Les grands airs de ténor

~ Release by José Carreras, Plácido Domingo, Luciano Pavarotti (see all versions of this release, 2 available)

Annotation

Copyright: ℗ 1998 Deutsche Grammophon GmbH, Berlin

Annotation last modified on 2024-08-31 10:36 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1La traviata / Act 2: "Lunge da lei" - "De' miei bollenti spiriti"
recording engineer:
Wolfgang Mitlehner
executive producer:
Pål Christian Moe
producer:
Wolfgang Stengel
tenor vocals [Alfredo Germont]:
Luciano Pavarotti (tenor) (in 1991-06)
orchestra:
Metropolitan Opera Orchestra (in 1991-06)
conductor:
James Levine (US conductor and pianist) (in 1991-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1991-06)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi3:24
2La bohème, Act I: Che gelida manina - Live
tenor vocals [Rodolfo]:
Jerry Hadley (operatic tenor) (from 1987-05 until 1987-06, on 1987-06-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1987-05 until 1987-06, on 1987-06-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1987-05 until 1987-06, on 1987-06-07)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1988)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (from 1987-05 until 1987-06, on 1987-06-07)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (from 1987-05 until 1987-06)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
live recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (on 1987-06-07)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (on 1987-06-07)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:15
3Tosca, Act III: E lucevan le stelle
producer:
Michel Glotz
tenor vocals [Cavaradossi]:
José Carreras (Spanish tenor) (from 1979-09-10 until 1979-11-25)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1979-09-10 until 1979-11-25)
conductor:
Herbert von Karajan (conductor) (from 1979-09-10 until 1979-11-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1979-09-10 until 1979-11-25)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-09-10 until 1979-11-25)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1979-09-10 until 1979-11-25)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:24
4Turandot, Act III: Nessun dorma!
producer:
Michel Glotz
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1981-05-11 until 1981-05-18)
tenor vocals [Calaf]:
Plácido Domingo (tenor) (from 1981-05-11 until 1981-05-18)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1981-05-11 until 1981-05-18)
conductor:
Herbert von Karajan (conductor) (from 1981-05-11 until 1981-05-18)
balance engineer:
Günter Hermanns (producer/engineer) (from 1981-05-11 until 1981-05-18)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1981-05-11 until 1981-05-18)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1981-05-11 until 1981-05-18)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:23
5L'elisir d'amore / Act II: "Una furtiva lagrima"
co-producer:
Claudia Hamann
producer:
Cord Garben (pianist and conductor)
editor:
Jürgen Bulgrin (sound engineer) (in 1989-09)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (in 1989-09)
orchestra:
Metropolitan Opera Orchestra (in 1989-09)
conductor:
James Levine (US conductor and pianist) (in 1989-09)
balance engineer:
Wolfgang Mitlehner
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-09)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:11
6Carmen, Act II: La fleur que tu m'avais jetée "Flower Song"
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
tenor vocals [Don José]:
José Carreras (Spanish tenor) (in 1982-09, from 1982-09 until 1983-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1982-09, from 1982-09 until 1983-03, from 1982-09 until 1983-04)
conductor:
Herbert von Karajan (conductor) (in 1982-09, from 1982-09 until 1983-03, from 1982-09 until 1983-04, in 1983)
balance engineer:
Günter Hermanns (producer/engineer) (from 1982-09 until 1983-03)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1982-09 until 1983-03)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (in 1982-09)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:19
7Lohengrin / Act 3: "In fernem Land, unnahbar euren Schritten"
tenor vocals:
Jess Thomas (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Walter Born (conductor)
recording of:
Excerpt from Lohengrin, WWV 75: Akt III, Scene III. “In fernem Land, unnahbar euren Schritten” (Gralserzählung)
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III, Scene III. “Heil, König Heinrich!”
Richard Wagner4:51
8Die Entführung aus dem Serail, K. 384 / Act II: "Wenn der Freude Tränen fließen"
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1965-12)
conductor:
Eugen Jochum (conductor) (in 1965-12)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte) (in 1965-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart4:16
9Die Zauberflöte, K. 620 / Erster Aufzug: "Dies Bildnis ist bezaubernd schön"
producer:
Wolfgang Lohse
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (Austrian conductor) (from 1965-10-31 until 1965-11-03)
performer:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:38
10Rigoletto / Act 3: "La donna è mobile" - "E là il vostr'uomo" (Duca / Sparafucile, Rigoletto)
baritone vocals [Rigoletto]:
Dietrich Fischer‐Dieskau (baritone) (in 1967-07)
bass vocals [Sparafucile]:
Ivo Vinco (operatic bass) (in 1967-07)
tenor vocals [Duca]:
Carlo Bergonzi (tenor) (in 1967-07)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1964-07)
conductor:
Rafael Kubelík (conductor) (in 1964-07)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1964-07)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi3:03
11La Damnation de Faust, Op. 24 / Part 4: Scène 16. Invocation à la Nature. "Nature immense"
tenor vocals and tenor vocals [Faust]:
Stuart Burrows (tenor)
orchestra:
Boston Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
La Damnation de Faust : Quatrième Partie, scène 16. Invocation à la Nature « Nature immense, impénetrable et fière » (Faust)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
Georges Bizet4:04
12Aida, Act I: Se quel guerrier io fossi! - Celeste Aida
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer (artistic director)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:33
13Pagliacci, Act I: Recitar! – Vesti la giubba
producer:
Hans Weber (producer/engineer)
tenor vocals [Canio (Pagliaccio)]:
Carlo Bergonzi (tenor) (from 1965-09 until 1965-10)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (from 1965-09 until 1965-10)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo4:06
14Eugene Onegin, op. 24, TH 5 / Act 2: "Kuda, kuda, kuda vi udalilis"
tenor vocals:
Neil Shicoff (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
James Levine (US conductor and pianist)
recording of:
Евгений Онегин, op. 24: Действие II, картина 2, no. 17. Интродукция и сцена "Ну, что же" (Introduction and Scene "Nu, chto zhe")
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Евгений Онегин, op. 24: Действие второе (Eugene Onegin, op. 24: Act II)
Пётр Ильич Чайковский6:43