Bach 333: Sacred Cantatas III

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Cantatas 20, 2, 7, 135 (1724)
2▶CD: Cantatas 10, 93, 107, 178 (1724)
3▶CD: Cantatas 94, 101, 113 (1724)
4▶CD: Cantatas 33, 78, 99, 8 (1724)
5▶CD: Cantatas 130, 114, 96, 5 (1724)
6▶CD: Cantatas 180, 38, 115, 139 (1724)
7▶CD: Cantatas 26, 116, 62, 91, 121 (1724)
8▼CD: Cantatas 133, 122, 41, 123 (1724-1725)
#TitleRatingLength
1"Ich freue mich in dir", BWV 133: 1. [Chorale:] "Ich freue mich in dir"
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr. Isabella de Sabata
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
recording of:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
4:14
2"Ich freue mich in dir", BWV 133: 2. Aria: "Getrost! es fasst ein heilger Leib"
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr. Isabella de Sabata
countertenor vocals [alto]:
Derek Lee Ragin (countertenor) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": II. Aria (Alt) "Getrost! es faßt ein heilger Leib" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
4:06
3"Ich freue mich in dir", BWV 133: 3. Recitative: "Ein Adam mag sich voller Schrecken"
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr. Isabella de Sabata
tenor vocals:
Julian Podger (English tenor vocalist & choral conductor) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": III. Recitativo (Tenor) "Ein Adam mag sich voller Schrecken" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
0:59
4"Ich freue mich in dir", BWV 133: 4. Aria: "Wie lieblich klingt es in den Ohren"
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr. Isabella de Sabata
soprano vocals:
Katherine Fuge (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": IV. Aria (Sopran) "Wie lieblich klingt es in den Ohren" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
7:24
5"Ich freue mich in dir", BWV 133: 5. Recitative: "Wohlan! Des Todes Furcht und Schmerz"
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr. Isabella de Sabata
bass vocals:
Gotthold Schwarz (bass-baritone/conductor) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": V. Recitativo (Bass) "Wohlan, des Todes Furcht und Schmerz" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
0:58
6"Ich freue mich in dir", BWV 133: 6. Chorale: "Wohlan! so will ich mich"
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr. Isabella de Sabata
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": VI. Choral "Wohlan, so will ich mich" (in 1998-12)
lyricist:
Caspar Ziegler (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 181)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
1:08
7"Das neugeborene Kindelein", BWV 122: 1. [Chorale:] "Das neugeborne Kindelein"
sound engineer:
Rita Hermeyer (from 2003-06-07 until 2003-06-10)
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-06-07 until 2003-06-10)
performer:
Bach Collegium Japan (from 2003-06-07 until 2003-06-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2003-06-07 until 2003-06-10)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": I. Coro "Das neugeborne Kindelein" (from 2003-06-07 until 2003-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
2:55
8"Das neugeborene Kindelein", BWV 122: 2. Aria: "O Menschen, die ihr täglich sündigt"
sound engineer:
Rita Hermeyer (from 2003-06-07 until 2003-06-10)
producer:
Marion Schwebel
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2003-06-07 until 2003-06-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-06-07 until 2003-06-10)
performer:
Bach Collegium Japan (from 2003-06-07 until 2003-06-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2003-06-07 until 2003-06-10)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": II. Aria (Bass) "O Menschen, die ihr täglich sündigt" (from 2003-06-07 until 2003-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
5:10
9"Das neugeborene Kindelein", BWV 122: 3. Recitative: "Die Engel, welche sich zuvor"
sound engineer:
Rita Hermeyer (from 2003-06-07 until 2003-06-10)
producer:
Marion Schwebel
soprano vocals:
Yukari Nonoshita (from 2003-06-07 until 2003-06-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-06-07 until 2003-06-10)
performer:
Bach Collegium Japan (from 2003-06-07 until 2003-06-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2003-06-07 until 2003-06-10)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": III. Recitativo (Sopran) "Die Engel, welche sich zuvor" (from 2003-06-07 until 2003-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
1:16
10"Das neugeborene Kindelein", BWV 122: 4. Aria: "Ist Gott versöhnt und unser Freund"
sound engineer:
Rita Hermeyer (from 2003-06-07 until 2003-06-10)
producer:
Marion Schwebel
soprano vocals:
Yukari Nonoshita (from 2003-06-07 until 2003-06-10)
tenor vocals:
Timothy Kenworthy-Brown (from 2003-06-07 until 2003-06-10) and Makoto Sakurada (from 2003-06-07 until 2003-06-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-06-07 until 2003-06-10)
performer:
Bach Collegium Japan (from 2003-06-07 until 2003-06-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2003-06-07 until 2003-06-10)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": IV. Terzetto (Sopran, Alt, Tenor) con Choral (Coro Alt) "Ist Gott versöhnt" (from 2003-06-07 until 2003-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
2:03
11"Das neugeborene Kindelein", BWV 122: 5. Recitative: "Dies ist ein Tag, den selbst der Herr gernacht"
sound engineer:
Rita Hermeyer (from 2003-06-07 until 2003-06-10)
producer:
Marion Schwebel
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2003-06-07 until 2003-06-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-06-07 until 2003-06-10)
performer:
Bach Collegium Japan (from 2003-06-07 until 2003-06-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2003-06-07 until 2003-06-10)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": V. Recitativo (Bass) "Dies ist ein Tag, den selbst der Herr gemacht" (from 2003-06-07 until 2003-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
1:24
12"Das neugeborene Kindelein", BWV 122: 6. Chorale: "Er bringt das rechte Jubeljahr"
sound engineer:
Rita Hermeyer (from 2003-06-07 until 2003-06-10)
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-06-07 until 2003-06-10)
performer:
Bach Collegium Japan (from 2003-06-07 until 2003-06-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2003-06-07 until 2003-06-10)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": VI. Choral "Es bringt das rechte Jubeljahr" (from 2003-06-07 until 2003-06-10)
lyricist:
Cyriacus Schneegaß
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Breitkopf 389 Choralgesänge (number: 57)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
0:40
13"Jesu, nun sei gepreiset", BWV 41: 1. [Chorale:] "Jesu, nun sei gepreiset"
choir vocals:
Accentus (Chœur de chambre Accentus)
orchestra:
Ensemble baroque de Limoges
conductor:
Christophe Coin (cellist)
recorded at:
Die Evangelisch-Lutherische Friedenskirche zu Ponitz in Ponitz, Thüringen (Thuringia), Germany (in 1985-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": I. Coro "Jesu, nun sei gepreiset" (in 1985-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
8:22
14"Jesu, nun sei gepreiset", BWV 41: 2. Aria: "Lass uns, o höchster Gott, das Jahr vollbringen"
soprano vocals:
Barbara Schlick (soprano)
orchestra:
Ensemble baroque de Limoges
conductor:
Christophe Coin (cellist)
recorded at:
Die Evangelisch-Lutherische Friedenskirche zu Ponitz in Ponitz, Thüringen (Thuringia), Germany (in 1985-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": II. Aria (Soprano) "Laß uns, o höchster Gott, das Jahr vollbringen" (in 1985-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
5:34
15"Jesu, nun sei gepreiset", BWV 41: 3. Recitative: "Ach! deine Hand, dein Segen muss allein"
alto vocals:
Andreas Scholl (countertenor)
orchestra:
Ensemble baroque de Limoges
conductor:
Christophe Coin (cellist)
recorded at:
Die Evangelisch-Lutherische Friedenskirche zu Ponitz in Ponitz, Thüringen (Thuringia), Germany (in 1985-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": III. Recitativo (Alto) "Ach! deine Hand, dein Segen" (in 1985-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
1:02
16"Jesu, nun sei gepreiset", BWV 41: 4. Aria: "Woferne du den edlen Frieden"
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Ensemble baroque de Limoges
conductor:
Christophe Coin (cellist)
recorded at:
Die Evangelisch-Lutherische Friedenskirche zu Ponitz in Ponitz, Thüringen (Thuringia), Germany (in 1985-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": IV. Aria (Tenore) "Woferne du den edlen Frieden" (in 1985-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
8:42
17"Jesu, nun sei gepreiset", BWV 41: 5. Recitative: "Doch weil der Feind bei Tag und Nacht"
bass vocals:
Gotthold Schwarz (bass-baritone/conductor)
choir vocals:
Accentus (Chœur de chambre Accentus)
orchestra:
Ensemble baroque de Limoges
conductor:
Christophe Coin (cellist)
recorded at:
Die Evangelisch-Lutherische Friedenskirche zu Ponitz in Ponitz, Thüringen (Thuringia), Germany (in 1985-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": V. Recitativo (Basso) e Coro "Doch weil der Feind bei Tag und Nacht" (in 1985-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
1:02
18"Jesu, nun sei gepreiset", BWV 41: 6. Chorale: "Dein ist allein die Ehre"
choir vocals:
Accentus (Chœur de chambre Accentus)
orchestra:
Ensemble baroque de Limoges
conductor:
Christophe Coin (cellist)
recorded at:
Die Evangelisch-Lutherische Friedenskirche zu Ponitz in Ponitz, Thüringen (Thuringia), Germany (in 1985-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": VI. Choral "Dein ist allein die Ehre" (in 1985-10)
lyricist:
Johannes Hermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 204)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
2:11
19"Liebster Immanuel, Herzog der Frommen", BWV 123: 1. [Chorus:] "Liebster Immanuel, Herzog der Frommen"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-01-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-01-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-01-06)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-01-06)
live recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": I. Coro "Liebster Immanuel, Herzog der Frommen" (on 2000-01-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
5:10
20"Liebster Immanuel, Herzog der Frommen", BWV 123: 2. Recitative: "Die Himmelssüßigkeit, der Auserwähten Lust"
alto vocals:
Sally Bruce-Payne (on 2000-01-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-01-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-01-06)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-01-06)
live recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": II. Recitativo (Alt) "Die Himmelssüßigkeit, der Auserwähten Lust" (on 2000-01-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
0:47
21"Liebster Immanuel, Herzog der Frommen", BWV 123: 3. Aria: "Auch die harte Kreuzesreise"
tenor vocals:
James Gilchrist (British tenor) (on 2000-01-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-01-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-01-06)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-01-06)
live recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": III. Aria (Tenor) "Auch die harte Kreuzesreise" (on 2000-01-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
7:01
22"Liebster Immanuel, Herzog der Frommen", BWV 123: 4. Recitative: "Kein Höllenfeind kann mich verschlingen"
bass vocals:
Peter Harvey (bass-baritone) (on 2000-01-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-01-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-01-06)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-01-06)
live recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": IV. Recitativo (Bass) "Kein Höllenfeind kann mich verschlingen" (on 2000-01-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
0:38
23"Liebster Immanuel, Herzog der Frommen", BWV 123: 5. Aria: "Lass, o Welt, mich aus Verachtung"
bass vocals:
Peter Harvey (bass-baritone) (on 2000-01-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-01-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-01-06)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-01-06)
live recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": V. Aria (Bass) "Laß, o Welt, mich aus Verachtung" (on 2000-01-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
8:36
24"Liebster Immanuel, Herzog der Frommen", BWV 123: 6. Chorale: "Drum fahrt nur immer hin, ihr Eitelkeiten"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-01-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-01-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-01-06)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-01-06)
live recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": VI. Choral "Drum fahrt nur immer hin" (on 2000-01-06)
lyricist:
Ahasverus Fritsch
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-06)
part of:
Breitkopf 389 Choralgesänge (number: 229)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
1:14
9▶CD: Cantatas 124, 3, 111, 92 (1725)
10▶CD: Cantatas 125, 126, 127 (1725)
11▶CD: Cantatas 1, 6, 42 (1725)
12▶CD: Cantatas 85, 103, 108, 87, 128 (1725)
13▶CD: Cantatas 183, 74, 68, 175, 176 (1725)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]