The Symphony Edition

~ Release by Claudio Abbado (see all versions of this release, 1 available)

Annotation

Limited Edition: Box with 41 CDs

Annotation last modified on 2013-11-14 13:44 UTC.

Tracklist

1▶CD: Mozart: Symphonies Nos.35, 29 & 33
2▶CD: Mozart: Symphonies Nos.38 & 41
3▶CD: Mozart: Symphonies Nos.39 & 40
4▶CD: Haydn: Symphonies Nos.93, 96 & 98
5▶CD: Haydn: Symphonies Nos.100, 101 & 102
6▶CD: Haydn: Symphony No.103; Sinfonia Concertante No.105
7▶CD: Beethoven: Symphonies Nos.1 & 3
8▶CD: Beethoven: Symphonies Nos.2 & 4
9▶CD: Beethoven: Symphonies Nos.5 & 6
10▶CD: Beethoven: Symphonies Nos.7 & 8
11▶CD: Beethoven: Symphony No.9
12▶CD: Schubert: Symphonies Nos.1, 2 & 3
13▶CD: Schubert: Symphonies Nos.4 & 8
14▶CD: Schubert: Symphonies Nos.5 & 6
15▶CD: Schubert: Symphony No.9
16▶CD: Schubert: Music For "Rosamunde"
17▶CD: Mendelssohn: Symphony No.1; Scherzo; Overtures "A Midsummer Night's Dream" & "The Hebrides"
18▶CD: Mendelssohn: Symphony No.2 "Hymn Of Praise"
19▶CD: Mendelssohn: Symphony No.3 "Scottish"; Overture "The Fair Melusine"; "Trumpet Overture"; "Ruy Blas"
20▶CD: Mendelssohn: Symphonies Nos.4 "Italian" & 5 "Reformation"; Overture For Wind Instruments
21▶CD: Brahms: Symphony No.1
22▶CD: Brahms: Symphony No.2
23▶CD: Brahms: Symphony No.3
24▶CD: Brahms: Symphony No.4
25▶CD: Brahms: Serenades No.1 & 2
26▶CD: Bruckner: Symphony No.1
27▶CD: Bruckner: Symphony No.4
28▶CD: Bruckner: Symphony No.5
29▶CD: Bruckner: Symphony No.7
30▶CD: Bruckner: Symphony No.9
31▶CD: Mahler: Symphony No.1
32▶CD: Mahler: Symphony No.2
33▶CD: Mahler: Symphony No.3 (Part 1)
34▶CD: Mahler: Symphony No.3 (Part 2)
35▶CD: Mahler: Symphony No.4
36▶CD: Mahler: Symphony No.5
37▶CD: Mahler: Symphony No.6
38▶CD: Mahler: Symphony No.7
39▶CD: Mahler: Symphony No.8 (Part 1)
40▼CD: Mahler: Symphony No.8 (Part 2)
#TitleArtistRatingLength
1Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": I. Poco Adagio
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:50
2Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": II. Più mosso. (Allegro moderato)
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:16
3Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": III. Wieder langsam. Chor und Echo. "Waldung, sie schwankt heran"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02) and Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:46
4Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": IV. Moderato. Pater ecstaticus. "Ewiger Wonnebrand"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
baritone vocals [Pater ecstaticus]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1994-02) and Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:54
5Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": V. Allegro - (Allegro appassionato). Pater profundus. "Wie Felsenabgrund mir zu Füßen"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:42
6Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": VI. Allegro deciso. (Im Anfang noch nicht eilen). Chor der Engel. "Gerettet ist das edle Glied der Geisterwelt vom Bösen" - Chor seliger Knaben. "Hände verschlinget euch"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02), Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:03
7Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II":VII. Moto leggiero. Chor der jüngeren Engel. "Jene Rosen, aus den Händen"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (in 1994-02)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:53
8Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": VIII. Schon etwas langsamer und immer noch mäßiger - Wie die gleiche Stelle im I. Teil. Die vollendeten Engel. "Uns bleibt ein Erdenrest"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:04
9Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": IX. Am Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel. "Ich spür' soeben nebelnd um Felsenhöh", Doctor Marianus. "Hier ist die Aussicht frei", Chor der seligen Knaben. "Freudig empfangen wir"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
tenor vocals [Doctor Manianus]:
Peter Seifert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (in 1994-02)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (in 1994-02)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:19
10Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": X. Sempre l'istesso tempo. Doctor Marianus. "Höchste Herrscherin der Welt"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seifert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02) and Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:02
11Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": XI. Äußerst lamgsam. Anagissimo. "Dir, der Unberührbaren", Chor der Büßerinnen und Una poenitentium. "Du schwebst zu Höhen der ewigen Reiche"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02)
solo soprano vocals [Una Poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02) and Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:53
12Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": XII. Fließend. Magna Peccatrix. "Bei der Liebe, die den Füßen", Mulier Samaritana. "Bei dem Bronn, zu dem schon weiland", Maria Aegyptiaca. "Bei dem hochgeweihten Orte"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:57
13Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": XIII. Una poenitentium. "Neige, neige, du Ohnegleiche"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler0:54
14Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": XIV. Unmerklich frischer werden. Selige Knaben. "Er überwächst uns schon", Una poenitentium. "Vom edlen Geisterchor umgeben"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (in 1994-02)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (in 1994-02)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:24
15Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": XV. Sehr langsam. Mater gloriosa. "Komm! hebe dich zu höhern Sphären", Hymnenartig (Ungefähr im selben Zeitmaß weiter) Doctor Marianus. "Blicket auf zum Retterblick, alle reuig Zarten"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02), Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler7:16
16Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": XVI. Sehr langsam beginnend. Chorus mysticus. "Alles Vergängliche ist nur ein Gleichnis"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
baritone vocals [Pater ecstaticus]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-02)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02), Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:43
41▶CD: Mahler: Symphony No.9