1000 klassiekers: De absolute top, vol. 4

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

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#TitoloArtistaValutazioneDurata
1Our Darkness
registrazione di:
Our Darkness
paroliere e compositore:
Anne Clark (English poet, songwriter and electronic musician) e David Harrow (English record producer, DJ, and multimedia artist)
editore:
BMG 10 Music Ltd., Red Flame Music Ltd. e Virgin Music (Publishers) Ltd.
Anne Clark45:19
2Love Will Tear Us Apart
produttore:
Joy Division e Martin Hannett
registrazione di:
Love Will Tear Us Apart
paroliere:
Ian Curtis
compositore:
Ian Curtis, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division3.653:11
3The Reflex
produttore:
Duran Duran (English rock band), Ian Little (producer, engineer, songwriter) e Alex Sadkin
tecnico di missaggio:
Jason Corsaro (U.S. music engineer, and record producer) e Nile Rodgers
remixer:
Jason Corsaro (U.S. music engineer, and record producer) e Nile Rodgers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1983, nel 1998)
edit di:
The Reflex di Duran Duran (English rock band)
registrazione di:
The Reflex
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
Beechwood de México, S.A. de C.V., EMI Music Publishing (do not use as a release label!) e Gloucester Place Music Ltd.
Duran Duran3.854:23
4Karma Chameleon
tecnico:
Simon Frith, Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
armonica (a bocca) ospite :
Judd Lander (nel 1983)
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte , sitar , sitar elettrico e tastiera :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
tastiera ospite :
Phil Pickett (songwriter, producer, keyboard player) (nel 1983)
voce di accompagnamento:
Helen Terry (UK singer) (nel 1983)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983, nel 2002, nel 2003)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
Karma Chameleon di Culture Club (English pop group)
registrazione di:
Karma Chameleon (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss e Phil Pickett (songwriter, producer, keyboard player)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e BMG VM Music Ltd. (dal 2013-05 a oggi)
Culture Club44:11
5Lovely Day
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrazione di:
Lovely Day
autore:
Skip Scarborough e Bill Withers
editore:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers43:48
6Amoureux solitaires
registrazione di:
Amoureux solitaires
paroliere:
Elli Medeiros
compositore:
Jacno
traduttore:
Jacques Duvall
versione di:
Lonely Lovers
Lio3:34
7The look
programmazione:
Anders Herrlin (nel 1988-08) e Clarence Öfwerman (nel 1988-08)
tecnico:
Anders Herrlin e Alar Suurna
produttore:
Clarence Öfwerman
tecnico di missaggio:
Marie Fredriksson, Per Gessle (Swedish singer and guitarist), Clarence Öfwerman e Alar Suurna
batteria e charleston :
Pelle Alsing (nel 1988-08)
chitarra basso :
Anders Herrlin (nel 1988-08)
chitarra classica :
Erik Borelius (nel 1988-08)
chitarra elettrica :
Jonas Isacsson (nel 1988-08)
chitarra slide :
Janne Oldaeus (nel 1988-08)
sassofono :
Erik Häusler (nel 1988-08)
tastiera :
Clarence Öfwerman (nel 1988-08)
voce di accompagnamento:
Marie Fredriksson (nel 1988-08), Per Gessle (Swedish singer and guitarist) (nel 1988-08) e Clarence Öfwerman (nel 1988-08)
voce principale:
Marie Fredriksson (nel 1988-08) e Per Gessle (Swedish singer and guitarist) (nel 1988-08)
diritti fonografici (℗) detenuti da:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) e EMI Svenska AB (not for release label use!)
registrata presso:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia (nel 1988-08)
mixata presso:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia
registrazione di:
The Look (nel 1988-08)
paroliere e compositore:
Per Gessle (Swedish singer and guitarist)
editore:
Jimmy Fun Music
Roxette3.63:58
8You’re My Heart, You’re My Soul
registrazione di:
You’re My Heart, You’re My Soul
paroliere e compositore:
Steve Benson (German songwriter Dieter Bohlen)
editore:
Arabella Musikverlag GmbH, Blue Obsession, Hansa Musikverlag, Hanseatic Musikverlag (German music publishing company owned by Warner Chappell Music), Hanseatic Musikverlag GmbH (since 2017) e Warner Chappell
Modern Talking3:18
9Rock Me Amadeus
produttore:
Ferdi Bolland e Rob Bolland
diritti fonografici (℗) detenuti da:
GiG Records (Austrian label) (nel 1985) e TELDEC Record Service GmbH (not for release label use! manufacturing and distribution company) (nel 1985)
video musicali:
Rock Me Amadeus di Falco (Austrian pop & rock musician)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 15) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 87)
registrazione di:
Rock Me Amadeus (nel 1985)
paroliere:
Ferdi Bolland, Rob Bolland e Falco (Austrian pop & rock musician)
compositore:
Ferdi Bolland e Rob Bolland
editore:
Bolland Music, Manuskript (not for release label use! this is only for copyrights and publishing relationships) e Nada Music (Dutch publisher)
Falco3.653:21
10Superfreak
tecnico di registrazione e tecnico di missaggio:
Tom "Super" Flye
assistente tecnico:
Rick "Port Hole" Sanchez
tecnico:
Bobby Brooks (US producer/engineer/remixer), Rick "Port Hole" Sanchez e Tom "Super" Flye
produttore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
produttore esecutivo:
Alonzo Miller (Singer-songwriter, producer)
altri strumenti [flexatone] e vibraslap :
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
basso :
Oscar Alston
batteria :
Lanise Hughes
battimani e percussione :
Oscar Alston, Rick James (US vocalist, multi‐instrumentalist, composer & producer) e Tom McDermott (guitarist)
chitarra :
Tom McDermott (guitarist)
pianoforte elettrico e sintetizzatore [Crumar] :
Levi Ruffin, Jr.
sassofono tenore :
Daniel LeMelle
voce di accompagnamento:
Dennis Edwards (US soul & R’n’B singer), Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street e Otis Williams (US baritone singer, member of The Temptations & The Distants)
arrangiatore corno :
Daniel LeMelle e Rick James (US vocalist, multi‐instrumentalist, composer & producer)
arrangiatore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
registrata presso:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti (voce di accompagnamento) e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 153) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 477)
registrazione di:
Super Freak
paroliere e compositore:
Alonzo Miller (Singer-songwriter, producer) e Rick James (US vocalist, multi‐instrumentalist, composer & producer)
editore:
Jobete Music Co., Inc. e Stone Diamond Music Corporation
Rick James4.153:18
11How Bizarre
tecnico e produttore:
Alan Jansson
tecnico aggiunto e tecnico di missaggio aggiunto:
Rick Huntington
chitarra :
Lee Baker (NZ guitarist)
fisarmonica :
Hershal Herscher
tromba :
George Chisholm (jazz trombonist (1915-1997))
voce di accompagnamento:
Sina Saipaia
diritti fonografici (℗) detenuti da:
Universal Music NZ Ltd. (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (nel 1995)
registrazione di:
How Bizarre
autore:
Pauly Fuemana e Alan Jansson
editore:
Lamont Music
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 34)
OMC3.953:45
12Tell It to My Heart
produttore:
Ric Wake
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1987) e Arista Records, LLC (holding company - file NO releases here!) (nel 1987)
registrazione di:
Tell It to My Heart
autore:
Ernie Gold e Seth Swirsky
editore:
Chappell Music, Inc. (publisher), Goldpoint e Intersong Music
Taylor Dayne3.753:38
13Such a Shame
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1984)
registrazione di:
Such a Shame
paroliere e compositore:
Mark Hollis
editore:
Hollis Songs Ltd., Island Music (Island Music Ltd.), Island Music Ltd., Universal Music Ltd. (Hong Kong holding company - do not use as imprint. Legal name of Universal Music Hong Kong.), Universal–Songs of PolyGram International, Inc. e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Talk Talk3:58
14True Colors
tecnico e tecnico di missaggio:
Bryan McGee (sound engineer)
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
registrazione di:
True Colors
autore:
Billy Steinberg e Tom Kelly (songwriter)
editore:
Sony Tunes, Inc. (conclusa), Brain Drain Music (work publisher), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) e Tennman Tunes
registrazione dal vivo di:
True Colors
autore:
Billy Steinberg e Tom Kelly (songwriter)
editore:
Sony Tunes, Inc. (conclusa), Brain Drain Music (work publisher), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) e Tennman Tunes
Cyndi Lauper4.653:47
15Gold
registrazione di:
Gold
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet34:46
16Stars
tecnico e tecnico di missaggio:
Daren Klein
co-produttore:
Mick Hucknall (lead singer of Simply Red)
produttore:
Stewart Levine (record producer and saxophonist)
registrazione di:
Stars
paroliere e compositore:
Mick Hucknall (lead singer of Simply Red)
Simply Red2.84:07
17Lieve kleine Piranha
produttore:
Wouter Van Belle (Belgian producer & musician)
diritti fonografici (℗) detenuti da:
Virgin Belgium NV (nel 1998)
registrazione di:
Lieve kleine piranha
autore:
Geert Bonne (Belgian drummer), Wout De Schutter (Belgian bass player) e Luc De Vos (Singer & songwriter of Belgian band Gorki/Gorky)
editore:
Lipstick Notes
Gorki3:10
18Making Plans for Nigel
tecnico:
Hugh Padgham
produttore:
Steve Lillywhite
batteria :
Terry Chambers
chitarra basso e voce principale:
Colin Moulding
chitarra elettrica :
Dave Gregory (XTC) e Andy Partridge
voce di accompagnamento:
Andy Partridge
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 477)
registrazione di:
Making Plans for Nigel
paroliere e compositore:
Colin Moulding
editore:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) e Virgin Music (Publishers) Ltd.
XTC4.54:07
19Let’s Hear It for the Boy
produttore:
George Duke
tecnico di missaggio:
Tom Perry (engineer), Tommy Vicari e Erik Zobler
batteria elettronica [Linn Drums] , minimoog [Mini-Moog] , moog [Memory Moog] e sintetizzatore analogico [Prophet V] :
George Duke
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussione :
Paulinho da Costa (Brazilian percussionist)
voce di accompagnamento:
George Merrill, Shannon Rubicam e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Let’s Hear It for the Boy
paroliere:
Dean Pitchford
compositore:
Thomas Snow (US keyboardist/songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Deniece Williams3.64:20
20I’m Every Woman
programmazione:
James T. Alfano e Chauncey Mahan
tecnico:
Marc Reyburn e Matt Rohr (Recording Engineer)
tecnico aggiunto:
Richard Joseph (recording engineer and musician) e Acar Key
produttore:
Narada Michael Walden
produttore aggiunto:
Robert Clivillés (record producer, songwriter, arranger, music video director) e David Cole (US musician/producer, member of C+C Music Factory)
tecnico di missaggio:
Bob Rosa
arrangiatore voci aggiunto:
Robert Clivillés (record producer, songwriter, arranger, music video director) e David Cole (US musician/producer, member of C+C Music Factory)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1992)
registrata presso:
Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti e Tarpan Studios in San Rafael, California, Stati Uniti
registrazione cover di:
I’m Every Woman (nel 1992)
autore:
Nickolas Ashford e Valerie Simpson
editore:
Nick‐O‐Val Music Co., Inc.
Whitney Houston4.24:45

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parte di:1000 klassiekers: De absolute top (Series of compilation albums by Belgian radio station Radio 2) (ordine: 4)