gounod (French composer) (in 1867)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette: Acte II
Charles Gounod4:43
6Rinaldo: “Lascia ch’io pianga”
mezzo-soprano vocals [Almirena]:
Heather Johnson (mezzo-soprano)
orchestra:
London Arts Orchestra (around in 1990's)
conductor:
John Landor (conductor)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
George Frideric Handel4:35
7La bohème: “Che gelida manina”
producer:
Hubert Geschwandtner (producer/engineer) and Karol Kopernický (producer)
choir vocals:
Bratislawer Kinderchor (Bratislava Children’s Choir) (from 1990-04-23 until 1990-05-04) and Slowakischer Philharmoniker Chor (Slovak Philharmonic Choir) (from 1990-04-23 until 1990-05-04)
soprano vocals:
Ľuba Orgonášová (soprano) (from 1990-04-23 until 1990-05-04)
tenor vocals:
Jonathan Welch (tenor) (from 1990-04-23 until 1990-05-04)
orchestra:
Tschechoslowakischer Sinfonie Orchester (Bratislawa) (Slovak Radio Symphony Orchestra) (from 1990-04-23 until 1990-05-04)
conductor:
Will Humburg (conductor) (from 1990-04-23 until 1990-05-04)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-04-23 until 1990-05-04)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (from 1990-04-23 until 1990-05-04)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:23
8The Marriage of Figaro: “Voi, che sapete”
mezzo-soprano vocals [Cherubino]:
Michelle Breedt (mezzo soprano)
orchestra:
Nicolaus Esterházy Sinfonia
conductor:
Michael Halász (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:49
9Nabucco: “Va, pensiero”
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (from 1990-03-27 until 1990-04-01)
orchestra:
Slovak Radio Symphony Orchestra (from 1990-03-27 until 1990-04-01)
conductor:
Oliver Dohnányi (conductor) (from 1990-03-27 until 1990-04-01)
phonographic copyright (℗) by:
Naxos and HNH International Ltd. (not for release label use!) (in 1991)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (from 1990-03-27 until 1990-04-01)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:39
10La Fille du régiment : « Pour mon âme »
tenor vocals [Tonio]:
Michael Spyres (tenor)
orchestra:
Moscow Chamber Orchestra (Moscow Chamber Orchestra)
conductor:
Constantine Orbelian (Константин Гарриевич Орбелян / US conductor, born in 1956)
recording of:
La Fille du régiment : Acte I, Scène 11. Final “Pour mon âme” (Tonio)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Jean-François Bayard (French librettist) and Jules-Henri Vernoy de Saint-Georges
part of:
La Fille du régiment : Acte I
Gaetano Donizetti4:06
11Madama Butterfly: “Un bel dì vedremo”
soprano vocals [Butterfly]:
Miriam Gauci (soprano)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:37
12Aida: “Celeste Aida”
tenor vocals [Radamès]:
Thomas Harper (tenor)
orchestra:
Slovak Radio Symphony Orchestra
conductor:
Michael Halász (conductor)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:31
13The Marriage of Figaro: “Sull’aria”
soprano vocals [La Contessa]:
Maria Pia Ionata
soprano vocals [Susanna]:
Patrizia Pace (soprano)
orchestra:
Hungarian State Opera Chamber Orchestra
conductor:
Pier Giorgio Morandi (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:36
14Dido and Aeneas: “When I Am Laid in Earth”
soprano vocals [Dido]:
Karina Gauvin (soprano)
orchestra:
Les Boréades de Montréal
conductor:
Francis Colpron (flutist)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:37
15Madama Butterfly: Humming Chorus
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir)
orchestra:
Slovak Radio Symphony Orchestra
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:46
16Rigoletto: “Caro nome”
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir)
soprano vocals [Gilda]:
Alida Ferrarini
orchestra:
Slovak Radio Symphony Orchestra
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
Giuseppe Verdi5:47
17Hänsel und Gretel: “Abends wenn ich schlafen geh”
choir vocals:
Vienna Choir Boys (The Vienna Boys Choir)
chorus master:
Helmuth Froschauer (conductor and chorus master)
recording of:
Hänsel und Gretel: Akt II, 2. Szene. “Abends, will ich schlafen gehn” (Hänsel, Gretel) (Hansel and Gretel: Evening Prayer, Nachtgebet / Evening Prayer / Prière du soir)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck2:09