Oscar Peterson Trio + One: Clark Terry

~ Release by Oscar Peterson Trio & Clark Terry (see all versions of this release, 5 available)

Annotation

Notes

This album features the premier recording of Clark Terry's "Mumbles" vocals. Mumbles is Clark Terry's comedic alter-ego, a parody/satire of the unintelligible vocals of ancient blues singers.
Peterson, Brown, Thigpen.

Annotation last modified on 2007-12-27 15:47 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Brotherhood of Man
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1964-02-26)
drums (drum set):
Ed Thigpen (on 1964-02-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-02-26)
trumpet:
Clark Terry (American swing trumpeter) (on 1964-02-26)
recorded at:
RCA Studios (Toronto, ON, Canada) in Toronto, Ontario, Canada (on 1964-02-26)
instrumental cover recording of:
Brotherhood of Man (How to Succeed in Business Without Really Trying) (on 1964-02-26)
lyricist and composer:
Frank Loesser
3:36
2Jim
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1964-02-26)
drums (drum set):
Ed Thigpen (on 1964-02-26)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1964-02-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-02-26)
recorded at:
RCA Studios (Toronto, ON, Canada) in Toronto, Ontario, Canada (on 1964-02-26)
instrumental cover recording of:
Jim (on 1964-02-26)
lyricist:
Nelson Shawn
composer:
Edward Ross and Caesar Petrillo
publisher:
MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
3:04
3Blues for Smedley
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1964-02-26)
drums (drum set):
Ed Thigpen (on 1964-02-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-02-26)
trumpet:
Clark Terry (American swing trumpeter) (on 1964-02-26)
recorded at:
RCA Studios (Toronto, ON, Canada) in Toronto, Ontario, Canada (on 1964-02-26)
instrumental recording of:
Blues for Smedley (on 1964-02-26)
composer:
Oscar Peterson (Canadian jazz pianist and composer)
6:59
4Roundalay
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1964-02-26)
drums (drum set):
Ed Thigpen (on 1964-02-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-02-26)
trumpet:
Clark Terry (American swing trumpeter) (on 1964-02-26)
recorded at:
RCA Studios (Toronto, ON, Canada) in Toronto, Ontario, Canada (on 1964-02-26)
instrumental recording of:
Roundalay (on 1964-02-26)
composer:
Oscar Peterson (Canadian jazz pianist and composer)
3:58
5Mumbles
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1964-02-26)
drums (drum set):
Ed Thigpen (on 1964-02-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-02-26)
trumpet and lead vocals:
Clark Terry (American swing trumpeter) (on 1964-02-26)
recorded at:
RCA Studios (Toronto, ON, Canada) in Toronto, Ontario, Canada (on 1964-02-26)
recording of:
Mumbles (on 1964-02-26)
composer:
Clark Terry (American swing trumpeter)
2:03
6Mack the Knife
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1964-02-26)
drums (drum set):
Ed Thigpen (on 1964-02-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-02-26)
trumpet:
Clark Terry (American swing trumpeter) (on 1964-02-26)
recorded at:
RCA Studios (Toronto, ON, Canada) in Toronto, Ontario, Canada (on 1964-02-26)
instrumental recording of:
Mack the Knife (1954 Blitzstein translation) (on 1964-02-26)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
5:20
7They Didn’t Believe Me
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1964-02-26)
drums (drum set):
Ed Thigpen (on 1964-02-26)
flugelhorn:
Clark Terry (American swing trumpeter) (on 1964-02-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-02-26)
recorded at:
RCA Studios (Toronto, ON, Canada) in Toronto, Ontario, Canada (on 1964-02-26)
instrumental cover recording of:
They Didn’t Believe Me (on 1964-02-26)
lyricist:
Herbert Reynolds (lyricist)
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd. and Redwood Music Ltd. (Carlin)
part of:
The Girl From Utah
4:24
8Squeaky’s Blues
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1964-02-26)
drums (drum set):
Ed Thigpen (on 1964-02-26)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1964-02-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-02-26)
recorded at:
RCA Studios (Toronto, ON, Canada) in Toronto, Ontario, Canada (on 1964-02-26)
instrumental recording of:
Squeaky’s Blues (on 1964-02-26)
composer:
Oscar Peterson (Canadian jazz pianist and composer)
3:32
9I Want a Little Girl
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1964-02-26)
drums (drum set):
Ed Thigpen (on 1964-02-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-02-26)
trumpet:
Clark Terry (American swing trumpeter) (on 1964-02-26)
recorded at:
RCA Studios (Toronto, ON, Canada) in Toronto, Ontario, Canada (on 1964-02-26)
instrumental cover recording of:
I Want a Little Girl (on 1964-02-26)
lyricist:
Billy Moll (songwriter)
composer:
Murray Mencher
publisher:
Shapiro, Bernstein & Co., Inc.
5:13
10Incoherent Blues
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1964-02-26)
drums (drum set):
Ed Thigpen (on 1964-02-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-02-26)
trumpet:
Clark Terry (American swing trumpeter) (on 1964-02-26)
recorded at:
RCA Studios (Toronto, ON, Canada) in Toronto, Ontario, Canada (on 1964-02-26)
recording of:
Incoherent Blues (on 1964-02-26)
composer:
Clark Terry (American swing trumpeter)
2:42