| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Against All Odds- Techniker(in):
- Jeremy Smith und Lewis Hahn
- Produzent(in):
- Arif Mardin
- Keyboard:
- Rob Mounsey
- Schlagzeug und Sologesang:
- Phil Collins
- conductor:
- Arif Mardin
- phonographisches Urheberrecht (℗) von:
- Atlantic Recording Corporation (in 1999)
- recording of:
- Against All Odds (Take a Look at Me Now)
- Texter und Komponist(in):
- Phil Collins
- publisher:
- Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing , EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (in 1984), EMI Music Publishing Ltd. (in 1984), Golden Torch Music Corp. (in 1984) und Hit & Run Music (Publishing) Ltd (in 1984)
- sub-publisher:
- EMI Music Publishing Germany GmbH , Imagem Music GmbH , Sony Music Publishing (Japan) Inc. , ヤマハミュージックエンタテインメントホールディングス , コンソーシアム音楽出版 C・F事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (vom 2021-07-01 bis heute)
- Teil von:
- The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
| Phil Collins | 3.8 | 3:26 |
| 2 | Have I Told You Lately | Rod Stewart | | 4:01 |
| 3 | To Where You Are | Josh Groban | | 3:54 |
| 4 | Kissing a Fool | Michael Bublé | 4 | 4:36 |
| 5 | Unforgettable (Duet with Nat “King” Cole) | Natalie Cole, Nat King Cole | | 3:31 |
| 6 | The Greatest Love of All | George Benson | | 3:35 |
| 7 | Ebony and Ivory- Assistent recording engineer:
- Mike Stavrou (von 1981-02-28 bis 1981-10)
- recording engineer:
- Geoff Emerick (von 1981-02-28 bis 1981-10)
- Produzent(in):
- George Martin
- assistierende(r) Mix:
- Jon Jacobs (am 1982-01-19)
- Mix:
- Geoff Emerick (am 1982-01-19)
- E-Bass, Gitarre, Klavier und Vocoder:
- Paul McCartney (von 1981-02-28 bis 1981-10)
- Hybrid-Piano und Schlagzeug:
- Stevie Wonder (von 1981-02-28 bis 1981-10)
- Perkussion, Synthesizer und Hintergrundgesang und Sologesang:
- Paul McCartney (von 1981-02-28 bis 1981-10) und Stevie Wonder (von 1981-02-28 bis 1981-10)
- arranger:
- George Martin und Paul McCartney
- phonographisches Urheberrecht (℗) von:
- MPL Communications Inc. (in 1982)
- aufgenommen bei:
- AIR Studios Montserrat in Saint Peter, Montserrat (am 1981-02-28), Air Recording Studio No. 1 in London , England, Vereinigtes Königreich (am 1981-03-30) und Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich (in 1981-10)
- mixed at:
- Air Recording Studio No. 1 in London , England, Vereinigtes Königreich (am 1982-01-19)
- recording of:
- Ebony and Ivory (von 1981-02-28 bis 1981-10)
- Texter und Komponist(in):
- Paul McCartney
- publisher:
- MPL Communications Ltd.
- Parodieversion von:
- Curdled Milk and Boot Polish
| Paul McCartney & Stevie Wonder | 3.25 | 3:43 |
| 8 | Holding Back the Years | Simply Red | 4 | 4:30 |
| 9 | After the Love Has Gone- recording of:
- After the Love Has Gone
- Verfasser(in):
- Bill Champlin, David Foster und Jay Graydon
- publisher:
- Copyright Control , EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music , Irving Music, Inc., Music Sales Corporation , Ninth Music und Noted for the Record
- sub-publisher:
- Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. und フジパシフィックミュージック SBK事業部
| Earth, Wind & Fire | 4 | 3:40 |
| 10 | Wishing on a Star | Rose Royce | | 3:59 |
| 11 | Arthur’s Theme (Best That You Can Do)- assistierende(r) Techniker(in):
- Stuart Gitlin und Margaret Gwynne
- zusätzliche(r) Techniker(in):
- John Guess, Lee Herschberg, Mark Linett und Richard Mullen
- Produzent(in):
- Michael Omartian
- Mix:
- Chet Himes
- Sologesang:
- Christopher Cross
- conductor:
- Michael Omartian
- Saiteninstrumente arranger:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer und Michael Omartian
- concertmaster:
- Assa Drori
- phonographisches Urheberrecht (℗) von:
- Warner Bros. Records Inc. (in 1981, in 1983)
- aufgenommen bei und mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- Teil von:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 19)
- recording of:
- Arthur’s Theme (Best That You Can Do)
- Verfasser(in):
- Peter Allen , Burt Bacharach, Carole Bayer Sager und Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing , Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス und ユニバーサル・ミュージック・パブリッシング Synch事業部
- Teil von:
- The 54th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1981 winner)
| Christopher Cross | 5 | 3:54 |
| 12 | The Man With the Child in His Eyes | Kate Bush | | 2:41 |
| 13 | Love Is | Stevie Nicks | | 4:32 |
| 14 | Hands | Jewel | | 3:48 |
| 15 | Crucify | Tori Amos | 4.4 | 5:02 |
| 16 | Strange and Beautiful (I’ll Put a Spell on You) | Aqualung | | 3:50 |
| 17 | Songbird | Fleetwood Mac | | 3:19 |
| 18 | Easy | Faith No More | 4 | 3:04 |