My Baby Just Cares for Me

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
3.853:39
2Ain’t Got No, I Got Life
Sologesang:
Nina Simone
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1968)
aufgenommen bei:
University of California, Berkeley in Berkeley, California (Kalifornien), Vereinigte Staaten (am 1969-04-26)
Bearbeitung von:
Ain’t Got No‐I Got Life (live, 1969‐04‐26: University of California, Berkeley, CA, USA) von Nina Simone
live cover recording of:
Ain’t Got No, I Got Life (am 1969-04-26)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Medley von:
I Got Life (from “Hair”)
Medley von:
Ain’t Got No (from “Hair”)
4:39
3To Be Young Gifted and Black
Sologesang:
Nina Simone
aufgenommen bei:
University of California, Berkeley in Berkeley, California (Kalifornien), Vereinigte Staaten (am 1969-04-26)
Bearbeitung von:
To Be Young, Gifted and Black (live, 1969‐04‐26: University of California, Berkeley, CA, USA) von Nina Simone
live recording of:
To Be Young, Gifted and Black (am 1969-04-26)
Texter:
Weldon Irvine
Komponist(in):
Nina Simone
recording of:
To Be Young, Gifted and Black
Texter:
Weldon Irvine
Komponist(in):
Nina Simone
6:21
4Don’t Let Me Be Misunderstood
Sologesang:
Nina Simone
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
Bearbeitung von:
Don’t Let Me Be Misunderstood (live, 1968‐06‐16: Montreux Jazz Festival, Montreux, Switzerland) von Nina Simone
live cover recording of:
Don’t Let Me Be Misunderstood (am 1968-06-16)
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
23:51
5He’s Got the Whole World in His Hand
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
vocals:
Nina Simone (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
cover recording of:
He’s Got the Whole World in His Hands (in 1957-12)
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
Thandewye Music (publisher; do NOT use as release label)
3:10
6Mississippi Goddamn
Gitarre:
Rudy Stevenson (am 1964-04-04)
Klavier und Sologesang:
Nina Simone (am 1964-04-04)
Kontrabass:
Lisle Atkinson (am 1964-04-04)
membranophone und Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-04-04)
Hintergrundgesang:
Lisle Atkinson (am 1964-04-04), Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-04-04) und Rudy Stevenson (am 1964-04-04)
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-04-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 172)
live recording of:
Mississippi Goddam (am 1964-04-04)
Texter und Komponist(in):
Nina Simone
publisher:
Sam Fox Publishing Co. (LDN) Ltd. und Sam Fox Publishing Company (publisher; do NOT use as release label)
Teil von:
Martin Luther King Suite
4.54:39
7Mood Indigo
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Phillips (publisher; do NOT use as release label) (in 1966)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Mood Indigo (1930 jazz composition and song) (in 1957-12)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
54:01
8For All We Know
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
vocals:
Nina Simone (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
cover recording of:
For All We Know (1934 song) (in 1957-12)
Texter:
Sam M. Lewis (1930s lyricist) (in 1934)
Komponist(in):
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (beendet), Cromwell Music, Inc. (beendet), EMI Feist Catalog Inc. (beendet), Leo Feist, Inc. (beendet), Redwood Music Ltd. (Carlin) (beendet), Tro-Cromwell Music, Inc. (beendet), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company und Toy Town Tunes, Inc.
4:00
9I Sing Just to Know I’m Alive
Bass:
Al Shackman
Gitarre:
Arthur Adams (US blues singer, guitarist & songwriter)
Klavier:
Nina Simone
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
live recording of:
I Sing Just to Know That I’m Alive (in 1985)
Texter und Komponist(in):
Nina Simone
publisher:
Thandewye Music (publisher; do NOT use as release label)
3:45
10I Want a Little Sugar in My Bowl
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1974)
live recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (in 1985)
Verfasser(in):
James “Tim” Brymn, Nina Simone, Dally Small und Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
Version von:
Need a Little Sugar in My Bowl (Bessie Smith's version)
live cover recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version)
Verfasser(in):
James “Tim” Brymn, Nina Simone, Dally Small und Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
Version von:
Need a Little Sugar in My Bowl (Bessie Smith's version)
recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version)
Verfasser(in):
James “Tim” Brymn, Nina Simone, Dally Small und Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
Version von:
Need a Little Sugar in My Bowl (Bessie Smith's version)
cover recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version)
Verfasser(in):
James “Tim” Brymn, Nina Simone, Dally Small und Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
Version von:
Need a Little Sugar in My Bowl (Bessie Smith's version)
3:28
11He Needs Me
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
He Needs Me (in 1957-12)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Warner Chappell North America
52:29
12Little Girl Blue
Bass:
Jimmy Bond (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Little Girl Blue (in 1957-12)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
44:18
13Pirate Jenny
Bass:
Al Shackman
Gitarre:
Arthur Adams (US blues singer, guitarist & songwriter)
Klavier:
Nina Simone
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
phonographisches Urheberrecht (℗) von:
Phillips (publisher; do NOT use as release label) (in 1964)
live cover recording of:
The Threepenny Opera: Pirate Jenny (Marc Blitzstein translation) (in 1985)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer)
publisher:
Universal Edition Ltd. (publisher; do NOT use as release label) und Weill-Brecht-Harms Co., Inc.
übersetzte Version von:
Die Dreigroschenoper: Akt I. Die Seeräuberjenny
4:47
14Plain Gold Ring
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
PolyGram Records Inch (not for release label use! US division of PolyGram) (in 1964)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Plain Gold Ring (in 1957-12)
Texter:
George Stone (composer)
Komponist(in):
Blue Sky Black Death (US hip hop production duo), Earl Burroughs und George Stone (composer)
publisher:
Thandewye Music (publisher; do NOT use as release label) und Hank Snow Music (am 1959-09-21)
33:49
15The Other Woman
Bass:
Al Shackman
Gitarre:
Arthur Adams (US blues singer, guitarist & songwriter)
Klavier:
Nina Simone
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
phonographisches Urheberrecht (℗) von:
VPI Records USA (in 1987)
live cover recording of:
The Other Woman (in 1985)
Texter und Komponist(in):
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
cover recording of:
The Other Woman
Texter und Komponist(in):
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
4:17
16Touching and Caring
recording of:
Touching and Caring
Texter und Komponist(in):
Eddie Singleton
5:28
17You Must Have Another Lover
recording of:
You Must Have Another Lover
Texter und Komponist(in):
Arthur Adams (US blues singer, guitarist & songwriter)
4:28
18No Opportunity Necessary, No Experience Needed
Sologesang:
Nina Simone
aufgenommen bei:
University of California, Berkeley in Berkeley, California (Kalifornien), Vereinigte Staaten (am 1969-04-26)
Bearbeitung von:
No Opportunity Necessary, No Experience Needed (live, 1969‐04‐26: University of California, Berkeley, CA, USA) von Nina Simone
live cover recording of:
No Opportunity Necessary, No Experience Needed (am 1969-04-26)
Texter und Komponist(in):
Richie Havens
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Nicklewhistle Music
cover recording of:
No Opportunity Necessary, No Experience Needed
Texter und Komponist(in):
Richie Havens
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Nicklewhistle Music
4:21
2▶CD