Der Tag des Gerichts, Ino

~ Release by Georg Philipp Telemann (see all versions of this release, 1 available)

Tracklist

1▼CD
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1Der Tag des Gerichts TWV 6, 8 : 1. Betrachtung. Einleitung
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: I. Einleitung
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: II. Chor der Gläubigen: 'Der Herr kommt'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
3:55
2Der Tag des Gerichts TWV 6, 8 : 1. Betrachtung. Choro: »Der Herr kommt mit vieltausend Heiligen«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: II. Chor der Gläubigen: 'Der Herr kommt'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
1:34
3Der Tag des Gerichts TWV 6, 8 : 1. Betrachtung. Recitativo (Basso): »Ruft immerhin, des Pöbels Wut zu zähmen«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: III. Recitativo: 'Ruft immerhin des Pöbels Wut zu zähmen'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
0:51
4Der Tag des Gerichts TWV 6, 8 : 1. Betrachtung. Aria (Basso): »Fürchtet nur, fürchtet des Donnerers Schelten«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: IV. Aria: 'Fürchtet nur'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
7:49
5Der Tag des Gerichts TWV 6, 8 : 1. Betrachtung. Recitativo (Basso, Soprano, Tenore): »Wer ist, der kühn sein Joch zerreißt?«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: V. Recitativo: 'Wer ist, der kühn sein Joch zerreißt?'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
1:43
6Der Tag des Gerichts TWV 6, 8 : 1. Betrachtung. Aria (Tenore): »Jetzt weiß ich's, überkluge Köpfe«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: VI. Aria: 'Jetzt weiß ich's'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
4:48
7Der Tag des Gerichts TWV 6, 8 : 1. Betrachtung. Recitativo (Alto): »Genug der Schande bloßgestellt«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: VII. Recitativo: 'Genug der Schande bloßgestellt!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
1:08
8Der Tag des Gerichts TWV 6, 8 : 1. Betrachtung. Aria (Alto): »Des Sturmes Donnerstimmen schallen«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: VIII. Aria: 'Des Sturmes Donnerstimmen schallen, seht!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
6:34
9Der Tag des Gerichts TWV 6, 8 : 1. Betrachtung. Recitativo (Soprano): »Ganz recht, das Endliche vergeht«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: IX. Recitativo: 'Ganz recht, das Endliche vergeht'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
1:29
10Der Tag des Gerichts TWV 6, 8 : 1. Betrachtung. Coro: »Dann jauchzet der Gerechten Same«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: X. Chor der Gläubigen: 'Dann jauchzet der Gerechten Samme'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
2:33
11Der Tag des Gerichts TWV 6, 8 : 2. Betrachtung. Coro: »Es rauscht«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung: I. Chor: 'Es rauscht'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung
5:16
12Der Tag des Gerichts TWV 6, 8 : 2. Betrachtung. Recitativo accompagnato (Basso): »Da sind sie, der Verwüstung Zeichen!«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung: II. Accomp: 'Da sind sie, der Verwüstung Zeichen!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung
2:31
13Der Tag des Gerichts TWV 6, 8 : 2. Betrachtung. Aria (Basso): »Da kreuzen verzehrende Blitze«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung: III. Aria: 'Da kreuzen verzehrende Blitze'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung
4:45
14Der Tag des Gerichts TWV 6, 8 : 2. Betrachtung. Recitativo (Tenore): »Gewaltig Element!«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung: IV. Recitativo: 'Gewaltig Element!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung
1:01
15Der Tag des Gerichts TWV 6, 8 : 2. Betrachtung. Arioso (Soprano): »Ich aber schwinge mich empor«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Four soloists from th Wiener Sängerknaben (The Vienna Boys Choir) and Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung: V. Arioso: 'Ich aber schwinge mich empor'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung
2:06
16Der Tag des Gerichts TWV 6, 8 : 3. Betrachtung. Recitativo accompagnato (Alto): »Ich sehe, Gott, den Engel deiner Rache!«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: I. Accomp: 'Ich sehe, Gott!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
1:46
17Der Tag des Gerichts TWV 6, 8 : 3. Betrachtung. Arioso (Tenore): »So spricht der Herr, der mich gesandt«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: II. Arioso: 'So spricht der Herr, der mich gesandt'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
1:42
18Der Tag des Gerichts TWV 6, 8 : 3. Betrachtung. Recitativo (Alto): »Nun dränget sich der Kreis der ganzen Erde«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: III: Recitativo: 'Nun dränget sich der Kreis der ganzen'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
1:34
19Der Tag des Gerichts TWV 6, 8 : 3. Betrachtung. Aria (Basso): »Seid mir gesegnet, ihr Gerechten«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: IV. Jesus zu den Gläbigen: 'Seid mir gesegnet'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
2:31
20Der Tag des Gerichts TWV 6, 8 : 3. Betrachtung. Corale: »Du, Ehren König, Jesu Christ»
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: V. Chor der Gläubigen: 'Du Ehren König Jesu Christ'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
1:22
21Der Tag des Gerichts TWV 6, 8 : 3. Betrachtung. Recitativo (Tenore): »Da sitzet Er - o wie nenn' ich ihn?«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: VI. Recitativo: 'Da sitzet Er'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
1:06
22Der Tag des Gerichts TWV 6, 8 : 3. Betrachtung. Coro: »Ach Hilfe! Weh uns! Hilfe! Rat!«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: VII. Chor der Laster: 'Ach Hülfe!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
1:36
23Der Tag des Gerichts TWV 6, 8 : 3. Betrachtung. Recitativo (Tenore): »Wir flen umsonst. - Der Tod entweicht!«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
vocals:
Gertraud Landwehr-Herrmann (in 1966) and Monteverdi‐Chor Hamburg (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: VIII. Recitativo: 'Wir flehn umsonst'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
0:30
24Der Tag des Gerichts TWV 6, 8 : 3. Betrachtung. Aria (Basso): »Hinweg von meinem Angesichte!«
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien (Vienna), Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: IX. Aria: 'Hinweg von meinem Angesichte!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
2:44
2▶CD