| # | Title | Artist | Rating | Length |
|---|
| 1 | Candyman | Christina Aguilera | 3.5 | 3:15 |
| 2 | Qué hiciste (radio edit) | Jennifer Lopez | | 4:33 |
| 3 | Hips Don't Lie | Shakira | 3.4 | 3:39 |
| 4 | Rehab- assistant recording engineer:
- Jesse Gladstone and Mike Makowski
- recording engineer:
- Vaughan Merrick and Mark Ronson
- miscellaneous support:
- Isobel Griffiths (task: contractor / orchestra)
- engineer:
- Dom Morley
- producer:
- Mark Ronson
- assistant mixer:
- Matt Paul
- mixer:
- Tom Elmhirst
- alto saxophone:
- Chris Davies and Andy Mackintosh
- baritone saxophone:
- Dave Bishop and Ian Hendrickson-Smith
- bass guitar:
- Nick Movshon
- cello:
- John Heley , Joely Koos and Anthony Pleeth
- drums (drum set):
- Homer Steinweiss
- electric piano, handclaps and piano and piano:
- Victor Axelrod
- guitar:
- Thomas Brenneck and Binky Griptite
- handclaps:
- Vaughan Merrick and Mark Ronson
- harp:
- Helen Tunstall
- percussion:
- Frank Ricotti
- tenor saxophone:
- Mike Smith , Neal Sugarman and Jamie Talbot
- trombone:
- Richard Edwards
- trumpet:
- Dave Guy and Steve Sidwell
- viola:
- Rachel Bolt , Jonathan Thorne , Bruce White and Katie Wilkinson
- violin:
- Mark Berrow , Elizabeth Edwards , Peter Hanson , Boguslaw Kostecki , Perry Montague‐Mason , Everton Nelson , Tom Pigott‐Smith , Jonathan Rees, Chris Tombling and Warren Zielinski
- conductor:
- Chris Elliott
- strings arranger:
- Chris Elliott
- wind instruments arranger:
- Gabriel Roth and Mark Ronson
- arranger:
- Gabriel Roth
- recorded at:
- Chung King Studios in New York, New York, United States, Daptone’s House of Soul in Bushwick, New York, New York, United States and Metropolis in London , England, United Kingdom
- part of:
- Amazon – Best Songs of 2007: Editor Picks (number: 57), Billboard: The 500 Best Pop Songs (number: 73) and Indie 88: Top 500 Indie Rock Songs (number: 419)
- recording of:
- Rehab
- lyricist and composer:
- Amy Winehouse
- publisher:
- EMI Music Publishing
| Amy Winehouse | 4.15 | 3:34 |
| 5 | Don't Cha | Pussycat Dolls | 3.9 | 4:31 |
| 6 | El temperamento (Spanish single version) | Marquess | | 3:22 |
| 7 | Corazón espinado- additional engineer:
- Steve Fontano
- assistant engineer:
- Tony Flores , Andy Haller, Claudio Leiva and Adam Olmsted
- engineer and mixer:
- Benny Faccone
- co-producer:
- Alex González
- producer:
- Fher and K.C. Porter
- creative direction:
- José Quintana
- congas:
- Raul Rekow
- guest bass guitar:
- Juan Diego Calleros Ramos
- guest drums (drum set) and guest background vocals:
- Alex González
- guest guitar:
- Sergio Vallín Loera
- guitar:
- Carlos Santana
- keyboard:
- Alberto Salas and Chester Thompson
- percussion and timbales:
- Karl Perazzo
- background vocals:
- Gonzalo Chomat
- guest lead vocals:
- Fher
- chorus master:
- José Quintana
- guest performer:
- Maná
- performer:
- Maná
- mixed at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States and The Record Plant in Sausalito, California, United States
- engineered at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States, Fantasy Studios in Berkeley, California, United States and The Record Plant in Sausalito, California, United States
- recording of:
- Corazón espinado
- lyricist and composer:
- Fher Olvera
- publisher:
- EMI April Music Inc. and Yelapa Songs
| Santana | 4.05 | 4:36 |
| 8 | Stars Are Blind | Paris Hilton | 2.5 | 4:00 |
| 9 | Different Places (alternative radio) | Gentleman | | 3:59 |
| 10 | Smile | Lily Allen | 3.7 | 3:15 |
| 11 | Like a Boy (main version) | Ciara | | 3:59 |
| 12 | Give Me the Food (album version) | Miss Platnum | | 3:12 |
| 13 | Blinded by the Light | Michael Mind feat. Manfred Mann’s Earth Band | 3.5 | 2:48 |
| 14 | Proper Education | Eric Prydz vs. Floyd | 3 | 3:21 |
| 15 | For You (original radio edit) | The Disco Boys | 3 | 3:44 |
| 16 | Sunny (Mousse T. radio Mix) | Boney M. | | 3:22 |
| 17 | Habibi (je t'aime) (Beathoavenz remix) | Milk & Honey | | 3:39 |
| 18 | Lucky Day | Sasha | 4 | 3:18 |
| 19 | Frauen regier'n die Welt | Roger Cicero | | 2:57 |