Cantatas, Vol. 21

~ Release by J.S. Bach; Amsterdam Baroque Orchestra & Choir, Ton Koopman (see all versions of this release, 1 available)

Tracklist

1CD
2CD
3CD
#TitleArtistRatingLength
1Cantata "Gott ist unsre Zuversicht" BWV 197: I. Chorus: "Gott ist unsre Zuvcrsicht" 2
choir vocals:
Amsterdam Baroque Choir (from 2003-02-23 until 2003-02-24)
orchestra:
Amsterdam Baroque Orchestra (from 2003-02-23 until 2003-02-24)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-02-23 until 2003-02-24)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-02-23 until 2003-02-24)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": I. Coro "Gott ist unsre Zuversicht" (from 2003-02-23 until 2003-02-24)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach5:22
2Cantata "Gott ist unsre Zuversicht" BWV 197: II. Recitative (Bass): "Gott ist und bleibt der beste Sorger" 3
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-09-25 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-10-03)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": II. Recitativo (Bass) "Gott ist und bleibt der beste Sorger" (from 2002-09-25 until 2002-10-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach1:12
3Cantata "Gott ist unsre Zuversicht" BWV 197: III. Aria (Alto): "Schlafert alien Sorgenkummer" 4
alto vocals:
Bogna Bartosz (from 2002-09-25 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-10-03)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": III. Aria (Alt) "Schläfert allen Sorgenkummer" (from 2002-09-25 until 2002-10-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach5:21
4Cantata "Gott ist unsre Zuversicht" BWV 197: IV. Recitative (Bass): "Drum folget Gott und seinem Triebe" 5
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-09-25 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-10-03)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": IV. Recitativo (Bass) "Drum folget Gott und seinem Triebe" (from 2002-09-25 until 2002-10-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach0:43
5Cantata "Gott ist unsre Zuversicht" BWV 197: V. Chorale: "Du süße Lieb, schenk uns deine Gunst"
choir vocals:
Amsterdam Baroque Choir (from 2003-02-23 until 2003-02-24)
orchestra:
Amsterdam Baroque Orchestra (from 2003-02-23 until 2003-02-24)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-02-23 until 2003-02-24)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-02-23 until 2003-02-24)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": V. Choral "Du süße Lieb, schenk uns deine Gunst" (from 2003-02-23 until 2003-02-24)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 255)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach0:53
6Cantata "Gott ist unsre Zuversicht" BWV 197: VI. Aria (Bass): "O du angenehmes Paar" 7
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-09-25 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-10-03)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VI. Aria (Bass) "O du angenehmes Paar" (from 2002-09-25 until 2002-10-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach5:52
7Cantata "Gott ist unsre Zuversicht" BWV 197: VII. Recitative (Soprano): "So wie es Gott mit dir" 8
soprano vocals:
Sandrine Piau (soprano) (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VII. Recitativo (Sopran) "So wie es Gott mit dir" (from 2002-05-09 until 2002-05-14)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach1:20
8Cantata "Gott ist unsre Zuversicht" BWV 197: VIII. Aria (Soprano): "Vergniigen und Lust, Gedeihen und Heil" 9
soprano vocals:
Sandrine Piau (soprano) (from 2002-09-25 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-10-03)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VIII. Aria (Sopran) "Vergnügen und Lust" (from 2002-09-25 until 2002-10-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach3:35
9Cantata "Gott ist unsre Zuversicht" BWV 197: IX. Recitative (Bass): "Vnd"dieser frohe Lebenslauf" 1
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2003-02-23 until 2003-02-24)
orchestra:
Amsterdam Baroque Orchestra (from 2003-02-23 until 2003-02-24)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-02-23 until 2003-02-24)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-02-23 until 2003-02-24)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": IX. Recitativo (Bass) "Und dieser frohe Lebenslauf" (from 2003-02-23 until 2003-02-24)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach0:43
10Cantata "Gott ist unsre Zuversicht" BWV 197: X. Chorale: "So wandelt froh auf Gottes Wegen"
choir vocals:
Amsterdam Baroque Choir (from 2003-02-23 until 2003-02-24)
orchestra:
Amsterdam Baroque Orchestra (from 2003-02-23 until 2003-02-24)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-02-23 until 2003-02-24)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-02-23 until 2003-02-24)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": X. Choral "So wandelt froh auf Gottes Wegen" (from 2003-02-23 until 2003-02-24)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
Georg Neumark (German hymn writer) (in 1657)
part of:
Breitkopf 389 Choralgesänge (number: 370)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach0:51
11Cantata "In allen meinen Taten" BWV 97: I. Chorus [Versus 1]: "In allen meinen Taten" 12
choir vocals:
Amsterdam Baroque Choir (from 2002-11-04 until 2002-11-05)
orchestra:
Amsterdam Baroque Orchestra (from 2002-11-04 until 2002-11-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-11-04 until 2002-11-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-11-04 until 2002-11-05)
recording of:
Kantate, BWV 97 "In allen meinen Taten": I. Coro "In allen meinen Taten" (from 2002-11-04 until 2002-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach4:14
12Cantata "In allen meinen Taten" BWV 97: II. Aria (Bass) [Versus 2]: "Nichts ist es spat und frühe"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 97 "In allen meinen Taten": II. Aria (Bass) "Nichts ist es spat und frühe" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach2:58
13Cantata "In allen meinen Taten" BWV 97: III. Recitative (Tenor) [Versus 3]: "Es kann mir nichts geschehen" 14
tenor vocals:
James Gilchrist (British tenor) (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 97 "In allen meinen Taten": III. Recitativo (Tenor) "Es kann mir nichts geschehen" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach0:33
14Cantata "In allen meinen Taten" BWV 97: IV. Aria (Tenor) [Versus 4]: "Ich traue seiner Gnaden" 15
tenor vocals:
James Gilchrist (British tenor) (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 97 "In allen meinen Taten": IV. Aria (Tenor) "Ich traue seiner Gnaden" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach7:28
15Cantata "In allen meinen Taten" BWV 97: V. Recitative (Alto) [Versus 5]: "Erwolle meiner Siinden" 16
alto vocals:
Bogna Bartosz (from 2002-11-04 until 2002-11-05)
orchestra:
Amsterdam Baroque Orchestra (from 2002-11-04 until 2002-11-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-11-04 until 2002-11-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-11-04 until 2002-11-05)
recording of:
Kantate, BWV 97 "In allen meinen Taten": V. Recitativo (Alt) "Er wolle meiner Sünden" (from 2002-11-04 until 2002-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach0:40
16Cantata "In allen meinen Taten" BWV 97: VI. Aria (Alto) [Versus 6]: "Leg ich mich spate nieder" 17
alto vocals:
Bogna Bartosz (from 2002-11-04 until 2002-11-05)
orchestra:
Amsterdam Baroque Orchestra (from 2002-11-04 until 2002-11-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-11-04 until 2002-11-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-11-04 until 2002-11-05)
recording of:
Kantate, BWV 97 "In allen meinen Taten": VI. Aria (Alt) "Leg ich mich späte nieder" (from 2002-11-04 until 2002-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach3:31
17Cantata "In allen meinen Taten" BWV 97: VII. Aria (Duet: Soprano, Bass) [Versus 7]: "Hat er es denn beschlossen" 18
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-05-09 until 2002-05-14)
soprano vocals:
Sandrine Piau (soprano) (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 97 "In allen meinen Taten": VII. Duetto (Sopran, Bass) "Hat er es denn beschlossen" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach3:15
18Cantata "In allen meinen Taten" BWV 97: VIII. Aria (Soprano) [Versus 8]: "Ihm hab ich mich ergeben" 19
soprano vocals:
Sandrine Piau (soprano) (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 97 "In allen meinen Taten": VIII. Aria (Sopran) "Ihm hab ich mich ergeben" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach3:24
19Cantata "In allen meinen Taten" BWV 97: IX. Chorale [Versus ultimus]: "So sei nun, Seele, deine"
choir vocals:
Amsterdam Baroque Choir (from 2002-11-04 until 2002-11-05)
orchestra:
Amsterdam Baroque Orchestra (from 2002-11-04 until 2002-11-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-11-04 until 2002-11-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-11-04 until 2002-11-05)
recording of:
Kantate, BWV 97 "In allen meinen Taten": IX. Choral "So sei nun, Seele, deine" (from 2002-11-04 until 2002-11-05)
lyricist:
Paul Fleming (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Breitkopf 389 Choralgesänge (number: 297)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach0:48
20Motet "O Jesu Christ, meins Lebens Licht" BWV 118
choir vocals:
Amsterdam Baroque Choir (from 2003-10-13 until 2003-10-19)
orchestra:
Amsterdam Baroque Orchestra (from 2003-10-13 until 2003-10-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-10-13 until 2003-10-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-10-13 until 2003-10-19)
recording of:
BWV 118 "O Jesu Christ, meins Lebens Licht" (from 2003-10-13 until 2003-10-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 118) and Bach Compendium (number: BC B 23)
Johann Sebastian Bach4:11
21Cantata "Gloria in excelsis Deo" BWV 191: I. Chorus: "Gloria in excelsis Deo" 22
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 1999-03-09 until 1999-03-17)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-09 until 1999-03-17)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-09 until 1999-03-17)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo" (from 1999-03-09 until 1999-03-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
is based on:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
is based on:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach6:45
22Cantata "Gloria in excelsis Deo" BWV 191: II. Aria (Duet: Soprano, Tenor): "Gloria Patri et Filio" 23
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Caroline Stam (from 1999-03-09 until 1999-03-17)
tenor vocals:
Paul Agnew (tenor and conductor) (from 1999-03-09 until 1999-03-17)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-09 until 1999-03-17)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-09 until 1999-03-17)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": II. Duetto (Sopran, Tenor) "Gloria Patri et Filio et Spiritui sancto" (from 1999-03-09 until 1999-03-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": II. Duetto (Sopran, Tenor) "Gloria Patri et Filio et Spiritui sancto" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach3:57
23Cantata "Gloria in excelsis Deo" BWV 191: III. Chorus: "Sicut erat in principio"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 1999-03-09 until 1999-03-17)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-09 until 1999-03-17)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-09 until 1999-03-17)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": III. Coro "Sicut erat in principio" (from 1999-03-09 until 1999-03-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": III. Coro "Sicut erat in principio" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach3:59

Credits

Release group

part of:Complete Cantatas (Ton Koopmans complete Bach Cantatas for Erato) (number: 21) (order: 20)