St. Matthew Passion (1978 Decca recording)

~ Veröffentlichung von Johann Sebastian Bach; Bach Choir, Sir David Willcocks (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD: Part 1
2▼CD: Part 1 (continued), Part 2
Nr.TitelKünstlerBewertungLänge
1St. Matthew Passion, BWV 244: Recitative: And he went away
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Solo Tenor-Gesang [Evangelist]:
Robert Tear (tenor) (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 27. Recitative "And he went away" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig"
Teil von:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:50
2St. Matthew Passion, BWV 244: Recitative: The Saviour, low before His Father bending
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Solo Baritongesang:
Stephen Roberts (UK bass-baritone) (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 28. Recitative "The Saviour, low before His Father bending" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder"
Teil von:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:08
3St. Matthew Passion, BWV 244: Bass Aria: Gladly would I take upon me
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Solo Baritongesang:
Stephen Roberts (UK bass-baritone) (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 29. Aria (Bass) "Gladly would I take upon me" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen"
Teil von:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach4:26
4St. Matthew Passion, BWV 244: Recitative: And he came to his disciples
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
Solo Tenor-Gesang [Evangelist]:
Robert Tear (tenor) (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 30. Recitative "And he came to his disciples" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern"
Teil von:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:30
5St. Matthew Passion, BWV 244: Chorale: O Father, let thy will be done
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Chorgesang:
The Bach Choir (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 31. Chorale "O Father, let thy will be done" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit"
Teil von:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:15
6St. Matthew Passion, BWV 244: Recitative: And he came again and found them sleeping
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
Solo Tenor-Gesang [Evangelist]:
Robert Tear (tenor) (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 32. Recitative "And he came again and found them sleeping" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend"
Teil von:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach2:34
7St. Matthew Passion, BWV 244: Duet & Chorus: Behold, my Saviour now is taken
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Chorgesang:
The Bach Choir (in 1978-09)
Solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
Solo Soprangesang:
Felicity Lott (soprano) (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 33. Duet (Soprano & Contralto) & Chorus "Behold, my Saviour now is taken" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
Teil von:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach4:55
8St. Matthew Passion, BWV 244: Recitative: And behold, one of the others that were there with Jesus
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
Solo Tenor-Gesang [Evangelist]:
Robert Tear (tenor) (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 34. Recitative "And behold, one of the others that were there with Jesus" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren"
Teil von:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach2:35
9St. Matthew Passion, BWV 244: Chorus: O man, thy grievous sin bemoan
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Chorgesang:
The Bach Choir (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 35. Chorus "O man, thy grievous sin bemoan" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß"
Teil von:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach6:56
10St. Matthew Passion, BWV 244: Contralto Aria with Chorus: Ah! now is my Saviour gone
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Chorgesang:
The Bach Choir (in 1978-09)
Solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 36. Aria (Contralto) With Chorus "Ah! now is my Saviour gone" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin"
Teil von:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach4:33
11St. Matthew Passion, BWV 244: Recitative: And they that had laid hold on Jesus
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Solo Tenor-Gesang [Evangelist]:
Robert Tear (tenor) (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 37. Recitative "And they that had laid hold on Jesus" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten"
Teil von:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:03
12St. Matthew Passion, BWV 244: Chorale: How falsely doth the world accuse!
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Chorgesang:
The Bach Choir (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 38. Chorale "How falsely doth the world accuse!" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'"
Teil von:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach0:57
13St. Matthew Passion, BWV 244: Recitative: Yea, though many lying witnesses came forward
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Solo Baritongesang:
Richard Jackson (baritone) (in 1978-09)
Solo Tenor-Gesang [Evangelist]:
Robert Tear (tenor) (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 39. Recitative "Yea, though many lying witnesses came forward" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten"
Teil von:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:24
14St. Matthew Passion, BWV 244: Recitative: He holds his peace though men accuse him falsely
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Solo Tenor-Gesang:
Neil Jenkins (tenor) (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 40. Recitative "He holds his peace though men accuse him falsely" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille"
Teil von:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:05
15St. Matthew Passion, BWV 244: Tenor Aria: Endure, endure
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Solo-Cello:
Charles Tunnell (in 1978-09)
Solo Tenor-Gesang:
Neil Jenkins (tenor) (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 41. Aria (Tenor) "Endure, endure" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen"
Teil von:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach3:45
16St. Matthew Passion, BWV 244: Recitative with Chorus: And the high priest answered and said unto him
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Chorgesang:
The Bach Choir (in 1978-09)
Solo Baritongesang:
Richard Jackson (baritone) (in 1978-09)
Solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
Solo Tenor-Gesang [Evangelist]:
Robert Tear (tenor) (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 42. Recitative with Chorus "And the high priest answered and said unto him" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus)
Arrangement von:
Matthäus-Passion, BWV 244: Teil II, XXXVIb. "Er ist des Todes schuldig" (Chori)
Teil von:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:43
17St. Matthew Passion, BWV 244: Recitative with Chorus: And then with one accord did they spit in his face
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Chorgesang:
The Bach Choir (in 1978-09)
Solo Tenor-Gesang [Evangelist]:
Robert Tear (tenor) (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 43. Recitative with Chorus "And then with one accord did they spit in his face" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista)
Teil von:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach0:40
18St. Matthew Passion, BWV 244: Chorale: O Lord, who dares to smite Thee?
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Chorgesang:
The Bach Choir (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 44. Chorale "O Lord, who dares to smite Thee?" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil II, XXXVId. "Weissage uns, Christe" (Chori)
Teil von:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach0:55
19St. Matthew Passion, BWV 244: Recitative with Chorus: Simon Peter sat outside the court
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Chorgesang:
The Bach Choir (in 1978-09)
Solo Tenor-Gesang [Evangelist]:
Robert Tear (tenor) (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 45. Recitative with Chorus "Simon Peter sat outside the court" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus)
Arrangement von:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus)
Teil von:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:11
20St. Matthew Passion, BWV 244: Recitative: And then began he to curse and to swear
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
bass-baritone vocals [Peter]:
Hugh Davies (bass baritone) (in 1978-09)
Solo Tenor-Gesang [Evangelist]:
Robert Tear (tenor) (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 46. Recitative "And then began he to curse and to swear" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Teil von:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:26
21St. Matthew Passion, BWV 244: Contralto Aria: Have mercy, Lord, on me
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Solo-Geige / Violine:
John Bacon (violinist) (in 1978-09)
Solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 47. Aria (Contralto) "Have mercy, Lord, on me" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
Teil von:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach6:44
22St. Matthew Passion, BWV 244: Chorale: Lamb of God, I fall before Thee
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Chorgesang:
The Bach Choir (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 48. Chorale "Lamb of God, I fall before Thee" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen"
Teil von:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:09
23St. Matthew Passion, BWV 244: Recitative with Chorus: Now when the morning came
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Chorgesang:
The Bach Choir (in 1978-09)
Solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
Solo Tenor-Gesang [Evangelist]:
Robert Tear (tenor) (in 1978-09)
Sologesang [Judas]:
John King (vocalist) (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 49. Recitative with Chorus "Now when the morning came" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas)
Arrangement von:
Matthäus-Passion, BWV 244: Teil II, XLIb. "Was gehet uns das an" (Chori)
Teil von:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach0:57
24St. Matthew Passion, BWV 244: Recitative: And he cast the silver pieces down in the temple
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Solo Baritongesang:
Richard Jackson (baritone) (in 1978-09)
Solo Tenor-Gesang [Evangelist]:
Robert Tear (tenor) (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 50. Recitative "And he cast the silver pieces down in the temple" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II)
Teil von:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach0:58
25St. Matthew Passion, BWV 244: Bass Aria: Give, O give me back my Lord
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Solo-Geige / Violine:
Roger Garland (violinist) (in 1978-09)
Solo Baritongesang:
Stephen Roberts (UK bass-baritone) (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 51. Aria (Bass) "Give, O give me back my Lord" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder"
Teil von:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach3:36
26St. Matthew Passion, BWV 244: Recitative: And they took counsel together
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Solo Baritongesang [Pilate]:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (in 1978-09)
Solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
Solo Tenor-Gesang [Evangelist]:
Robert Tear (tenor) (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 52. Recitative "And they took counsel together" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus)
Teil von:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach2:18
27St. Matthew Passion, BWV 244: Chorale: Commit thy way to Jesus
Techniker(in):
Simon Eadon (classical music engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Chorgesang:
The Bach Choir (in 1978-09)
Orchester:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 53. Chorale "Commit thy way to Jesus" (arr. Elgar & Atkins) (in 1978-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) und Edward Elgar (composer)
Arrangement von:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege"
Teil von:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:12
3▶CD: Part 2 (continued)

Nennungen

Veröffentlichungsgruppe

enthalten in:Great Choral Favourites von Various Artists (Diverse Interpreten, add compilations to this artist)
excerpts:St. Matthew Passion: Highlights von Bach (Johann Sebastian Bach, German Baroque period composer & musician); The Bach Choir, Sir David Willcocks (UK composer, organist, choral conductor)