Your Secret Love

~ Veröffentlichung von Luther Vandross (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1CD
Nr.TitelBewertungLänge
1Your Secret Love
recording engineer und Mix:
Ray Bardani
drum machine-Programmierung und Synthesizer [string]-Programmierung:
Reed Vertelney
zusätzliche Programmierung:
Ivan Hampden
leitende(r) Produzent(in):
Luther Vandross
Produzent(in):
Luther Vandross
Editing:
Max Risenhoover
Bass:
John “Skip” Anderson (funk/soul producer and songwriter) und Reed Vertelney
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Keyboard:
Reed Vertelney
Saiteninstrumente und zusätzlich Keyboard:
John “Skip” Anderson (funk/soul producer and songwriter)
Hintergrundgesang:
Tawatha Agee, Paulette McWilliams, Cindy Mizelle und Brenda White‐King
arranger:
John “Skip” Anderson (funk/soul producer and songwriter), Luther Vandross und Reed Vertelney
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Your Secret Love
Verfasser(in):
Luther Vandross und Reed Vertelney
publisher:
Chrysalis Songs (in 1996), EMI April Music Inc. (in 1996), Uncle Ronnie’s Music Company Inc. (in 1996) und Vertelney Music (in 1996)
4:13
2Love Don’t Hurt You Anymore
recording engineer und Mix:
Ray Bardani
leitende(r) Produzent(in):
Luther Vandross
Produzent(in):
Luther Vandross
Editing:
Max Risenhoover
Bass, Keyboard, Schlagzeug und Synthesizer [synth strings]:
John “Skip” Anderson (funk/soul producer and songwriter)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Perkussion:
Paulinho DaCosta (Brazilian percussionist)
Hintergrundgesang:
Tawatha Agee, Lisa Fischer (American vocalist), David Lasley, Cheryl Lynn (1970s disco singer), Paulette McWilliams, Cindy Mizelle und Brenda White‐King
Saiteninstrumente arranger:
Leon Pendarvis
vocals arranger:
Luther Vandross
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Love Don’t Hurt You Anymore
Verfasser(in):
Luther Vandross
publisher:
EMI April Music Inc. (in 1980) und Uncle Ronnie’s Music Company Inc. (in 1980)
5:12
3It’s Hard for Me to Say
recording engineer und Mix:
Ray Bardani
leitende(r) Produzent(in):
Luther Vandross
Produzent(in):
Luther Vandross
Editing:
Max Risenhoover
Bass, Klavier, Saiteninstrumente und Schlagzeug:
John “Skip” Anderson (funk/soul producer and songwriter)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Perkussion:
Paulinho DaCosta (Brazilian percussionist)
Hintergrundgesang:
Tawatha Agee, Paulette McWilliams, Cindy Mizelle und Brenda White‐King
vocals arranger:
Luther Vandross
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
It’s Hard for Me to Say
Verfasser(in):
John “Skip” Anderson (funk/soul producer and songwriter) und Luther Vandross
publisher:
EMI April Music Inc. (in 1996), J V A Publishing Co. (in 1996) und Uncle Ronnie’s Music Company Inc. (in 1996)
4:35
4Crazy Love
recording engineer und Mix:
Ray Bardani
leitende(r) Produzent(in):
Luther Vandross
Produzent(in):
Luther Vandross
Editing:
Max Risenhoover
Klavier:
John “Skip” Anderson (funk/soul producer and songwriter)
Perkussion:
Paulinho DaCosta (Brazilian percussionist)
zusätzlich flute:
Mark Hollingworth und Derryl Richards
conductor:
Jeremy Lubbock
Orchestrator(in):
Jeremy Lubbock
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
Crazy Love
Verfasser(in):
David Lasley, Robin Lerner, Marsha Malamet und Allan Rich
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Irving Music (BMI), Nelana Music, Spirit One Music, フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co., Inc. (USA) (in 1989), David Lasley Music (in 1989), Malamution Music (in 1989), Nomad-Noman Music (in 1989), Puckalesia Songs (in 1989) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1989)
5:13
5I Can Make It Better
recording engineer:
Ray Bardani und David I. Ward II (American R&B/soul engineer and producer)
Programmierung:
Marcus Miller (jazz musician)
zusätzliche Programmierung:
David I. Ward II (American R&B/soul engineer and producer)
leitende(r) Produzent(in):
Luther Vandross
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Mix:
Ray Bardani
Editing:
Max Risenhoover
Instrumente:
Marcus Miller (jazz musician)
zusätzlich Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Hintergrundgesang:
Tawatha Agee, Lisa Fischer (American vocalist), Cissy Houston, Paulette McWilliams, Cindy Mizelle und Brenda White‐King
Saiteninstrumente arranger:
Leon Pendarvis
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
aufgenommen bei:
Camel Island Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
I Can Make It Better
Verfasser(in):
Marcus Miller (jazz musician) und Luther Vandross
publisher:
EMI April Music Inc. (in 1996), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1996), Thriller Miller Music (in 1996) und Uncle Ronnie’s Music Company Inc. (in 1996)
5:35
6Too Proud to Beg
recording engineer und Mix:
Ray Bardani
leitende(r) Produzent(in):
Luther Vandross
Produzent(in):
Luther Vandross
Editing:
Max Risenhoover (Hintergrundgesang)
Bass, Keyboard, Saiteninstrumente und Schlagzeug:
Reed Vertelney
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Perkussion:
Paulinho DaCosta (Brazilian percussionist)
Hintergrundgesang:
Tawatha Agee, Paulette McWilliams, Cindy Mizelle und Brenda White‐King
arranger:
John “Skip” Anderson (funk/soul producer and songwriter), Luther Vandross und Reed Vertelney
vocals arranger:
Luther Vandross
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Too Proud to Beg
Verfasser(in):
Luther Vandross und Reed Vertelney
publisher:
Chrysalis Songs (in 1996), EMI April Music Inc. (in 1996), Uncle Ronnie’s Music Company Inc. (in 1996) und Vertelney Music (in 1996)
4:51
7I Can’t Wait No Longer (Let’s Do This)
recording engineer:
Ray Bardani und David I. Ward II (American R&B/soul engineer and producer)
Programmierung:
Marcus Miller (jazz musician)
leitende(r) Produzent(in):
Luther Vandross
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Mix:
Ray Bardani
Editing:
Max Risenhoover
Instrumente:
Marcus Miller (jazz musician)
Hintergrundgesang:
Marcus Miller (jazz musician) und Luther Vandross
vocals:
Deidre "Spin" Roper
aufgenommen bei:
Camel Island Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
I Can't Wait No Longer (Let's Do This)
Verfasser(in):
Marcus Miller (jazz musician) und Deidre Roper
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1996), Spinda Publishing (in 1996) und Thriller Miller Music (in 1996)
5:40
8Nobody to Love
recording engineer:
Ray Bardani und David I. Ward II (American R&B/soul engineer and producer)
Programmierung:
David I. Ward II (American R&B/soul engineer and producer) und Marcus Miller (jazz musician)
leitende(r) Produzent(in):
Luther Vandross
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Mix:
Ray Bardani
Editing:
Max Risenhoover
Akustikgitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Gitarre und Keyboard:
Marcus Miller (jazz musician)
Solo-Vibraphon:
Nat Adderley, Jr.
Hintergrundgesang:
Tawatha Agee, Paulette McWilliams, Cindy Mizelle und Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
aufgenommen bei:
Camel Island Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Nobody to Love
Verfasser(in):
Marcus Miller (jazz musician) und Luther Vandross
publisher:
EMI April Music Inc. (in 1995), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1995), Thriller Miller Music (in 1995) und Uncle Ronnie’s Music Company Inc. (in 1995)
5:46
9Whether or Not the World Gets Better
recording engineer und Mix:
Ray Bardani
leitende(r) Produzent(in):
Luther Vandross
Editing:
Max Risenhoover
Bass:
Marcus Miller (jazz musician)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Klavier:
Nat Adderley, Jr.
Perkussion:
Paulinho DaCosta (Brazilian percussionist)
Schlagzeug, Synthesizer und Synthesizer [synth orchestra]:
John “Skip” Anderson (funk/soul producer and songwriter)
vocals:
Lisa Fischer (American vocalist) und Luther Vandross
Synthesizer [synth orchestra] arranger:
John “Skip” Anderson (funk/soul producer and songwriter)
arranger:
Nat Adderley, Jr., John “Skip” Anderson (funk/soul producer and songwriter) und Luther Vandross
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Whether or Not the World Gets Better
Verfasser(in):
Luther Vandross
publisher:
EMI April Music Inc. (in 1988) und Uncle Ronnie’s Music Company Inc. (in 1988)
5:32
10This Time I'm Right
recording engineer und Mix:
Ray Bardani
leitende(r) Produzent(in):
Luther Vandross
Produzent(in):
Luther Vandross
Editing:
Max Risenhoover
Bass:
Byron Miller (bass guitarist)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Keyboard, Saiteninstrumente und Schlagzeug:
John “Skip” Anderson (funk/soul producer and songwriter)
Perkussion:
Paulinho DaCosta (Brazilian percussionist)
Solo-alto saxophone:
Everett Harp
Hintergrundgesang:
Tawatha Agee, Paulette McWilliams, Cindy Mizelle und Brenda White‐King
Saiteninstrumente arranger:
John “Skip” Anderson (funk/soul producer and songwriter)
arranger:
Nat Adderley, Jr.
vocals arranger:
Luther Vandross
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
This Time I'm Right
Verfasser(in):
Luther Vandross
publisher:
EMI April Music Inc. (in 1995) und Uncle Ronnie’s Music Company Inc. (in 1995)
5:07
11Knocks Me Off My Feet
recording engineer und Mix:
Ray Bardani
leitende(r) Produzent(in):
Luther Vandross
Produzent(in):
Nat Adderley, Jr. und Luther Vandross
Editing:
Max Risenhoover
Bass-Synthesizer und Keyboard:
Nat Adderley, Jr.
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Perkussion und Schlagzeug:
Ivan Hampden
arranger:
Nat Adderley, Jr.
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
Knocks Me Off My Feet
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music (in 1976, in 1980), Jobete Music Co., Inc. (in 1976) und Jobete Music (appears also as: Jobete Msc.) (in 1980)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:44
12Goin’ Out of My Head
recording engineer und Mix:
Ray Bardani
Keyboard-Programmierung:
John “Skip” Anderson (funk/soul producer and songwriter)
leitende(r) Produzent(in):
Luther Vandross
Produzent(in):
Nat Adderley, Jr. und Luther Vandross
Editing:
Max Risenhoover
Bass:
Marcus Miller (jazz musician)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Klavier:
Nat Adderley, Jr.
Schlagzeug:
Ivan Hampden
Solo-Saxophon:
Kirk Whalum
Hintergrundgesang:
Tawatha Agee, Cissy Houston, Paulette McWilliams, Cindy Mizelle, Fonzi Thornton und Brenda White‐King
arranger:
Nat Adderley, Jr.
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
Goin’ Out of My Head
Texter:
Bobby Weinstein (US songwriter)
Komponist(in):
Teddy Randazzo
publisher:
E. H. Morris & Co. Ltd., EMI Catalogue Partnership Australia Pty Ltd, EMI Partnership Musikverlag GmbH, Universal–Songs of PolyGram International, Inc., Vogue Music und Songs of PolyGram International, Inc. (in 1964)
5:18

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
Discogs:https://www.discogs.com/release/2932906 [Info]
ASIN:US: B000002BHM [Info]