A224 Inside Music (part 2, Mozart and DVD)

~ Release by The Open University (see all versions of this release, 1 available)

Tracklist

9CD: units 15 & 16
#TitleArtistRatingLength
1L’Arlésienne, Suite no. 1: IV. Carillon (extract)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
partial recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet1:27
2Down Under
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Ron Strykert
keyboard and woodwind:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 21) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
lyricist:
Colin Hay
composer:
Colin Hay and Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Men at Work3.953:45
3Down Under (extract)
partial recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
lyricist:
Colin Hay
composer:
Colin Hay and Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Men at Work0:22
4You Really Got Me
producer:
Shel Talmy (in 1964-07)
additional piano:
Perry Ford (English pop singer) (in 1964-07)
bass guitar:
Pete Quaife (Kinks' bass guitarist) (in 1964-07)
drums (drum set):
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (in 1964-07)
guitar:
Harry Fryer (in 1964-07)
guitar [lead guitar]:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (in 1964-07)
guitar [rhythm guitar], harmonica, keyboard and lead vocals:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1964-07)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1964)
miscellaneous support:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (task: Courtesy of / c/o Celebrity Licensing, Inc.)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1964-07)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 20), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 162) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 176)
recording of:
You Really Got Me (in 1964-07)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. and Jay Boy
The Kinks4.252:15
5Dido and Aeneas, Act 2: ‘Oft she visits this lone mountain’
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle (in 1994-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:25
6An Eye for Optical Theory
performer:
Michael Nyman Band
recording of:
An Eye for Optical Theory
composer:
Michael Nyman (composer) (in 1982)
publisher:
Première Music Group (in 1982)
is based on:
Ground in C minor, ZD. 221
Michael Nyman4:29
7An Eye for Optical Theory (extract)
performer:
Michael Nyman Band
partial recording of:
An Eye for Optical Theory
composer:
Michael Nyman (composer) (in 1982)
publisher:
Première Music Group (in 1982)
is based on:
Ground in C minor, ZD. 221
Michael Nyman0:17
8Suite No. 3 in C minor: I. (extract)
harpsichord:
Trevor Pinnock (conductor / harpsichord)
William Croft3:05
9Yesnaby Ground
recording of:
Yesnaby Ground, op. 89 no. 2
composer:
Sir Peter Maxwell Davies (English composer and conductor) (in 1980)
part of:
Works of Peter Maxwell Davies by opus number (number: op. 89 no. 2)
Sir Peter Maxwell Davies1:59
10Barren Grounds: I. (extract)
partial recording of:
Barren Grounds: I.
composer:
Andrew Schultz (Australian composer) (in 1988)
part of:
Barren Grounds
Andrew Schultz0:25
11Barren Grounds: I.
recording of:
Barren Grounds: I.
composer:
Andrew Schultz (Australian composer) (in 1988)
part of:
Barren Grounds
Andrew Schultz8:00
12Under African Skies
assistant engineer:
Mark Cobrin and Steven Strassman
engineer:
Roy Halee
producer:
Paul Simon (of Simon & Garfunkel)
bass guitar:
Bakithi Kumalo
drums (drum set):
Isaac Mtshali
guitar:
Adrian Belew, Chikapa “Ray” Phiri and Paul Simon (of Simon & Garfunkel)
percussion:
Ralph MacDonald
vocals:
Linda Ronstadt and Paul Simon (of Simon & Garfunkel)
additional arranger:
Chikapa “Ray” Phiri
recorded at:
Amigo Studios in North Hollywood, Los Angeles, California, United States and The Hit Factory in Manhattan, New York, New York, United States (from 1985-05 until 1986-04)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (in 1986)
recording of:
Under African Skies
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music (in 1986)
Paul Simon4.153:38
13The Four Seasons, Autumn: III.
violin:
Nigel Kennedy (violinist)
orchestra:
English Chamber Orchestra
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:15
14Violin Concerto in A minor, BWV 1041: I.
producer:
Nicholas Parker (classical violinist, producer, engineer)
violin:
Elizabeth Wallfisch (violinist) (from 1990-08 until 1991-06)
orchestra:
Orchestra of the Age of Enlightenment (from 1990-08 until 1991-06)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-08 until 1991-06)
recorded at:
St Michael’s Church (Highgate) in Highgate, Camden (London Borough of Camden), Haringey, Islington, London (Greater London), England, United Kingdom (from 1990-08 until 1991-06)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro (from 1990-08 until 1991-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach3:50
15Keyboard Sonata in E-flat major, op. 5 no. 4: Rondo
fortepiano:
Harald Hoeren (harpsichordist)
Johann Christian Bach3:13
16Till Eulenspiegel
producer:
Howard H. Scott (classical music producer)
orchestra:
The Cleveland Orchestra (on 1957-03-29)
conductor:
George Szell (conductor, pianist, composer) (on 1957-03-29)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (on 1957-03-29)
recording of:
Till Eulenspiegels lustige Streiche (Till Eulenspiegel’s Merry Pranks, op. 28; TrV 171) (on 1957-03-29)
composer:
Richard Strauss (German composer) (from 1894 until 1895)
part of:
Works of Richard Strauss by opus number (number: op. 28) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 171)
Richard Strauss14:20
17Wiegenlied D. 498, op. 98 no. 2
engineer and producer:
Gary Cole (classical producer / engineer, founder of Regent Records)
piano:
Peter Hill (pianist) (from 1994-11-07 until 1994-11-09)
soprano vocals:
Lynda Russell (soprano) (from 1994-11-07 until 1994-11-09)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1994-11-07 until 1994-11-09)
recording of:
Wiegenlied, D. 498 (from 1994-11-07 until 1994-11-09)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Franz Schubert (composer) (in 1816-11)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 498)
Franz Schubert2:30
18Back For Good (extract)
partial recording of:
Back for Good
lyricist and composer:
Gary Barlow
publisher:
EMI Virgin Music Australia Pty Ltd and EMI Virgin Music Ltd. (do not use this as a release label!)
Take That1:00
19Bad Day (extract)
Daniel Powter0:36
20‘Ellens Dritter Gesang’, D. 839, op. 52, no. 6: "Ave Maria" (extract)
piano:
Dalton Baldwin (American pianist)
soprano vocals:
Elly Ameling (soprano)
partial recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Jairo (Argentinean singer) and Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Franz Schubert1:04
21Wiegenlied, D. 867, op. 105 no. 2 (extract)
piano:
Graham Johnson (pianist)
soprano vocals:
Christine Schäfer (soprano)
partial recording of:
Wiegenlied, D. 867
lyricist:
Johann Gabriel Seidl (Austrian archeologist, poet, storyteller and dramatist)
composer:
Franz Schubert (composer) (in 1826)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 867)
Franz Schubert1:08
22Ständchen, D. 957, no. 4 (extract)
piano:
Antonio Pappano (conductor and pianist)
tenor vocals:
Ian Bostridge (tenor)
partial recording of:
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (for voice and piano)
lyricist:
Ludwig Rellstab
composer:
Franz Schubert (composer) (in 1828)
part of:
Schwanengesang, D. 957
Franz Schubert0:46
23Upside Down (extract)
partial recording of:
Upside Down
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC, Tommy Jymi Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross0:40
24My Baby Just Cares For Me (extract)Nina Simone1:19
10CD: units 17 & 18
11CD: units 19 & 20
12CD: Unit 21
14CD: Mozart