Retrospective II

~ Release by Jóhann Jóhannsson (see all versions of this release, 2 available)

Tracklist

1▶CD: The Theory of Everything

2▶CD: Sicario

3▼CD: Arrival
#	Title	Rating	Length
1	Arrival additional sound engineer: Francesco Donadello and Ólafur Björn Ólafsson sound engineer: Preben Iwan (choir vocals [Theatre of Voices]) assistant engineer: Michal Hradisky and Vitek Kral (engineer) engineer: Jan Holzner producer: Jóhann Jóhannsson (Icelandic musician and score composer) mixer: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) and Daniel Kresco alto vocals: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) and Elenor Wiman bass vocals: Jakob Bloch Jespersen and Jakob Soelberg (bass vocalist) soprano vocals: Signe Asmussen and Else Torp tenor vocals: Paul Bentley-Angell (Australian tenor) and Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) and Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) and Owen Roberts additional orchestrator: Thomas Bryla orchestrator: Jóhann Jóhannsson (Icelandic musician and score composer) and Anthony Weeden (Conductor and orchestrator) concertmaster: Lucie Svehlova recorded at: Smecky Music Studios in Praha (Prague), Czechia recording of: Arrival composer: Jóhann Jóhannsson (Icelandic musician and score composer)		2:51
2	Heptapod B additional sound engineer: Francesco Donadello and Ólafur Björn Ólafsson sound engineer: Preben Iwan (choir vocals [Theatre of Voices]) assistant engineer: Michal Hradisky and Vitek Kral (engineer) engineer: Jan Holzner producer: Jóhann Jóhannsson (Icelandic musician and score composer) mixer: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) and Daniel Kresco alto vocals: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) and Elenor Wiman bass vocals: Jakob Bloch Jespersen and Jakob Soelberg (bass vocalist) soprano vocals: Signe Asmussen and Else Torp tenor vocals: Paul Bentley-Angell (Australian tenor) and Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) and Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) and Owen Roberts additional orchestrator: Thomas Bryla orchestrator: Jóhann Jóhannsson (Icelandic musician and score composer) and Anthony Weeden (Conductor and orchestrator) concertmaster: Lucie Svehlova recorded at: Smecky Music Studios in Praha (Prague), Czechia recording of: Heptapod B composer: Joan La Barbara (American vocalist and composer) and Jóhann Jóhannsson (Icelandic musician and score composer)		3:42
3	Sapir-Whorf additional sound engineer: Francesco Donadello and Ólafur Björn Ólafsson sound engineer: Preben Iwan (choir vocals [Theatre of Voices]) assistant engineer: Michal Hradisky and Vitek Kral (engineer) engineer: Jan Holzner producer: Jóhann Jóhannsson (Icelandic musician and score composer) mixer: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) and Daniel Kresco alto vocals: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) and Elenor Wiman bass vocals: Jakob Bloch Jespersen and Jakob Soelberg (bass vocalist) soprano vocals: Signe Asmussen and Else Torp tenor vocals: Paul Bentley-Angell (Australian tenor) and Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) and Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) and Owen Roberts additional orchestrator: Thomas Bryla orchestrator: Jóhann Jóhannsson (Icelandic musician and score composer) and Anthony Weeden (Conductor and orchestrator) concertmaster: Lucie Svehlova recorded at: Smecky Music Studios in Praha (Prague), Czechia recording of: Sapir‐Whorf composer: Jóhann Jóhannsson (Icelandic musician and score composer)		1:17
4	Hydraulic Lift additional sound engineer: Francesco Donadello and Ólafur Björn Ólafsson sound engineer: Preben Iwan (choir vocals [Theatre of Voices]) assistant engineer: Michal Hradisky and Vitek Kral (engineer) engineer: Jan Holzner producer: Jóhann Jóhannsson (Icelandic musician and score composer) mixer: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) and Daniel Kresco alto vocals: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) and Elenor Wiman bass vocals: Jakob Bloch Jespersen and Jakob Soelberg (bass vocalist) soprano vocals: Signe Asmussen and Else Torp tenor vocals: Paul Bentley-Angell (Australian tenor) and Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) and Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) and Owen Roberts additional orchestrator: Thomas Bryla orchestrator: Jóhann Jóhannsson (Icelandic musician and score composer) and Anthony Weeden (Conductor and orchestrator) concertmaster: Lucie Svehlova recorded at: Smecky Music Studios in Praha (Prague), Czechia recording of: Hydraulic Lift composer: Jóhann Jóhannsson (Icelandic musician and score composer)		3:32
5	First Encounter additional sound engineer: Francesco Donadello and Ólafur Björn Ólafsson sound engineer: Preben Iwan (choir vocals [Theatre of Voices]) assistant engineer: Michal Hradisky and Vitek Kral (engineer) engineer: Jan Holzner producer: Jóhann Jóhannsson (Icelandic musician and score composer) mixer: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) and Daniel Kresco alto vocals: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) and Elenor Wiman bass vocals: Jakob Bloch Jespersen and Jakob Soelberg (bass vocalist) soprano vocals: Signe Asmussen and Else Torp tenor vocals: Paul Bentley-Angell (Australian tenor) and Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) and Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) and Owen Roberts additional orchestrator: Thomas Bryla orchestrator: Jóhann Jóhannsson (Icelandic musician and score composer) and Anthony Weeden (Conductor and orchestrator) concertmaster: Lucie Svehlova recorded at: Smecky Music Studios in Praha (Prague), Czechia recording of: First Encounter composer: Jóhann Jóhannsson (Icelandic musician and score composer)		4:50
6	Transmutation at a Distance additional sound engineer: Francesco Donadello and Ólafur Björn Ólafsson sound engineer: Preben Iwan (choir vocals [Theatre of Voices]) assistant engineer: Michal Hradisky and Vitek Kral (engineer) engineer: Jan Holzner producer: Jóhann Jóhannsson (Icelandic musician and score composer) mixer: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) and Daniel Kresco alto vocals: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) and Elenor Wiman bass vocals: Jakob Bloch Jespersen and Jakob Soelberg (bass vocalist) soprano vocals: Signe Asmussen and Else Torp tenor vocals: Paul Bentley-Angell (Australian tenor) and Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) and Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) and Owen Roberts additional orchestrator: Thomas Bryla orchestrator: Jóhann Jóhannsson (Icelandic musician and score composer) and Anthony Weeden (Conductor and orchestrator) concertmaster: Lucie Svehlova recorded at: Smecky Music Studios in Praha (Prague), Czechia recording of: Transmutation at a Distance composer: Jóhann Jóhannsson (Icelandic musician and score composer)		1:35
7	Around-The-Clock-News additional sound engineer: Francesco Donadello and Ólafur Björn Ólafsson sound engineer: Preben Iwan (choir vocals [Theatre of Voices]) assistant engineer: Michal Hradisky and Vitek Kral (engineer) engineer: Jan Holzner producer: Jóhann Jóhannsson (Icelandic musician and score composer) mixer: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) and Daniel Kresco alto vocals: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) and Elenor Wiman bass vocals: Jakob Bloch Jespersen and Jakob Soelberg (bass vocalist) soprano vocals: Signe Asmussen and Else Torp tenor vocals: Paul Bentley-Angell (Australian tenor) and Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) and Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) and Owen Roberts additional orchestrator: Thomas Bryla orchestrator: Jóhann Jóhannsson (Icelandic musician and score composer) and Anthony Weeden (Conductor and orchestrator) concertmaster: Lucie Svehlova recorded at: Smecky Music Studios in Praha (Prague), Czechia recording of: Around the Clock News composer: Jóhann Jóhannsson (Icelandic musician and score composer)		1:35
8	Xenolinguistics additional sound engineer: Francesco Donadello and Ólafur Björn Ólafsson sound engineer: Preben Iwan (choir vocals [Theatre of Voices]) assistant engineer: Michal Hradisky and Vitek Kral (engineer) engineer: Jan Holzner producer: Jóhann Jóhannsson (Icelandic musician and score composer) mixer: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) and Daniel Kresco alto vocals: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) and Elenor Wiman bass vocals: Jakob Bloch Jespersen and Jakob Soelberg (bass vocalist) soprano vocals: Signe Asmussen and Else Torp tenor vocals: Paul Bentley-Angell (Australian tenor) and Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) and Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) and Owen Roberts additional orchestrator: Thomas Bryla orchestrator: Jóhann Jóhannsson (Icelandic musician and score composer) and Anthony Weeden (Conductor and orchestrator) concertmaster: Lucie Svehlova recorded at: Smecky Music Studios in Praha (Prague), Czechia recording of: Xenolinguistics composer: Jóhann Jóhannsson (Icelandic musician and score composer)		3:29
9	Ultimatum additional sound engineer: Francesco Donadello and Ólafur Björn Ólafsson sound engineer: Preben Iwan (choir vocals [Theatre of Voices]) assistant engineer: Michal Hradisky and Vitek Kral (engineer) engineer: Jan Holzner producer: Jóhann Jóhannsson (Icelandic musician and score composer) mixer: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) and Daniel Kresco alto vocals: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) and Elenor Wiman bass vocals: Jakob Bloch Jespersen and Jakob Soelberg (bass vocalist) soprano vocals: Signe Asmussen and Else Torp tenor vocals: Paul Bentley-Angell (Australian tenor) and Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) and Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) and Owen Roberts additional orchestrator: Thomas Bryla orchestrator: Jóhann Jóhannsson (Icelandic musician and score composer) and Anthony Weeden (Conductor and orchestrator) concertmaster: Lucie Svehlova recorded at: Smecky Music Studios in Praha (Prague), Czechia recording of: Ultimatum composer: Jóhann Jóhannsson (Icelandic musician and score composer)		1:52
10	Principle of Least Time additional sound engineer: Francesco Donadello and Ólafur Björn Ólafsson sound engineer: Preben Iwan (choir vocals [Theatre of Voices]) assistant engineer: Michal Hradisky and Vitek Kral (engineer) engineer: Jan Holzner producer: Jóhann Jóhannsson (Icelandic musician and score composer) mixer: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) and Daniel Kresco alto vocals: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) and Elenor Wiman bass vocals: Jakob Bloch Jespersen and Jakob Soelberg (bass vocalist) soprano vocals: Signe Asmussen and Else Torp tenor vocals: Paul Bentley-Angell (Australian tenor) and Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) and Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) and Owen Roberts additional orchestrator: Thomas Bryla orchestrator: Jóhann Jóhannsson (Icelandic musician and score composer) and Anthony Weeden (Conductor and orchestrator) concertmaster: Lucie Svehlova recorded at: Smecky Music Studios in Praha (Prague), Czechia recording of: Principle of Least Time composer: Jóhann Jóhannsson (Icelandic musician and score composer)		1:20
11	Hazmat additional sound engineer: Francesco Donadello and Ólafur Björn Ólafsson sound engineer: Preben Iwan (choir vocals [Theatre of Voices]) assistant engineer: Michal Hradisky and Vitek Kral (engineer) engineer: Jan Holzner producer: Jóhann Jóhannsson (Icelandic musician and score composer) mixer: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) and Daniel Kresco alto vocals: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) and Elenor Wiman bass vocals: Jakob Bloch Jespersen and Jakob Soelberg (bass vocalist) soprano vocals: Signe Asmussen and Else Torp tenor vocals: Paul Bentley-Angell (Australian tenor) and Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) and Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) and Owen Roberts additional orchestrator: Thomas Bryla orchestrator: Jóhann Jóhannsson (Icelandic musician and score composer) and Anthony Weeden (Conductor and orchestrator) concertmaster: Lucie Svehlova recorded at: Smecky Music Studios in Praha (Prague), Czechia recording of: Hazmat composer: Jóhann Jóhannsson (Icelandic musician and score composer)		4:49
12	Hammers and Nails additional sound engineer: Francesco Donadello and Ólafur Björn Ólafsson sound engineer: Preben Iwan (choir vocals [Theatre of Voices]) assistant engineer: Michal Hradisky and Vitek Kral (engineer) engineer: Jan Holzner producer: Jóhann Jóhannsson (Icelandic musician and score composer) mixer: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) and Daniel Kresco alto vocals: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) and Elenor Wiman bass vocals: Jakob Bloch Jespersen and Jakob Soelberg (bass vocalist) soprano vocals: Signe Asmussen and Else Torp tenor vocals: Paul Bentley-Angell (Australian tenor) and Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) and Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) and Owen Roberts additional orchestrator: Thomas Bryla orchestrator: Jóhann Jóhannsson (Icelandic musician and score composer) and Anthony Weeden (Conductor and orchestrator) concertmaster: Lucie Svehlova recorded at: Smecky Music Studios in Praha (Prague), Czechia recording of: Hammers and Nails composer: Jóhann Jóhannsson (Icelandic musician and score composer)	3	2:32
13	Xenoanthropology additional sound engineer: Francesco Donadello and Ólafur Björn Ólafsson sound engineer: Preben Iwan (choir vocals [Theatre of Voices]) assistant engineer: Michal Hradisky and Vitek Kral (engineer) engineer: Jan Holzner producer: Jóhann Jóhannsson (Icelandic musician and score composer) mixer: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) and Daniel Kresco alto vocals: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) and Elenor Wiman bass vocals: Jakob Bloch Jespersen and Jakob Soelberg (bass vocalist) soprano vocals: Signe Asmussen and Else Torp tenor vocals: Paul Bentley-Angell (Australian tenor) and Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) and Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) and Owen Roberts additional orchestrator: Thomas Bryla orchestrator: Jóhann Jóhannsson (Icelandic musician and score composer) and Anthony Weeden (Conductor and orchestrator) concertmaster: Lucie Svehlova recorded at: Smecky Music Studios in Praha (Prague), Czechia recording of: Xenoanthropology composer: Jóhann Jóhannsson (Icelandic musician and score composer)		3:08
14	Non-Zero-Sum Game additional sound engineer: Francesco Donadello and Ólafur Björn Ólafsson sound engineer: Preben Iwan (choir vocals [Theatre of Voices]) assistant engineer: Michal Hradisky and Vitek Kral (engineer) engineer: Jan Holzner producer: Jóhann Jóhannsson (Icelandic musician and score composer) mixer: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) and Daniel Kresco alto vocals: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) and Elenor Wiman bass vocals: Jakob Bloch Jespersen and Jakob Soelberg (bass vocalist) soprano vocals: Signe Asmussen and Else Torp tenor vocals: Paul Bentley-Angell (Australian tenor) and Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) and Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) and Owen Roberts additional orchestrator: Thomas Bryla orchestrator: Jóhann Jóhannsson (Icelandic musician and score composer) and Anthony Weeden (Conductor and orchestrator) concertmaster: Lucie Svehlova recorded at: Smecky Music Studios in Praha (Prague), Czechia recording of: Non‐Zero‐Sum Game composer: Jóhann Jóhannsson (Icelandic musician and score composer)		4:18
15	Properties of Explosive Materials additional sound engineer: Francesco Donadello and Ólafur Björn Ólafsson sound engineer: Preben Iwan (choir vocals [Theatre of Voices]) assistant engineer: Michal Hradisky and Vitek Kral (engineer) engineer: Jan Holzner producer: Jóhann Jóhannsson (Icelandic musician and score composer) mixer: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) and Daniel Kresco alto vocals: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) and Elenor Wiman bass vocals: Jakob Bloch Jespersen and Jakob Soelberg (bass vocalist) soprano vocals: Signe Asmussen and Else Torp tenor vocals: Paul Bentley-Angell (Australian tenor) and Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) and Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) and Owen Roberts additional orchestrator: Thomas Bryla orchestrator: Jóhann Jóhannsson (Icelandic musician and score composer) and Anthony Weeden (Conductor and orchestrator) concertmaster: Lucie Svehlova recorded at: Smecky Music Studios in Praha (Prague), Czechia recording of: Properties of Explosive Materials composer: Jóhann Jóhannsson (Icelandic musician and score composer)		3:31
16	Escalation additional sound engineer: Francesco Donadello and Ólafur Björn Ólafsson sound engineer: Preben Iwan (choir vocals [Theatre of Voices]) assistant engineer: Michal Hradisky and Vitek Kral (engineer) engineer: Jan Holzner producer: Jóhann Jóhannsson (Icelandic musician and score composer) mixer: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) and Daniel Kresco alto vocals: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) and Elenor Wiman bass vocals: Jakob Bloch Jespersen and Jakob Soelberg (bass vocalist) soprano vocals: Signe Asmussen and Else Torp tenor vocals: Paul Bentley-Angell (Australian tenor) and Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) and Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) and Owen Roberts additional orchestrator: Thomas Bryla orchestrator: Jóhann Jóhannsson (Icelandic musician and score composer) and Anthony Weeden (Conductor and orchestrator) concertmaster: Lucie Svehlova recorded at: Smecky Music Studios in Praha (Prague), Czechia recording of: Escalation composer: Jóhann Jóhannsson (Icelandic musician and score composer)		2:02
17	Decyphering additional sound engineer: Francesco Donadello and Ólafur Björn Ólafsson sound engineer: Preben Iwan (choir vocals [Theatre of Voices]) assistant engineer: Michal Hradisky and Vitek Kral (engineer) engineer: Jan Holzner producer: Jóhann Jóhannsson (Icelandic musician and score composer) mixer: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) and Daniel Kresco alto vocals: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) and Elenor Wiman bass vocals: Jakob Bloch Jespersen and Jakob Soelberg (bass vocalist) soprano vocals: Signe Asmussen and Else Torp tenor vocals: Paul Bentley-Angell (Australian tenor) and Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) and Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) soprano vocals arranger: Signe Asmussen vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) and Owen Roberts additional orchestrator: Thomas Bryla orchestrator: Jóhann Jóhannsson (Icelandic musician and score composer) and Anthony Weeden (Conductor and orchestrator) concertmaster: Lucie Svehlova recorded at: Smecky Music Studios in Praha (Prague), Czechia recording of: Decyphering composer: Jóhann Jóhannsson (Icelandic musician and score composer)		2:05
18	One of Twelve additional sound engineer: Francesco Donadello and Ólafur Björn Ólafsson sound engineer: Preben Iwan (choir vocals [Theatre of Voices]) assistant engineer: Michal Hradisky and Vitek Kral (engineer) engineer: Jan Holzner producer: Jóhann Jóhannsson (Icelandic musician and score composer) mixer: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) and Daniel Kresco alto vocals: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) and Elenor Wiman bass vocals: Jakob Bloch Jespersen and Jakob Soelberg (bass vocalist) soprano vocals: Signe Asmussen and Else Torp tenor vocals: Paul Bentley-Angell (Australian tenor) and Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) and Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) and Owen Roberts additional orchestrator: Thomas Bryla orchestrator: Jóhann Jóhannsson (Icelandic musician and score composer) and Anthony Weeden (Conductor and orchestrator) concertmaster: Lucie Svehlova recorded at: Smecky Music Studios in Praha (Prague), Czechia recording of: One of Twelve composer: Jóhann Jóhannsson (Icelandic musician and score composer)		3:09
19	Rise additional sound engineer: Francesco Donadello and Ólafur Björn Ólafsson sound engineer: Preben Iwan (choir vocals [Theatre of Voices]) assistant engineer: Michal Hradisky and Vitek Kral (engineer) engineer: Jan Holzner producer: Jóhann Jóhannsson (Icelandic musician and score composer) mixer: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) and Daniel Kresco alto vocals: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) and Elenor Wiman bass vocals: Jakob Bloch Jespersen and Jakob Soelberg (bass vocalist) soprano vocals: Signe Asmussen and Else Torp tenor vocals: Paul Bentley-Angell (Australian tenor) and Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) and Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) and Owen Roberts additional orchestrator: Thomas Bryla orchestrator: Jóhann Jóhannsson (Icelandic musician and score composer) and Anthony Weeden (Conductor and orchestrator) concertmaster: Lucie Svehlova recorded at: Smecky Music Studios in Praha (Prague), Czechia recording of: Rise composer: Jóhann Jóhannsson (Icelandic musician and score composer)		1:47
20	Kangaru additional sound engineer: Francesco Donadello and Ólafur Björn Ólafsson sound engineer: Preben Iwan (choir vocals [Theatre of Voices]) assistant engineer: Michal Hradisky and Vitek Kral (engineer) engineer: Jan Holzner producer: Jóhann Jóhannsson (Icelandic musician and score composer) mixer: Paul Corley, Jóhann Jóhannsson (Icelandic musician and score composer) and Daniel Kresco alto vocals: Ellen Marie Brink Christensen, Kristin Mulders (mezzo‐soprano) and Elenor Wiman bass vocals: Jakob Bloch Jespersen and Jakob Soelberg (bass vocalist) soprano vocals: Signe Asmussen and Else Torp tenor vocals: Paul Bentley-Angell (Australian tenor) and Chris Watson (tenor) vocals: Theatre of Voices (vocal ensemble founded by Paul Hillier) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) and Anthony Weeden (Conductor and orchestrator) arranger: Jóhann Jóhannsson (Icelandic musician and score composer) vocals arranger: Jóhann Jóhannsson (Icelandic musician and score composer) and Owen Roberts additional orchestrator: Thomas Bryla orchestrator: Jóhann Jóhannsson (Icelandic musician and score composer) and Anthony Weeden (Conductor and orchestrator) concertmaster: Lucie Svehlova recorded at: Smecky Music Studios in Praha (Prague), Czechia recording of: Kangaru composer: Jóhann Jóhannsson (Icelandic musician and score composer)		2:57
21	Hannah		2:50
22	Epilogue		6:03

4▶CD: Orphée

5▶CD: The Mercy

6▶CD: Englabörn remastered (2017)

7▶CD: Englabörn variations

8▶CD: 12 Conversations With Thilo Heinzmann

9▶DVD: Live at Funkhaus Berlin 2016

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Discogs:	https://www.discogs.com/release/15931613 [info]

Retrospective II

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