In persona: Componisten spelen hun eigen werk

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

A compilation of 10 CD with classical composer playing their own music

Annotation last modified on 2013-02-09 10:31 UTC.

Tracklist

1▶CD
2▶CD
3▶CD
4▶CD
5▶CD
6▼CD
#TitleArtistRatingLength
1Le bestiaire - Le dromadaire - La chèvre du Tibet - La sauterelle - Le dauphin - L'écrevisse - La carpe
producer:
Walter Legge (British classical producer)
piano:
Francis Poulenc (French composer and pianist) (on 1945-12-11)
baritone vocals:
Pierre Bernac (French baritone) (on 1945-12-11)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1945-12-11)
recording of:
Le bestiaire, ou Cortège d'Orphée, FP 15a (on 1945-12-11)
lyricist:
Guillaume Apollinaire (French poet)
composer:
Francis Poulenc (French composer and pianist) (from 1918 until 1919)
part of:
Francis Poulenc’s works (FP) (number: FP 15a)
Poulenc4:47
2Chansons gaillardes - 4. Invocation aux Parques
piano:
Francis Poulenc (French composer and pianist) (on 1936-07-07)
baritone vocals:
Pierre Bernac (French baritone) (on 1936-07-07)
recorded at:
Studio Albert in Paris, Île-de-France, France (on 1936-07-07)
recording of:
Chansons gaillardes, FP 42: 4. Invocation aux Parques (on 1936-07-07)
lyricist:
[anonymous] (special purpose artist)
composer:
Francis Poulenc (French composer and pianist) (from 1925 until 1926)
part of:
Chansons gaillardes, FP 42
Poulenc1:34
3Chansons gaillardes - 7. La belle jeunesse
piano:
Francis Poulenc (French composer and pianist) (on 1936-07-07)
baritone vocals:
Pierre Bernac (French baritone) (on 1936-07-07)
recorded at:
Studio Albert in Paris, Île-de-France, France (on 1936-07-07)
recording of:
Chansons gaillardes, FP 42: 7. La belle jeunesse (on 1936-07-07)
lyricist:
[anonymous] (special purpose artist)
composer:
Francis Poulenc (French composer and pianist) (from 1925 until 1926)
part of:
Chansons gaillardes, FP 42
Poulenc1:27
4Tel jour, telle nuit - 1. Bonne journée
producer:
Walter Legge (British classical producer)
piano:
Francis Poulenc (French composer and pianist) (on 1946-06-26)
baritone vocals:
Pierre Bernac (French baritone) (on 1946-06-26)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1946-06-26)
recording of:
Tel jour telle nuit, FP 86: 1. Bonne journée (on 1946-06-26)
lyricist:
Paul Éluard (French poet)
composer:
Francis Poulenc (French composer and pianist) (from 1936 until 1937)
part of:
Tel jour telle nuit, FP 86
Poulenc2:32
5Tel jour, telle nuit - 2. Une ruine coquille vide
producer:
Walter Legge (British classical producer)
piano:
Francis Poulenc (French composer and pianist) (on 1946-06-26)
baritone vocals:
Pierre Bernac (French baritone) (on 1946-06-26)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1946-06-26)
recording of:
Tel jour telle nuit, FP 86: 2. Une ruine coquille vide (on 1946-06-26)
lyricist:
Paul Éluard (French poet)
composer:
Francis Poulenc (French composer and pianist) (from 1936 until 1937)
part of:
Tel jour telle nuit, FP 86
Poulenc2:00
6Tel jour, telle nuit - 3. Le front comme un drapeau perdu
producer:
Walter Legge (British classical producer)
piano:
Francis Poulenc (French composer and pianist) (on 1946-06-26)
baritone vocals:
Pierre Bernac (French baritone) (on 1946-06-26)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1946-06-26)
recording of:
Tel jour telle nuit, FP 86: 3. Le front comme un drapeau perdu (on 1946-06-26)
lyricist:
Paul Éluard (French poet)
composer:
Francis Poulenc (French composer and pianist) (from 1936 until 1937)
part of:
Tel jour telle nuit, FP 86
Poulenc1:04
7Tel jour, telle nuit - 4. Une roulotte courverte en tuiles
producer:
Walter Legge (British classical producer)
piano:
Francis Poulenc (French composer and pianist) (on 1946-06-26)
baritone vocals:
Pierre Bernac (French baritone) (on 1946-06-26)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1946-06-26)
recording of:
Tel jour telle nuit, FP 86: 4. Une roulotte couverte en tuiles (on 1946-06-26)
lyricist:
Paul Éluard (French poet)
composer:
Francis Poulenc (French composer and pianist) (from 1936 until 1937)
part of:
Tel jour telle nuit, FP 86
Poulenc0:48
8Tel jour, telle nuit - 5. A toutes brides
producer:
Walter Legge (British classical producer)
piano:
Francis Poulenc (French composer and pianist) (on 1946-06-26)
baritone vocals:
Pierre Bernac (French baritone) (on 1946-06-26)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1946-06-26)
recording of:
Tel jour telle nuit, FP 86: 5. À toutes brides (on 1946-06-26)
lyricist:
Paul Éluard (French poet)
composer:
Francis Poulenc (French composer and pianist) (from 1936 until 1937)
part of:
Tel jour telle nuit, FP 86
Poulenc0:39
9Tel jour, telle nuit - 6. Une herbe pauvre
producer:
Walter Legge (British classical producer)
piano:
Francis Poulenc (French composer and pianist) (on 1946-06-26)
baritone vocals:
Pierre Bernac (French baritone) (on 1946-06-26)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1946-06-26)
recording of:
Tel jour telle nuit, FP 86: 6. Une herbe pauvre (on 1946-06-26)
lyricist:
Paul Éluard (French poet)
composer:
Francis Poulenc (French composer and pianist) (from 1936 until 1937)
part of:
Tel jour telle nuit, FP 86
Poulenc1:31
10Tel jour, telle nuit - 7. Je nái envie que de t'aimer
producer:
Walter Legge (British classical producer)
piano:
Francis Poulenc (French composer and pianist) (on 1946-06-26)
baritone vocals:
Pierre Bernac (French baritone) (on 1946-06-26)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1946-06-26)
recording of:
Tel jour telle nuit, FP 86: 7. Je n'ai envie que de t'aimer (on 1946-06-26)
lyricist:
Paul Éluard (French poet)
composer:
Francis Poulenc (French composer and pianist) (from 1936 until 1937)
part of:
Tel jour telle nuit, FP 86
Poulenc0:42
11Tel jour, telle nuit - 8. Figure de force brûlante et farouche
producer:
Walter Legge (British classical producer)
piano:
Francis Poulenc (French composer and pianist) (on 1946-06-26)
baritone vocals:
Pierre Bernac (French baritone) (on 1946-06-26)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1946-06-26)
recording of:
Tel jour telle nuit, FP 86: 8. Figure de force brûlante et farouche (on 1946-06-26)
lyricist:
Paul Éluard (French poet)
composer:
Francis Poulenc (French composer and pianist) (from 1936 until 1937)
part of:
Tel jour telle nuit, FP 86
Poulenc1:09
12Tel jour, telle nuit - 9. Nous avons fait la nuit
producer:
Walter Legge (British classical producer)
piano:
Francis Poulenc (French composer and pianist) (on 1946-06-26)
baritone vocals:
Pierre Bernac (French baritone) (on 1946-06-26)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1946-06-26)
recording of:
Tel jour telle nuit, FP 86: 9. Nous avons fait la nuit (on 1946-06-26)
lyricist:
Paul Éluard (French poet)
composer:
Francis Poulenc (French composer and pianist) (from 1936 until 1937)
part of:
Tel jour telle nuit, FP 86
Poulenc2:56
13Deux poèmes de Guillaume Apollinaire - 1. Dans la jardin d'Anna
producer:
Walter Legge (British classical producer)
piano:
Francis Poulenc (French composer and pianist) (on 1946-07-02)
baritone vocals:
Pierre Bernac (French baritone) (on 1946-07-02)
balance engineer:
William Dickson (sound engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1946-07-02)
recording of:
Deux poèmes de Guillaume Apollinaire, FP 94: 1. Dans le jardin d'Anna (on 1946-07-02)
lyricist:
Guillaume Apollinaire (French poet)
composer:
Francis Poulenc (French composer and pianist) (in 1938)
part of:
Deux poèmes de Guillaume Apollinaire, FP 94
Poulenc3:03
14Métamorphoses - 1. Reine des mouettes
producer:
Walter Legge (British classical producer)
piano:
Francis Poulenc (French composer and pianist) (on 1945-12-11)
baritone vocals:
Pierre Bernac (French baritone) (on 1945-12-11)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1945-12-11)
recording of:
Métamorphoses, FP 121: 1. Reine des mouettes (on 1945-12-11)
lyricist:
Louise de Vilmorin
composer:
Francis Poulenc (French composer and pianist) (in 1943)
part of:
Métamorphoses, FP 121
Poulenc0:56
15Métamorphoses - 2. Cést ainsi que tu es
producer:
Walter Legge (British classical producer)
piano:
Francis Poulenc (French composer and pianist) (on 1945-12-11)
baritone vocals:
Pierre Bernac (French baritone) (on 1945-12-11)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1945-12-11)
recording of:
Métamorphoses, FP 121: 2. C'est ainsi que tu es (on 1945-12-11)
lyricist:
Louise de Vilmorin
composer:
Francis Poulenc (French composer and pianist) (in 1943)
part of:
Métamorphoses, FP 121
Poulenc2:04
16Métamorphoses - 3. Paganini
producer:
Walter Legge (British classical producer)
piano:
Francis Poulenc (French composer and pianist) (on 1945-12-11)
baritone vocals:
Pierre Bernac (French baritone) (on 1945-12-11)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1945-12-11)
recording of:
Métamorphoses, FP 121: 3. Paganini (on 1945-12-11)
lyricist:
Louise de Vilmorin
composer:
Francis Poulenc (French composer and pianist) (in 1943)
part of:
Métamorphoses, FP 121
Poulenc1:01
17Deux poèmes de Louis Aragon - 1. 'C'
producer:
Walter Legge (British classical producer)
piano:
Francis Poulenc (French composer and pianist) (on 1945-12-11)
baritone vocals:
Pierre Bernac (French baritone) (on 1945-12-11)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1945-12-11)
recording of:
Deux poèmes de Louis Aragon, FP 122: Nº1. C (on 1945-12-11)
lyricist:
Louis Aragon (French poet)
composer:
Francis Poulenc (French composer and pianist) (in 1943)
part of:
Deux poèmes de Louis Aragon, FP 122
Poulenc3:06
18Deux poèmes de Louis Aragon - 2. Fêtes galantes
producer:
Walter Legge (British classical producer)
piano:
Francis Poulenc (French composer and pianist) (on 1945-12-11)
baritone vocals:
Pierre Bernac (French baritone) (on 1945-12-11)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1945-12-11)
recording of:
Deux poèmes de Louis Aragon, FP 122: Nº2. Fêtes galantes (on 1945-12-11)
lyricist:
Louis Aragon (French poet)
composer:
Francis Poulenc (French composer and pianist) (in 1943)
part of:
Deux poèmes de Louis Aragon, FP 122
Poulenc1:04
19Deux poèmes de Guillaume Apollinaire - 1. Montparnasse
producer:
Walter Legge (British classical producer)
piano:
Francis Poulenc (French composer and pianist) (on 1945-12-11)
baritone vocals:
Pierre Bernac (French baritone) (on 1945-12-11)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1945-12-11)
recording of:
Deux mélodies de Guillaume Apollinaire, FP 127: 1. Montparnasse (on 1945-12-11)
lyricist:
Guillaume Apollinaire (French poet)
composer:
Francis Poulenc (French composer and pianist) (from 1941 until 1945)
part of:
Deux mélodies de Guillaume Apollinaire, FP 127
Poulenc3:46
20Seven Sonnets of Michelangelo op.22 - 1. Sì come nella penna
producer:
Walter Legge (British classical producer)
piano:
Benjamin Britten (English composer, conductor, and pianist) (on 1942-11-20)
tenor vocals:
Peter Pears (tenor) (in 1941, on 1942-11-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1942-11-20)
recording of:
Seven Sonnets of Michelangelo, op. 22: 1. Sonetto XVI: Si come nella penna e nell'inchiostro (on 1942-11-20)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
Britten2:04
21Seven Sonnets of Michelangelo op.22 - 2. A che più debb'io mai
producer:
Walter Legge (British classical producer)
piano:
Benjamin Britten (English composer, conductor, and pianist) (on 1942-11-20)
tenor vocals:
Peter Pears (tenor) (on 1942-11-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1942-11-20)
recording of:
Seven Sonnets of Michelangelo, op. 22: 2. Sonetto XXXI: A che piu debb'io mai l'intensa voglia (on 1942-11-20)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
Britten1:21
22Seven Sonnets of Michelangelo op.22 - 3. Veggio co' bei vostri occhi
producer:
Walter Legge (British classical producer)
piano:
Benjamin Britten (English composer, conductor, and pianist) (on 1942-11-20)
tenor vocals:
Peter Pears (tenor) (on 1942-11-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1942-11-20)
recording of:
Seven Sonnets of Michelangelo, op. 22: 3. Sonetto XXX: Veggio co' be' vostri occhi un dolce lume (on 1942-11-20)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
Britten3:11
23Seven Sonnets of Michelangelo op.22 - 4. Tu sa' ch'io so
producer:
Walter Legge (British classical producer)
piano:
Benjamin Britten (English composer, conductor, and pianist) (on 1942-11-20)
tenor vocals:
Peter Pears (tenor) (on 1942-11-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1942-11-20)
recording of:
Seven Sonnets of Michelangelo, op. 22: 4. Sonetto LV: Tu sa' ch'io so, signior mie, che tu sai (on 1942-11-20)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
Britten1:47
24Seven Sonnets of Michelangelo op.22 - 5. Rendeta a gli occhi miei
producer:
Walter Legge (British classical producer)
piano:
Benjamin Britten (English composer, conductor, and pianist) (on 1942-11-20)
tenor vocals:
Peter Pears (tenor) (on 1942-11-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1942-11-20)
recording of:
Seven Sonnets of Michelangelo, op. 22: 5. Sonetto XXXVIII: Rendete a gli occhi miei, o fonte o fiume (on 1942-11-20)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
Britten1:51
25Seven Sonnets of Michelangelo op.22 - 6. S'un casto amor
producer:
Walter Legge (British classical producer)
piano:
Benjamin Britten (English composer, conductor, and pianist) (on 1942-11-20)
tenor vocals:
Peter Pears (tenor) (on 1942-11-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1942-11-20)
recording of:
Seven Sonnets of Michelangelo, op. 22: 6. Sonetto XXXII: S'un casto amor, s'una pieta superna (on 1942-11-20)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
Britten1:16
26Seven Sonnets of Michelangelo op.22 - 7. Spirto ben nato
producer:
Walter Legge (British classical producer)
piano:
Benjamin Britten (English composer, conductor, and pianist) (on 1942-11-20)
tenor vocals:
Peter Pears (tenor) (on 1942-11-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1942-11-20)
recording of:
Seven Sonnets of Michelangelo, op. 22: 7. Sonetto XXIV: Spirto ben nato, in cui si specchia e vede (on 1942-11-20)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
Britten4:47
27Holy Sonnets of John Donne op.35 - 1. Oh my blacke soule
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: Oh my blacke Soule! (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Britten3:20
28Holy Sonnets of John Donne op.35 - 2. Batter my heart
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: Batter my heart (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Britten1:14
29Holy Sonnets of John Donne op.35 - 3. O might sole sighes and tears
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: Oh might those sighes and teares (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Britten3:04
30Holy Sonnets of John Donne op.35 - 4. Oh, to vex me
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: Oh, to vex me (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Britten1:05
31Holy Sonnets of John Donne op.35 - 5. What if this present
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: What if this present (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Britten2:57
32Holy Sonnets of John Donne op.35 - 6. Since she whom I loved
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: Since she whom I loved (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Britten3:49
33Holy Sonnets of John Donne op.35 - 7. At the round earth's imagined corners
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: At the round earth's imagin'd corners (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Britten2:47
34Holy Sonnets of John Donne op.35 - 8. Thou hast made me
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: Thou hast made me (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Britten1:25
35Holy Sonnets of John Donne op.35 - 9. Death, be not proud
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: Death be not proud (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Britten4:09
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