The Complete Billie Holiday on Verve 1945–1959

~ Release by Billie Holiday (see all versions of this release, 2 available)

Annotation

Includes a 220-page book.

Annotation last modified on 2014-08-21 20:44 UTC.

Tracklist

1▶CD: Jazz at the Philharmonic Concerts 1945–1947 / 1952 Los Angeles Studio Session
2▶CD: 1952 Los Angeles & New York Studio Sessions / 1954 Jazz Club USA Concert - Germany
3▶CD: 1954 Jazz Club U.S.A. Concert (conclusion) / 1954 Los Angeles & New York Studio Sessions / 1955 New York Studio Session
4▶CD: 1955 Rehearsal at Artie Shapiro’s Home
5▶CD: 1955 Los Angeles Studio Sessions
6▶CD: 1955 Los Angeles Studio Session (conclusion) / 1956 Rehearsal at the Duftys’ Home
7▶CD: 1956 New York & Los Angeles Studio Sessions
8▼CD: 1956 Carnegie Hall Concert / 1957 Los Angeles Studio Sessions
#TitleRatingLength
1Lady Sings the Blues (with reading from “Lady Sings the Blues”)
double bass [bass]:
Carson Smith (on 1956-11-10)
drums (drum set):
Chico Hamilton (on 1956-11-10)
electric guitar:
Kenny Burrell (on 1956-11-10)
piano:
Carl Drinkard (pianist) (on 1956-11-10)
tenor saxophone:
Coleman Hawkins (on 1956-11-10)
trumpet:
Roy Eldridge (on 1956-11-10)
spoken vocals:
Gilbert Millstein (journalist)
vocals:
Billie Holiday (on 1956-11-10)
recorded at:
Billie Holiday at Carnegie Hall (1956-11-10) (early show)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-11-10)
live recording of:
Lady Sings the Blues (on 1956-11-10)
lyricist:
Billie Holiday
composer:
Herbie Nichols (jazz pianist and composer)
publisher:
Northern Music Company
22:53
2Lady Sings the Blues
double bass [bass]:
Carson Smith (on 1956-11-10)
drums (drum set):
Chico Hamilton (on 1956-11-10)
electric guitar:
Kenny Burrell (on 1956-11-10)
piano:
Carl Drinkard (pianist) (on 1956-11-10)
tenor saxophone:
Coleman Hawkins (on 1956-11-10)
trumpet:
Roy Eldridge (on 1956-11-10)
vocals:
Billie Holiday (on 1956-11-10)
recorded at:
Billie Holiday at Carnegie Hall (1956-11-10) (early show)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-11-10)
live recording of:
Lady Sings the Blues (on 1956-11-10)
lyricist:
Billie Holiday
composer:
Herbie Nichols (jazz pianist and composer)
publisher:
Northern Music Company
22:38
3Ain’t Nobody’s Business If I Do
double bass [bass]:
Carson Smith (on 1956-11-10)
drums (drum set):
Chico Hamilton (on 1956-11-10)
electric guitar:
Kenny Burrell (on 1956-11-10)
piano:
Carl Drinkard (pianist) (on 1956-11-10)
tenor saxophone:
Coleman Hawkins (on 1956-11-10)
trumpet:
Roy Eldridge (on 1956-11-10)
vocals:
Billie Holiday (on 1956-11-10)
recorded at:
Billie Holiday at Carnegie Hall (1956-11-10) (early show)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-11-10)
live recording of:
T’ain’t Nobody’s Bizness If I Do (on 1956-11-10)
lyricist:
Porter Grainger
composer:
Porter Grainger and Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
part of:
American Splendor
32:33
4Travelin’ Light (with reading from “Lady Sings the Blues”)
double bass [bass]:
Carson Smith (on 1956-11-10)
drums (drum set):
Chico Hamilton (on 1956-11-10)
electric guitar:
Kenny Burrell (on 1956-11-10)
piano:
Carl Drinkard (pianist) (on 1956-11-10)
tenor saxophone:
Coleman Hawkins (on 1956-11-10)
trumpet:
Roy Eldridge (on 1956-11-10)
spoken vocals:
Gilbert Millstein (journalist)
vocals:
Billie Holiday (on 1956-11-10)
recorded at:
Billie Holiday at Carnegie Hall (1956-11-10) (early show)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-11-10)
live recording of:
Travelin’ Light (on 1956-11-10)
lyricist:
Johnny Mercer
composer:
Jimmy Mundy and Trummy Young
10:44
5[reading from “Lady Sings the Blues”]
spoken vocals:
Gilbert Millstein (journalist) (on 1956-11-10)
22:06
6Billie’s Blues (aka “I Love My Man”)
double bass [bass]:
Carson Smith (on 1956-11-10)
drums (drum set):
Chico Hamilton (on 1956-11-10)
electric guitar:
Kenny Burrell (on 1956-11-10)
piano:
Carl Drinkard (pianist) (on 1956-11-10)
tenor saxophone:
Coleman Hawkins (on 1956-11-10)
trumpet:
Roy Eldridge (on 1956-11-10)
vocals:
Billie Holiday (on 1956-11-10)
recorded at:
Billie Holiday at Carnegie Hall (1956-11-10) (early show)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-11-10)
live recording of:
Billie’s Blues (on 1956-11-10)
lyricist:
Billie Holiday
composer:
Billie Holiday (until 1936-08-01)
publisher:
Basart Editions
33:20
7Body and Soul
double bass [bass]:
Carson Smith (on 1956-11-10)
drums (drum set):
Chico Hamilton (on 1956-11-10)
electric guitar:
Kenny Burrell (on 1956-11-10)
piano:
Carl Drinkard (pianist) (on 1956-11-10)
tenor saxophone:
Coleman Hawkins (on 1956-11-10)
trumpet:
Roy Eldridge (on 1956-11-10)
vocals:
Billie Holiday (on 1956-11-10)
recorded at:
Billie Holiday at Carnegie Hall (1956-11-10) (early show)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-11-10)
live recording of:
Body and Soul (on 1956-11-10)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
32:40
8[reading from “Lady Sings the Blues”]
spoken vocals:
Gilbert Millstein (journalist) (on 1956-11-10)
10:55
9Don’t Explain
double bass [bass]:
Carson Smith (on 1956-11-10)
drums (drum set):
Chico Hamilton (on 1956-11-10)
electric guitar:
Kenny Burrell (on 1956-11-10)
piano:
Carl Drinkard (pianist) (on 1956-11-10)
tenor saxophone:
Coleman Hawkins (on 1956-11-10)
trumpet:
Roy Eldridge (on 1956-11-10)
vocals:
Billie Holiday (on 1956-11-10)
recorded at:
Billie Holiday at Carnegie Hall (1956-11-10) (early show)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-11-10)
live recording of:
Don’t Explain (on 1956-11-10)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
32:30
10Yesterdays
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-11-10)
double bass [bass]:
Carson Smith (on 1956-11-10)
drums (drum set):
Chico Hamilton (on 1956-11-10)
electric guitar:
Kenny Burrell (on 1956-11-10)
piano:
Carl Drinkard (pianist) (on 1956-11-10)
tenor saxophone:
Al Cohn (on 1956-11-10)
trumpet:
Buck Clayton (on 1956-11-10)
vocals:
Billie Holiday (on 1956-11-10)
recorded at:
Billie Holiday at Carnegie Hall (1956-11-11) (late show)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-11-10)
live recording of:
Yesterdays (on 1956-11-10)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
11:16
11Please Don’t Talk About Me When I’m Gone
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-11-10)
double bass [bass]:
Carson Smith (on 1956-11-10)
drums (drum set):
Chico Hamilton (on 1956-11-10)
electric guitar:
Kenny Burrell (on 1956-11-10)
piano:
Carl Drinkard (pianist) (on 1956-11-10)
tenor saxophone:
Al Cohn (on 1956-11-10)
trumpet:
Buck Clayton (on 1956-11-10)
vocals:
Billie Holiday (on 1956-11-10)
recorded at:
Billie Holiday at Carnegie Hall (1956-11-11) (late show)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-11-10)
live recording of:
Please Don’t Talk About Me When I’m Gone (on 1956-11-10)
lyricist:
Sidney Clare
composer:
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Remick Music Corp.
11:43
12I’ll Be Seeing You
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-11-10)
double bass [bass]:
Carson Smith (on 1956-11-10)
drums (drum set):
Chico Hamilton (on 1956-11-10)
electric guitar:
Kenny Burrell (on 1956-11-10)
piano:
Carl Drinkard (pianist) (on 1956-11-10)
tenor saxophone:
Al Cohn (on 1956-11-10)
trumpet:
Buck Clayton (on 1956-11-10)
vocals:
Billie Holiday (on 1956-11-10)
recorded at:
Billie Holiday at Carnegie Hall (1956-11-11) (late show)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-11-10)
live recording of:
I’ll Be Seeing You (on 1956-11-10)
lyricist:
Irving Kahal (in 1938)
composer:
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music and Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
32:28
13[reading from “Lady Sings the Blues”]
spoken vocals:
Gilbert Millstein (journalist) (on 1956-11-10)
22:50
14My Man
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-11-10)
double bass [bass]:
Carson Smith (on 1956-11-10)
drums (drum set):
Chico Hamilton (on 1956-11-10)
electric guitar:
Kenny Burrell (on 1956-11-10)
piano:
Carl Drinkard (pianist) (on 1956-11-10)
tenor saxophone:
Al Cohn (on 1956-11-10)
trumpet:
Buck Clayton (on 1956-11-10)
vocals:
Billie Holiday (on 1956-11-10)
recorded at:
Billie Holiday at Carnegie Hall (1956-11-11) (late show)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-11-10)
live recording of:
My Man (Mon homme) (Channing Pollock lyrics) (on 1956-11-10)
lyricist:
Jacques Charles (French librettist and theatre producer) and Albert Willemetz
composer:
Maurice Yvain
translator:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (ended) and Éditions Salabert France
translated version of:
Mon homme
33:13
15I Cried for You
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-11-10)
double bass [bass]:
Carson Smith (on 1956-11-10)
drums (drum set):
Chico Hamilton (on 1956-11-10)
electric guitar:
Kenny Burrell (on 1956-11-10)
piano:
Carl Drinkard (pianist) (on 1956-11-10)
tenor saxophone:
Al Cohn (on 1956-11-10)
trumpet:
Buck Clayton (on 1956-11-10)
vocals:
Billie Holiday (on 1956-11-10)
recorded at:
Billie Holiday at Carnegie Hall (1956-11-11) (late show)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-11-10)
live recording of:
I Cried for You (on 1956-11-10)
lyricist:
Arthur Freed
composer:
Gus Arnheim and Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. and Miller Music Corp.
33:09
16Fine and Mellow
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-11-10)
double bass [bass]:
Carson Smith (on 1956-11-10)
drums (drum set):
Chico Hamilton (on 1956-11-10)
electric guitar:
Kenny Burrell (on 1956-11-10)
piano:
Carl Drinkard (pianist) (on 1956-11-10)
tenor saxophone:
Al Cohn (on 1956-11-10)
trumpet:
Buck Clayton (on 1956-11-10)
vocals:
Billie Holiday (on 1956-11-10)
recorded at:
Billie Holiday at Carnegie Hall (1956-11-11) (late show)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-11-10)
live recording of:
Fine and Mellow (on 1956-11-10)
lyricist and composer:
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
recording of:
Fine and Mellow
lyricist and composer:
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
33:15
17I Cover the Waterfront
bass:
Carson Smith
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-11-10)
double bass [bass]:
Carson Smith (on 1956-11-10)
drums (drum set):
Chico Hamilton (on 1956-11-10)
electric guitar:
Kenny Burrell (on 1956-11-10)
guitar:
Kenny Burrell
piano:
Carl Drinkard (pianist) (on 1956-11-10)
saxophone:
Al Cohn
tenor saxophone:
Al Cohn (on 1956-11-10)
trumpet:
Buck Clayton (on 1956-11-10)
vocals:
Billie Holiday (on 1956-11-10)
recorded at:
Billie Holiday at Carnegie Hall (1956-11-11) (late show)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-11-10)
live recording of:
I Cover the Waterfront (on 1956-11-10)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music, Inc.
recording of:
I Cover the Waterfront (on 1956-11-10)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music, Inc.
33:46
18What a Little Moonlight Can Do
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-11-10)
double bass [bass]:
Carson Smith (on 1956-11-10)
drums (drum set):
Chico Hamilton (on 1956-11-10)
electric guitar:
Kenny Burrell (on 1956-11-10)
piano:
Carl Drinkard (pianist) (on 1956-11-10)
tenor saxophone:
Al Cohn (on 1956-11-10)
trumpet:
Buck Clayton (on 1956-11-10)
vocals:
Billie Holiday (on 1956-11-10)
recorded at:
Billie Holiday at Carnegie Hall (1956-11-11) (late show)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-11-10)
live recording of:
What a Little Moonlight Can Do (on 1956-11-10)
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) and Warner Brothers Music Inc.
32:54
19I Wished on the Moon
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-03)
drums (drum set):
Alvin Stoller (on 1957-01-03)
guitar:
Barney Kessel (on 1957-01-03)
piano:
Jimmy Rowles (on 1957-01-03)
tenor saxophone:
Ben Webster (on 1957-01-03)
trumpet:
Harry “Sweets” Edison (on 1957-01-03)
vocals:
Billie Holiday (on 1957-01-03)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-03)
recording of:
I Wished on the Moon (on 1957-01-03)
lyricist:
Dorothy Parker
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
43:28
20Moonlight in Vermont
producer:
Norman Granz (in 1957-01)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-03)
drums (drum set):
Alvin Stoller (on 1957-01-03)
guitar:
Barney Kessel (on 1957-01-03)
piano:
Jimmy Rowles (on 1957-01-03)
tenor saxophone:
Ben Webster (on 1957-01-03)
trumpet:
Harry “Sweets” Edison (on 1957-01-03)
vocals:
Billie Holiday (on 1957-01-03)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-03)
recording of:
Moonlight in Vermont (on 1957-01-03)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
43:53
21A Foggy Day (stereo)
producer:
Norman Granz
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-03)
drums (drum set):
Alvin Stoller (on 1957-01-03)
electric guitar:
Barney Kessel (on 1957-01-03)
piano:
Jimmy Rowles (on 1957-01-03)
tenor saxophone:
Ben Webster (on 1957-01-03)
trumpet:
Harry “Sweets” Edison (on 1957-01-03)
vocals:
Billie Holiday (on 1957-01-03)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-03)
cover recording of:
A Foggy Day (in London Town) (on 1957-01-03)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
3.54:44
22I Didn’t Know What Time It Was (stereo)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-04)
drums (drum set):
Alvin Stoller (on 1957-01-04)
guitar:
Barney Kessel (on 1957-01-04)
piano:
Jimmy Rowles (on 1957-01-04)
tenor saxophone:
Ben Webster (on 1957-01-04)
trumpet:
Harry “Sweets” Edison (on 1957-01-04)
vocals:
Billie Holiday (on 1957-01-04)
recording of:
I Didn’t Know What Time It Was (Pal Joey) (on 1957-01-04)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
36:02
23Just One of Those Things (take 7 — incomplete)
recording of:
Just One of Those Things (on 1956-01-04)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
10:25
24[studio talk]
10:47
25Just One of Those Things (take 8 — master take) (stereo)
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-04)
drums (drum set):
Alvin Stoller (on 1957-01-04)
guitar:
Barney Kessel (on 1957-01-04)
piano:
Jimmy Rowles (on 1957-01-04)
tenor saxophone:
Ben Webster (on 1957-01-04)
trumpet:
Harry “Sweets” Edison (on 1957-01-04)
vocals:
Billie Holiday (on 1957-01-04)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-04)
recording of:
Just One of Those Things (on 1957-01-04)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
45:32
26[studio talk]
10:29
27Comes Love (take 1 — alternate)
recording of:
Comes Love (on 1956-01-04)
lyricist:
Lew Brown
composer:
Sam H. Stept and Charles Tobias (Tin Pan Alley songwriter)
24:00
28Comes Love (take 2 — false start)
instrumental recording of:
Comes Love (on 1956-01-04)
lyricist:
Lew Brown
composer:
Sam H. Stept and Charles Tobias (Tin Pan Alley songwriter)
10:36
29Comes Love (take 3 — false start)
instrumental recording of:
Comes Love (on 1956-01-04)
lyricist:
Lew Brown
composer:
Sam H. Stept and Charles Tobias (Tin Pan Alley songwriter)
10:23
30Comes Love (take 4 — master take)
producer:
Norman Granz (in 1957-01)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-04)
drums (drum set):
Alvin Stoller (on 1957-01-04)
guitar:
Barney Kessel (on 1957-01-04)
piano:
Jimmy Rowles (on 1957-01-04)
tenor saxophone:
Ben Webster (on 1957-01-04)
trumpet:
Harry “Sweets” Edison (on 1957-01-04)
vocals:
Billie Holiday (on 1957-01-04)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-04)
recording of:
Comes Love (on 1957-01-04)
lyricist:
Lew Brown
composer:
Sam H. Stept and Charles Tobias (Tin Pan Alley songwriter)
44:00
9▶CD: 1957 Los Angeles Studio Sessions
10▶CD: 1957 Newport Jazz Festival / 1958 Seven Ages of Jazz Concert / 1959 New York Studio Sessions With Ray Ellis