Handel: The Great Oratorios

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Tracklist

1CD: La Resurrezione - Parte prima
2CD: La Resurrezione - Parte seconda
3CD: Acis & Galatea - Act I
4CD: Acis & Galatea - Act II
5CD: Esther - Scenes 1-4
6CD: Esther - Scenes 5 & 6
7CD: Athalia - Part I
8CD: Athalia - Part II, Part III
9CD: Alexander's Feast - Part I
10CD: Alexander's Feast - Concerto grosso in C major, Part II
11CD: Saul - Symfonia, Act I
12CD: Saul - Act II
13CD: Saul - Act III
14CD: Israel in Egypt - Part I
15CD: Israel in Egypt - Part II / Coronation Anthems
16CD: Messiah - Part I, Part II (beginning)
17CD: Messiah - Part II (conclusion), Part III
18CD: Samson - Act I
19CD: Samson - Act II
20CD: Samson - Act III
#TitleRatingLength
1Samson, HWV 57: Act Three, Scene 1. Recitative: "More trouble is behind: for Harapha" (Micah, Samson, Harapha)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
alto vocals [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
bass vocals [Harapha]:
Jonathan Best (operatic bass) (in 2002)
tenor vocals [Samson]:
Thomas Randle (tenor) (in 2002)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Recitative: More trouble is behind (Micah/Samson/Harapha) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
1:24
2Samson, HWV 57: Act Three, Scene 1. No. 39 Air: "Presuming slave, to move their wrath" (Harapha)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
bass vocals [Harapha]:
Jonathan Best (operatic bass) (in 2002)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Air: Presuming slave, to move their wrath! (Harapha) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
3:01
3Samson, HWV 57: Act Three, Scene 1. Recitative: "Reflect then, Samson" (Micah, Samson)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
alto vocals [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
tenor vocals [Samson]:
Thomas Randle (tenor) (in 2002)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Recitative: Reflect then, Samson (Micah/Samson) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
0:51
4Samson, HWV 57: Act Three, Scene 1. No. 40 Chorus of Israelites: "With thunder arm'd great God, arise!"
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
choir vocals:
The Sixteen (UK choir) (in 2002)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Chorus: With thunder arm'd, great God, arise! (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
2:55
5Samson, HWV 57: Act Three, Scene 1. Recitative: "Be of good courage" (Samson, Micah, Harapha)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
alto vocals [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
bass vocals [Harapha]:
Jonathan Best (operatic bass) (in 2002)
tenor vocals [Samson]:
Thomas Randle (tenor) (in 2002)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Accompagnato: Then shall I make Jehovah's glory known! (Samson) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
recording of:
Samson, HWV 57: Act III. Recitative: Be of good courage (Samson/Micah/Harapha) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
2:24
6Samson, HWV 57: Act Three, Scene 1. No. 42 Air: "Thus when the sun from's wat'ry bed" (Samson)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
tenor vocals [Samson]:
Thomas Randle (tenor) (in 2002)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Air: Thus when the sun from's wat'ry bed (Samson) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
3:54
7Samson, HWV 57: Act Three, Scene 1. No. 43 Accompagnato: "With might endued above the sons of men" (Micah)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
alto vocals [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Accompagnato: With might endu'd above the sons of men (Micah) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
0:26
8Samson, HWV 57: Act Three, Scene 1. No. 44 Air: "The Holy One of Israel by thy guide" (Micah)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
alto vocals [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Air & Chorus: The Holy One of Israel be thy guide (Micah) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
2:23
9Samson, HWV 57: Act Three, Scene 2. Recitative: "Old Manoa" (Micah, Manoa)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
alto vocals [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
bass vocals [Manoa]:
Michael George (operatic bass) (in 2002)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Recitative: Old Manoa, with youthful steps (Mica/Manoah) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
0:26
10Samson, HWV 57: Act Three, Scene 2. No. 46 Air & Chorus of Philistines: "Great Dagon has subdued our foe" (Philistine man)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
choir vocals:
The Sixteen (UK choir) (in 2002)
tenor vocals [Philistine man]:
Mark Padmore (British tenor) (in 2002)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Air & Chorus: Great Dagon has subdu'd our foe (Philistine man) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
4:29
11Samson, HWV 57: Act Three, Scene 2. Recitative: "What noise of joy was that?" (Manoa, Micah)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
alto vocals [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
bass vocals [Manoa]:
Michael George (operatic bass) (in 2002)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Recitative: What noise of joy was that? (Manoah/Micah) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
0:48
12Samson, HWV 57: Act Three, Scene 2. No. 48 Air: "How willing my paternal love" (Manoa)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
bass vocals [Manoa]:
Michael George (operatic bass) (in 2002)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Air: How willing my paternal love (Manoah) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
3:37
13Samson, HWV 57: Act Three, Scene 2. Recitative: "Your hopes of his deliv'ry seem not vain" (Micah, Manoa) / Act Three, Scene 2. No. 49 Symphony / Act Three, Scene 2. No. 50 Chorus of Philistines: "Hear us, our God, oh hear our cry!"
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
alto vocals [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
bass vocals [Manoa]:
Michael George (operatic bass) (in 2002)
choir vocals:
The Sixteen (UK choir) (in 2002)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Chorus: Hear us, our God! Oh, hear our cry! (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
recording of:
Samson, HWV 57: Act III. Recitative: Your hopes of his deliv'ry seem not vain (Micah/Manoah) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
1:57
14Samson, HWV 57: Act Three, Scene 2. Recitative: "Noise call you this?" (Micah, Manoa)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
alto vocals [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
bass vocals [Manoa]:
Michael George (operatic bass) (in 2002)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Recitative: Noise call you this? (Micah/Manoah) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
0:41
15Samson, HWV 57: Act Three, Scene 3. Recitative: "Where shall I run?" (Messenger, Micah, Manoa)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
alto vocals [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
bass vocals [Manoa]:
Michael George (operatic bass) (in 2002)
tenor vocals [Messenger]:
Matthew Vine (tenor) (in 2002)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Recitative: Where shall I run (Messenger/Micah/Manoah) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
3:49
16Samson, HWV 57: Act Three, Scene 3. No. 51 Air: "Ye sons of Israel, now lament" (Micah) / Act Three, Scene 3. No. 52 Chorus of Israelites: "Weep, Israel, weep a louder strain"
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
alto vocals [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
choir vocals:
The Sixteen (UK choir) (in 2002)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Air & Chorus: Ye sons of Israel, now lament (Micah) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
3:21
17Samson, HWV 57: Act Three, Scene 3. Recitative: "Proceed we hence" (Manoa)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
bass vocals [Manoa]:
Michael George (operatic bass) (in 2002)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Recitative: Proceed we hence to find his body (Manoah) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
0:47
18Samson, HWV 57: Act Three, Scene 3. No. 53 Dead March
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Symphony: Dead March (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
3:06
19Samson, HWV 57: Act Three, Scene 3. Recitative: "The body comes" (Micah, Manoa)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
alto vocals [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
bass vocals [Manoa]:
Michael George (operatic bass) (in 2002)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Recitative: The body comes (Micah/Manoah) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
1:11
20Samson, HWV 57: Act Three, Scene 3. No. 54 Soli and Chorus of Israelites: "Glorious hero, may thy grave" (Manoa, Israelite woman)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
bass vocals [Manoa]:
Michael George (operatic bass) (in 2002)
choir vocals:
The Sixteen (UK choir) (in 2002)
soprano vocals [Israelite woman]:
Lynne Dawson (soprano) (in 2002)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Air & Chorus: Glorious hero, may thy grave (Manoah) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
recording of:
Samson, HWV 57: Act III. Solo & Chorus: The virgins too shall on their feastful days (Israelite woman/Virgins) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
5:12
21Samson, HWV 57: Act Three, Scene 3. Recitative: "Come, come!" (Manoa, Micah)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
alto vocals [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
bass vocals [Manoa]:
Michael George (operatic bass) (in 2002)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Recitative: Come, come! (Manoah/Micah) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
1:02
22Samson, HWV 57: Act Three, Scene 3. No. 55 Air: "Let the bright Seraphim in burning row" (Israelite woman) / Act Three, Scene 3. Chorus of Israelites: "Let their celestial concerts all unite"
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
choir vocals:
The Sixteen (UK choir) (in 2002)
soprano vocals [Israelite woman]:
Lynne Dawson (soprano) (in 2002)
orchestra:
The Symphony of Harmony and Invention (in 2002)
conductor:
Harry Christophers (conductor) (in 2002)
phonographic copyright (℗) by:
The Sixteen Productions Ltd. (in 2002)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2002)
recording of:
Samson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman) (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
recording of:
Samson, HWV 57: Act III. Chorus: Let their celestial concerts all unite (in 2002)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
6:26
21CD: Semele - Act I
22CD: Semele - Act II
23CD: Semele - Act III
24CD: Hercules - Act I
25CD: Hercules - Act II
26CD: Hercules - Act III
27CD: Belshazzar - Act I (beginning)
28CD: Belshazzar - Act I (conclusion), Act II (beginning)
29CD: Belshazzar - Act II (conclusion), Act III
30CD: Judas Maccabaeus - Act I
31CD: Judas Maccabaeus - Act II
32CD: Judas Maccabaeus - Act III
33CD: Solomon - Act I
34CD: Solomon - Act II
35CD: Solomon - Act III
36CD: Theodora - Part I
37CD: Theodora - Part II (& alternative scene 2)
38CD: Theodora - Part III
39CD: Jephtha - Act I
40CD: Jephtha - Act II
41CD: Jephtha - Act III

Credits

Release

discography entry:https://www.deccaclassics.com/en/cat/4830142 [info] (ended)
https://www.deccaclassics.com/en/catalogue/products/handel-great-oratorios-5848 [info]