The Film Scores

~ Release by Bernard Herrmann; Los Angeles Philharmonic, Esa-Pekka Salonen (see all versions of this release, 4 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1The Man Who Knew Too Much: Prelude
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
The Man Who Knew Too Much: Prelude (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann2:40
2Psycho: A Suite for Strings: Prelude
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: Prelude (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann2:04
3Psycho: A Suite for Strings: The City
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: The City (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann1:44
4Psycho: A Suite for Strings: The Rainstorm
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: The Rainstorm (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann1:25
5Psycho: A Suite for Strings: The Madhouse
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: The Madhouse (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann2:36
6Psycho: A Suite for Strings: The Murder
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: The Murder (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann1:01
7Psycho: A Suite for Strings: The Water
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: The Water (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann1:11
8Psycho: A Suite for Strings: The Swamp
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: The Swamp (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann2:28
9Psycho: A Suite for Strings: The Stairs
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: The Stairs (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann1:32
10Psycho: A Suite for Strings: The Knife
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: The Knife (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann0:28
11Psycho: A Suite for Strings: The Cellar
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: The Cellar (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann1:16
12Psycho: A Suite for Strings: Finale
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: Finale (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann1:57
13Marnie: Suite: I. Prelude
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Marnie: Suite: I. Prelude (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann5:13
14Marnie: Suite: II. The Hunt
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Marnie: Suite: II. The Hunt (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann5:45
15North by Northwest: Overture
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Overture (North by Northwest) (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
North by Northwest (1959 film score)
Bernard Herrmann2:46
16Vertigo: Suite: I. Prelude
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Vertigo Suite: I. Prelude (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Vertigo Suite
Bernard Herrmann2:58
17Vertigo: Suite: II. The Nightmare
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Vertigo Suite: II. The Nightmare (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Vertigo Suite
Bernard Herrmann2:08
18Vertigo: Suite: III. Scène d’amour
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Vertigo Suite: III. Scene d’Amour (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Vertigo Suite
Bernard Herrmann6:49
19Torn Curtain: I. Prelude
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Torn Curtain: I. Prelude (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann2:17
20Torn Curtain: II. Gromek
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Torn Curtain: II. Gromek (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann1:54
21Torn Curtain: III. The Killing
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Torn Curtain: III. The Killing (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann2:16
22Fahrenheit 451: Suite for Strings, Harps, and Percussion: Prelude
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: Prelude (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
medley of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: Fire Engine
Bernard Herrmann1:32
23Fahrenheit 451: Suite for Strings, Harps, and Percussion: Fire Engine
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: Fire Engine (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann1:01
24Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Bedroom
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: The Bedroom (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann1:38
25Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Reading
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: The Reading (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann2:04
26Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Garden
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: The Garden (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann1:26
27Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Nightmare
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: The Nightmare (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann1:51
28Fahrenheit 451: Suite for Strings, Harps, and Percussion: Flowers of Fire
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: Flowers of Fire (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann1:43
29Fahrenheit 451: Suite for Strings, Harps, and Percussion: Flamethrower
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: Flamethrower (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann0:37
30Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Captain’s Death
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: The Captain’s Death (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann1:00
31Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Road
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: The Road (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann2:14
32Fahrenheit 451: Suite for Strings, Harps, and Percussion: Finale
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: Finale (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann2:25
33Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Prelude
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Prelude (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
arranger:
Christopher Palmer (arranger)
part of:
Taxi Driver: Night Piece for Saxophone & Orchestra
Bernard Herrmann0:54
34Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Blues
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Blues (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
arranger:
Christopher Palmer (arranger)
part of:
Taxi Driver: Night Piece for Saxophone & Orchestra
Bernard Herrmann3:10
35Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Night Prowl
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Night Prowl (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
arranger:
Christopher Palmer (arranger)
part of:
Taxi Driver: Night Piece for Saxophone & Orchestra
Bernard Herrmann0:29
36Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Bloodbath
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Bloodbath (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
arranger:
Christopher Palmer (arranger)
part of:
Taxi Driver: Night Piece for Saxophone & Orchestra
Bernard Herrmann1:27
37Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Finale
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Taxi Driver: A Night‐Piece for Orchestra With Obbligato Alto Sax: Finale (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
arranger:
Christopher Palmer (arranger)
part of:
Taxi Driver: Night Piece for Saxophone & Orchestra
Bernard Herrmann0:45

Credits

Release

art direction:Allen Weinberg (art director and designer)
photography:Mark Hanauer (photographer)
Photofest (photography credits)
liner notes:Alex Ross (American music critic / author)
liner notes translator:Françoise Brodsky (liner notes translator)
Karl Schmidt (liner notes translator)
design:Roxanne Slimak (credited for art direction and design)
Discogs:https://www.discogs.com/release/8067798 [info]
ASIN:US: B0000029TH [info]