The Soul Sessions + Bonus

~ Release by Joss Stone (see all versions of this release, 12 available)

Annotation

Bootleg. Barcode is used for many other releases as well

Annotation last modified on 2023-05-24 17:00 UTC.

Tracklist

1CD
#TitleArtistRatingLength
1The Chokin’ Kind
phonographic copyright (℗) by:
EMI Music North America (not for release label use!) (in 2003)
cover recording of:
The Chokin’ Kind
lyricist and composer:
Harlan Howard
publisher:
Sony/ATV Songs (SOCAN) and Wilderness Music Publishing Co.
Joss Stone3.53:36
2Super Duper Love (Are You Diggin’ on Me?), Part 1
phonographic copyright (℗) by:
EMI Music North America (not for release label use!) (in 2003)
cover recording of:
Super Duper Love (Are You Diggin' on Me?), Part 1
lyricist and composer:
Willie Garner (1960s–70s US soul artist from Detroit)
publisher:
EMI Blackwood/Fratelli Publishing
recording of:
Super Duper Love (Are You Diggin' on Me?), Part 1
lyricist and composer:
Willie Garner (1960s–70s US soul artist from Detroit)
publisher:
EMI Blackwood/Fratelli Publishing
Joss Stone3.354:20
3Fell in Love With a Boy
phonographic copyright (℗) by:
EMI Music North America (not for release label use!) (in 2003)
recording of:
Fell in Love With a Boy
lyricist and composer:
Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records)
arrangement of:
Fell in Love With a Girl
cover recording of:
Fell in Love With a Girl
lyricist and composer:
Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records)
Joss Stone3.53:39
4Victim of a Foolish Heart
phonographic copyright (℗) by:
EMI Music North America (not for release label use!) (in 2003)
cover recording of:
Victim of a Foolish Heart
composer:
Charles Buckins and George Jackson (US soul songwriter/vocalist)
Joss Stone35:32
5Dirty Man
phonographic copyright (℗) by:
EMI Music North America (not for release label use!) (in 2003)
cover recording of:
Dirty Man
lyricist and composer:
Bobby Miller (US songwriter & record producer)
Joss Stone3.52:59
6Some Kind of Wonderful
phonographic copyright (℗) by:
EMI Music North America (not for release label use!) (in 2003)
cover recording of:
Some Kind of Wonderful
lyricist and composer:
Willie John Ellison (American/Canadian musician)
publisher:
Crash Music, Dandelion Music Company and Fermata do Brasil
Joss Stone33:56
7I’ve Fallen in Love With You
phonographic copyright (℗) by:
EMI Music North America (not for release label use!) (in 2003)
cover recording of:
I’ve Fallen in Love
lyricist and composer:
Carla Thomas
Joss Stone34:29
8I Had a Dream
phonographic copyright (℗) by:
EMI Music North America (not for release label use!) (in 2003)
cover recording of:
I Had a Dream
lyricist and composer:
John Sebastian
Joss Stone33:01
9All the King’s Horses
phonographic copyright (℗) by:
EMI Music North America (not for release label use!) (in 2003)
cover recording of:
All the King's Horses
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
quotes lyrics from:
Humpty Dumpty (English nursery rhyme)
Joss Stone3.53:04
10For the Love of You, Parts 1 & 2
phonographic copyright (℗) by:
EMI Music North America (not for release label use!) (in 2003)
cover recording of:
For the Love of You
writer:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley and Chris Jasper
publisher:
Bovina Music Inc. and EMI April Music Inc.
Joss Stone3.57:33
11Sunrise
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar and banjolin:
Kevin Breit (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
slit drum:
Andrew Borger (from 2003 until 2004)
background vocals [backup vocal]:
Adam Levy (jazz guitarist) (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Sunrise (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
Norah Jones3.853:21
12What Am I to You?
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Levon Helm (from 2003 until 2004)
electric guitar:
Tony Scherr (from 2003 until 2004)
Hammond organ:
Garth Hudson (from 2003 until 2004)
Wurlitzer electric piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
What Am I to You? (from 2003 until 2004)
lyricist and composer:
Norah Jones
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc. and Muthajones Music
Norah Jones43:30
13Those Sweet WordsNorah Jones3:23
14Carnival Town
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris (from 2003 until 2004)
cello:
Jane Scarpantoni (cellist) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
viola:
David Gold (viola player) (from 2003 until 2004)
strings arranger:
Arif Mardin
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Carnival Town (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
Norah Jones3.253:12
15In the Morning
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Adam Levy (jazz guitarist) (from 2003 until 2004)
double bass [acoustic bass] and electric bass guitar:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Andrew Borger (from 2003 until 2004)
resonator guitar:
Kevin Breit (from 2003 until 2004)
Wurlitzer electric piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
In the Morning (from 2003 until 2004)
lyricist and composer:
Adam Levy (jazz guitarist)
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
Bughouse, Lost Wax Music and Universal Music Corp. (USA, affiliated with ASCAP)
Norah Jones3.654:07
16Be Here to Love Me
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
accordion:
Garth Hudson (from 2003 until 2004)
acoustic guitar:
Kevin Breit (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Andrew Borger (from 2003 until 2004)
electric guitar:
Adam Levy (jazz guitarist) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
background vocals [backup vocal]:
Kevin Breit (from 2003 until 2004), Adam Levy (jazz guitarist) (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Be Here to Love Me (from 2003 until 2004)
lyricist and composer:
Townes Van Zandt
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
Bughouse and Silver House Music Inc. (publisher; do NOT use as release label)
Norah Jones3.653:29
17Creepin' In
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Kevin Breit (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
reed organ [pump organ]:
Rob Burger (from 2003 until 2004)
snare drum:
Andrew Borger (from 2003 until 2004)
background vocals [backup vocal]:
Adam Levy (jazz guitarist) (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
lead vocals [vocal]:
Norah Jones (from 2003 until 2004) and Dolly Parton (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Creepin’ In (from 2003 until 2004)
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer)
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc. and Fumblethumbs Music
Norah Jones3.753:04
18Toes
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Andrew Borger (from 2003 until 2004)
electric guitar:
Adam Levy (jazz guitarist) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
resonator guitar:
Kevin Breit (from 2003 until 2004)
background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Toes (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
Norah Jones3.653:47
19Humble Me
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
reed organ [pump organ] and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
resonator guitar:
Kevin Breit (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Humble Me (from 2003 until 2004)
lyricist and composer:
Kevin Breit
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
Poverty Playlist and Sony/ATV Songs LLC
Norah Jones3.54:36
20Above Ground
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Andrew Borger (from 2003 until 2004)
electric guitar:
Adam Levy (jazz guitarist) (from 2003 until 2004)
electric guitar, foot stomps [foot tapping] and resonator guitar:
Kevin Breit (from 2003 until 2004)
Wurlitzer electric piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Above Ground (from 2003 until 2004)
writer:
Adrew Borger and Daru Oda
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
Chamfered Music and Honk Shoo Music
Norah Jones3.653:44