The Complete Warner Recordings

~ Release by Jacqueline du Pré (see all versions of this release, 2 available)

Tracklist

1▶CD: Her Early BBC Recordings, Vol. 1
2▶CD: Her Early BBC Recordings, Vol. 2
3▶CD: Music for Viola and Cello
4▶CD: A Jacqueline Du Pré Recital
5▶CD: Delius - Concerto For Cello And Orchestra / Songs Of Farewell, For Double Chorus And Orchestra / A Song Before Sunrise
6▶CD: Elgar - Cello Concerto / Sea Pictures
7▶CD: Jacqueline Du Pre and Stephen Bishop Play Beethoven Cello Sonatas
8▶CD: Jacqueline Du Pré, Daniel Barenboim – Haydn: Cello Concerto In C / Boccherini: Cello Concerto In B Flat
9▶CD: Haydn: Cello Concerto In D / Monn: Cello Concerto In G Minor
10▶CD: Schumann: Cello Concerto In A Minor / Saint-Saëns: Cello Concerto No.1 In A Minor
11▶CD: Brahms: Cello Sonatas Nos. 1 & 2 / Bruch: Kol Nidrei
12▼CD: Richard Strauss: Don Quixote / Édouard Lalo: Cello Concerto
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1Don Quixote, Op. 35: Introduction
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: I. Introduction (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Richard Strauss6:02
2Don Quixote, Op. 35: Theme: The Knight of The Mournful Countenance
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Maggiore. Sancho Panza (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
recording of:
Don Quixote, op. 35: Thema: Mäßig. "Don Quichotte, der Ritter von der traurigen Gestalt" (Don Quixote, op. 35: 2. Theme: Mäßig. "Don Quixote, the Knight of the Sorrowful Countenance") (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss2:13
3Don Quixote, Op. 35: Variation I: The Adventure with the Windmills
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation I: Departure. The Adventure of the Windmills (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss3:03
4Don Quixote, Op. 35: Variation II: The Battle with the Sheep
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation II: The Battle With the Sheep (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:42
5Don Quixote, Op. 35: Variation III: Discourse Between Knight and Squire
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation III: Sancho's Wishes, Peculiarities of Speech and Maxims (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss8:20
6Don Quixote, Op. 35: Variation IV: The Adventure with the Pilgrims
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation IV: The Adventure With the Procession of Penitents (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:51
7Don Quixote, Op. 35: Variation V: The Knight's Vigil
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation V: Don Quixote's Vigil During the Summer Night (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss4:54
8Don Quixote, Op. 35: Variation VI: The Meeting with Dulcinea
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation VI: Dulcinea (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:22
9Don Quixote, Op. 35: Variation VII: The Ride through the Air
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation VII: Don Quixote's Ride Through the Air (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:06
10Don Quixote, Op. 35: Variation VIII: The Voyage in the Enchanted Boat
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation VIII: The Trip on the Enchanted Boat (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:57
11Don Quixote, Op. 35: Variation IX: The Combat with the Two Magicians
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation IX: The Attack on the Mendicant Friars (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:11
12Don Quixote, Op. 35: Variation X: The Defeat of Don Quixote
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation X: The Duel and Return Home (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss4:20
13Don Quixote, Op. 35: Finale: Don Quixote's Death
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: III. Epilogue: Don Quixote's Mind Clears. Death of Don Quixote (Don Quixote, op. 35: Epilogue: Don Quixote's Mind Clears. Death of Don Quixote) (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Richard Strauss5:49
14Cello Concerto in D Minor: I. Prélude. Lento - Allegro maestoso (Live)
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
cello:
Jacqueline du Pré (cellist) (from 1973-10-04 until 1973-10-06)
orchestra:
The Cleveland Orchestra (from 1973-10-04 until 1973-10-06)
conductor:
Daniel Barenboim (pianist and conductor) (from 1973-10-04 until 1973-10-06)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1973-10-04 until 1973-10-06)
live recording of:
Concerto pour violoncelle et orchestre en ré majeur : I. Allegro (from 1973-10-04 until 1973-10-06)
composer:
Édouard Lalo (French composer) (from 1876 until 1877)
part of:
Concerto pour violoncelle et orchestre en ré majeur
Édouard Lalo12:43
15Cello Concerto in D Minor: II. Intermezzo. Andantino con moto (Live)
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
cello:
Jacqueline du Pré (cellist) (from 1973-10-04 until 1973-10-06)
orchestra:
The Cleveland Orchestra (from 1973-10-04 until 1973-10-06)
conductor:
Daniel Barenboim (pianist and conductor) (from 1973-10-04 until 1973-10-06)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1973-10-04 until 1973-10-06)
recording of:
Concerto pour violoncelle et orchestre en ré majeur : II. Intermezzo (from 1973-10-04 until 1976-10-06)
composer:
Édouard Lalo (French composer) (from 1876 until 1877)
part of:
Concerto pour violoncelle et orchestre en ré majeur
Édouard Lalo6:10
16Cello Concerto in D Minor: III. Introduction. Andante - Allegro vivace (Live)
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
cello:
Jacqueline du Pré (cellist) (from 1973-10-04 until 1973-10-06)
orchestra:
The Cleveland Orchestra (from 1973-10-04 until 1973-10-06)
conductor:
Daniel Barenboim (pianist and conductor) (from 1973-10-04 until 1973-10-06)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1973-10-04 until 1973-10-06)
live recording of:
Concerto pour violoncelle et orchestre en ré majeur : III. Andante - Vivace (from 1973-10-04 until 1973-10-06)
composer:
Édouard Lalo (French composer) (from 1876 until 1877)
part of:
Concerto pour violoncelle et orchestre en ré majeur
Édouard Lalo7:39
13▶CD: Brahms – The Two Sonatas For Cello And Piano
14▶CD: Brahms: Clarinet Trio, Op. 114 / Saint-Saëns: Cello Concerto No. 1, Op. 33
15▶CD: Beethoven Piano Trios 1
16▶CD: Beethoven Piano Trios 2
17▶CD: Beethoven Piano Trios 3
18▶CD: Beethoven Piano Trios 4
19▶CD: Beethoven: The Five Cello Sonatas "Magic Flute" And "Judas Maccabaeus" Variations(1)
20▶CD: Beethoven: The Five Cello Sonatas "Magic Flute" And "Judas Maccabaeus" Variations(2)
21▶CD: Dvořák: Cello Concerto In B Minor & "Silent Woods" Adagio For Cello & Orchestra
22▶CD: Chopin/Franck: Cello Sonatas
23▶CD: Tchaikovsky Piano Trio In A Minor